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Blog Entry Pleasure and Pornography: Impassioned Objects
by Namita A. Malhotra published May 11, 2009 last modified Aug 02, 2011 08:35 AM — filed under: , , , , , , , ,
In this post, a third in the series documenting her CIS-RAW project, Pleasure and Pornography, Namita Malhotra explores the idea of fetish as examined by Anne McClintock (i) . This detour is an exploration of the notion of fetish, its histories and meanings, and how it might relate to the story of Indian porn.
Located in RAW / / Blogs / Porn: Law, Video & Technology
Blog Entry Pleasure and Pornography: Initial Encounters with the Unknown
by Namita A. Malhotra published Feb 03, 2009 last modified Aug 02, 2011 08:37 AM — filed under: , , , , , , ,
This blog entry is the first in a series by Namita Malhotra on her CIS-RAW project that is about pornography, Internet, sexuality, law, new media and technology. She aims for this to be a multi media and research project/journey which is able to cite and draw on various sources including legal studies, film studies and philosophy, academic and historical work on sexuality, art, film and pornography itself.
Located in RAW / / Blogs / Porn: Law, Video & Technology
Blog Entry Pleasure and Pornography: Pornography and the Blindfolded Gaze of the Law
by Namita A. Malhotra published Apr 02, 2009 last modified Aug 02, 2011 08:37 AM — filed under: , , , , , , , , , ,
In the legal discourse, pornography as a category is absent, except as an aggravated form of obscenity. Does this missing descriptive category assist in the rampant circulation of pornography, either online or offline? Rather than ask that question, Namita Malhotra, in this second post documenting her CIS-RAW project, explores certain judgments that indeed deal with pornographic texts and uncovers the squeamishness that ensures that pornography as an object keeps disappearing before the law.
Located in RAW / / Blogs / Porn: Law, Video & Technology
Blog Entry Reading the Fine Script: Service Providers, Terms and Conditions and Consumer Rights
by Jyoti Panday published Jul 02, 2014 last modified Jul 04, 2014 06:31 AM — filed under: , , , , , , , , , , ,
This year, an increasing number of incidents, related to consumer rights and service providers, have come to light. This blog illustrates the facts of the cases, and discusses the main issues at stake, namely, the role and responsibilities of providers of platforms for user-created content with regard to consumer rights.
Located in Internet Governance / Blog
Researchers At Work
by Nishant Shah published Sep 17, 2008 last modified Jan 04, 2012 05:27 AM — filed under: , , , , , , , , , , ,
CIS-RAW stands for Researchers at Work, a multidisciplinary research initiative by the Centre for Internet and Society, Bangalore. CIS firmly believes that in order to understand the contemporary concerns in the field of Internet and Society, it is necessary to produce local and contextual accounts of the interaction between the internet and socio-cultural and geo-political structures. The CIS-RAW programme hopes to produce one of the first documentations on the transactions and negotiations, relationships and correlations that the emergence of internet technologies has resulted in, specifically in the South. The CIS-RAW programme recognises ‘The Histories of the Internet and India’ as its focus for the first two years. Although many disciplines, organisations and interventions in various areas deal with internet technologies, there has been very little work in documenting the polymorphous growth of internet technologies and their relationship with society in India. The existing narratives of the internet are often riddled with absences or only focus on the mainstream interests of major stakeholders, like the state and the corporate. We find it imperative to excavate the three-decade histories of the internet to understand the contemporary concerns and questions in the field.
Located in RAW
Blog Entry The 'Dark Fibre' Files: Interview with Jamie King and Peter Mann
by Siddharth Chadha published Mar 27, 2009 last modified Aug 04, 2011 04:41 AM — filed under: , , , , , , , , ,
Film-makers Jamie King (producer/director of the 'Steal This Film' series) and Peter Mann, in conversation with Siddharth Chadha, on 'Dark Fibre', their latest production, being filmed in Bangalore
Located in Access to Knowledge / Blogs
The Future of the Moving Image
by Nishant Shah published Nov 10, 2008 last modified Nov 11, 2008 09:06 AM — filed under: , , , , , ,
All dissimilar technologies are the same in their own way, but all similar technologies are uniquely different. This was probably at the core of the zeitgeist at the international seminar on “The Future of Celluloid” hosted by the Media Lab at the Jadavpur University, Kolkata, at which Nishant Shah, Director - Research CIS, presented a research paper. Practitioners, film makers, artists, theoreticians and academics, blurring the boundaries of both their roles and their disciplines and areas of interest, came together to move beyond convergence theories – to explore the continuities, conflations, contestations and confusions that Internet Technologies have led to for earlier technologies, but specifically for the technology of the moving image.
Located in Research / Conferences & Workshops / Conference Blogs
Blog Entry Transforming urbanscapes: ATM in cities
by Prasad Krishna published Dec 17, 2010 last modified Mar 13, 2012 10:43 AM — filed under: ,
This is the first in series of posts where I will try and articulate the transformation in the urban landscape that one can attribute either directly or in-directly to information and communication technologies. I am keen in discussing changes that are more fundamental in terms of architectural typology and spatial constructs and all this while looking for things that are specific to an Indian city. And that is where the story becomes rather interesting; Indian cities are unique and so when a shift occurs in its material constructs it must be analyzed with reference to its peculiar context.
Located in RAW / / Blogs / Internet, Society and Space in Indian Cities