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Blog Entry Data bleeding everywhere: a story of period trackers
by Sumandro Chattapadhyay — published Jun 11, 2019 — last modified Dec 06, 2019 05:03 AM — filed under: , , , , , ,
This is an excerpt from an essay by Sadaf Khan, written for and published as part of the Bodies of Evidence collection of Deep Dives. The Bodies of Evidence collection, edited by Bishakha Datta and Richa Kaul Padte, is a collaboration between Point of View and the Centre for Internet and Society, undertaken as part of the Big Data for Development Network supported by International Development Research Centre, Canada.
Located in RAW
Blog Entry Can data ever know who we really are?
by Sumandro Chattapadhyay — published May 22, 2019 — last modified Dec 06, 2019 05:02 AM — filed under: , , , , , , ,
This is an excerpt from an essay by Zara Rahman, written for and published as part of the Bodies of Evidence collection of Deep Dives. The Bodies of Evidence collection, edited by Bishakha Datta and Richa Kaul Padte, is a collaboration between Point of View and the Centre for Internet and Society, undertaken as part of the Big Data for Development Network supported by International Development Research Centre, Canada.
Located in RAW
Blog Entry Silicon Plateau: Volume Two
by Puthiya Purayil Sneha — published Dec 19, 2018 — last modified Mar 13, 2019 01:01 AM — filed under: , , , , ,
Silicon Plateau is an art project and publishing series that explores the intersection of technology, culture and society in the Indian city of Bangalore. Each volume of the series is a themed repository for research, artworks, essays and interviews that observe the ways technology permeates the urban environment and the lives of its inhabitants. This project is an attempt at creating collaborative research into art and technology, beginning by inviting an interdisciplinary group of contributors (from artists, designers and writers, to researchers, anthropologists and entrepreneurs) to participate in the making of each volume.
Located in RAW
Blog Entry New Contexts and Sites of Humanities Practice in the Digital (Paper)
by Puthiya Purayil Sneha — published Jun 25, 2018 — last modified Dec 06, 2019 05:03 AM — filed under: , , , , ,
The ubiquitous presence of the ‘digital’ over the couple of decades has brought with it several important changes in interdisciplinary forms of research and knowledge production. Particularly in the arts and humanities, the role of digital technologies and internet has always been a rather contentious one, with more debate spurred now due to the growth of fields like humanities computing, digital humanities (henceforth DH) and cultural analytics. Even as these fields signal several shifts in scholarship, pedagogy and practice, portending a futuristic imagination of the role of technology in academia and practice on the one hand, they also reflect continuing challenges related to the digital divide, and more specifically politics around the growth and sustenance of the humanities disciplines. A specific criticism within more recent debates around the origin story of DH in fact, has been its Anglo-American framing, drawing upon a history in humanities computing and textual studies, and located within a larger neoliberal imagination of the university and academia. While this has been met with resistance from across different spaces, thus calling for more diversity and representation in the discourse, it is also reflective of the need to trace and contextualize more local forms of practice and pedagogy in the digital as efforts to address these global concerns. This essay by Puthiya Purayil Sneha draws upon excerpts from a study on the field of DH and related practices in India, to outline the diverse contexts of humanities practice with the advent of the digital and explore the developing discourse around DH in the Indian context.
Located in RAW
Blog Entry Making Humanities in the Digital: Embodiment and Framing in Bichitra and Indiancine.ma
by Puthiya Purayil Sneha — published Mar 31, 2018 — last modified Jun 25, 2018 12:50 PM — filed under: , , , ,
The growth of the internet and digital technologies in the last couple of decades, and the emergence of new ‘digital objects’ of enquiry has led to a rethinking of research methods across disciplines as well as innovative modes of creative practice. This chapter authored by Puthiya Purayil Sneha (published in 'Making Things and Drawing Boundaries: Experiments in the Digital Humanities' edited by Jentery Sayers) discusses some of the questions that arise around the processes by which digital objects are ‘made’ and made available for arts and humanities research and practice, by drawing on recent work in text and film archival initiatives in India.
Located in RAW
Blog Entry Exploring Big Data for Development: An Electricity Sector Case Study from India
by Sumandro Chattapadhyay — published Mar 29, 2017 — last modified Mar 16, 2019 04:33 AM — filed under: , , , , , ,
This working paper by Ritam Sengupta, Dr. Richard Heeks, Sumandro Chattapadhyay, and Dr. Christopher Foster draws from the field study undertaken by Ritam Sengupta, and is published by the Global Development Institute, University of Manchester. The field study was commissioned by the CIS, with support from the University of Manchester and the University of Sheffield.
Located in RAW
Blog Entry Indian Newspapers' Digital Transition
by Zeenab Aneez — published Dec 09, 2016 — last modified Dec 09, 2016 07:12 AM — filed under: , , , , , , ,
This report examines the digital transition underway at three leading newspapers in India, the Dainik Jagran in Hindi, English-language Hindustan Times, and Malayala Manorama in Malayalam. Our focus is on how they are changing their newsroom organisation and journalistic work to expand their digital presence and adapt to a changing media environment. The report comes out of a collaboration between the CIS and the Reuters Institute for the Study of Journalism, University of Oxford, and was supported by the latter. The research was undertaken by Zeenab Aneez, with contributions from Rasmus Kleis Nielsen, Vibodh Parthasarathi, and Sumandro Chattapadhyay.
Located in RAW
Blog Entry Privacy after Big Data: Compilation of Early Research
by Saumyaa Naidu — published Nov 12, 2016 — last modified Nov 12, 2016 01:37 AM — filed under: , , , , , , , ,
Evolving data science, technologies, techniques, and practices, including big data, are enabling shifts in how the public and private sectors carry out their functions and responsibilities, deliver services, and facilitate innovative production and service models to emerge. In this compilation we have put together a series of articles that we have developed as we explore the impacts – positive and negative – of big data. This is a growing body of research that we are exploring and is relevant to multiple areas of our work including privacy and surveillance. Feedback and comments on the compilation are welcome and appreciated.
Located in Internet Governance / Blog
Blog Entry Silicon Plateau Vol-1
by Sumandro Chattapadhyay — published Nov 28, 2015 — last modified Mar 13, 2019 12:56 AM — filed under: , , , , ,
This book marks the beginning of an interdisciplinary artistic project, Silicon Plateau, the scope of which is to observe how the arts, technology and society intersect in the city of Bangalore. Silicon Plateau is a collaboration between T.A.J. Residency & SKE Projects and the Researchers at Work (RAW) programme of the Centre for Internet and Society in Bangalore, India. Volume 1 has been developed in collaboration with or-bits.com.
Located in RAW
Blog Entry Digital Activism in Asia Reader
by Sumandro Chattapadhyay — published Aug 08, 2015 — last modified Oct 24, 2015 02:36 PM — filed under: , , , , , ,
The digital turn might as well be marked as an Asian turn. From flash-mobs in Taiwan to feminist mobilisations in India, from hybrid media strategies of Syrian activists to cultural protests in Thailand, we see the emergence of political acts that transform the citizen from being a beneficiary of change to becoming an agent of change. In co-shaping these changes, what the digital shall be used for, and what its consequences will be, are both up for speculation and negotiation. Digital Activism in Asia marks a particular shift where these questions are no longer being refracted through the ICT4D logic, or the West’s attempts to save Asia from itself, but shaped by multiplicity, unevenness, and urgencies of digital sites and users in Asia. It is our great pleasure to present the Digital Activism in Asia Reader.
Located in RAW
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