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Blog Entry Studying Digital Creative Industries in India: Initial Questions
by Puthiya Purayil Sneha published Mar 17, 2016 last modified Mar 18, 2016 01:55 PM — filed under: , , , ,
This brief overview of the discourse around creative industries is an attempt to explore some ways of identifying what could be digital creative industries in India, and the questions they raise and problematize for us in terms of cultural expression, knowledge production, creativity and labour. The term ‘creative industries’ has been around for a while now, but with the advent of the digital, and with interest from different sectors, especially with a focus on policy and economic development, it would be essential to critically examine the discourse around the term, and see where it may be changing to open up new possibilities, particularly for the arts, humanities and design.
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Blog Entry RAW Lectures #02: Anil Menon on 'Speculative Fiction and Freedom' - Video
by Puthiya Purayil Sneha published Feb 09, 2016 — filed under: , , , ,
Anil Menon spoke on 'Undermining the Tyrant’s Protocols: Speculative Fiction and Freedom' at the second event of the RAW Lectures series in Bangalore on January 13, 2016. Here is the video recording of the talk and the discussion that followed.
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The Zen of Pad.ma: 10 Lessons Learned from Running Open Access Online Video Archives in India and beyond
by Puthiya Purayil Sneha published Jan 28, 2016 last modified Jan 28, 2016 08:25 AM — filed under: , , , , , ,
Sebastian Lütgert and Jan Gerber, the co-initiators of, and the artists/programmers behind the pad.ma (Public Access Digital Media Archive) project will deliver a lecture at CIS on Wednesday, February 03, 6 pm, on their experiences of learnings from running open access online video archives in Germany, India, and Turkey. Please join us for coffee and vada at 5:30 pm.
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Blog Entry Living in the Archival Moment
by Puthiya Purayil Sneha published Dec 14, 2015 last modified Jun 30, 2016 05:08 AM — filed under: , , , ,
An extended survey of digital initiatives in arts and humanities practices in India was undertaken during the last year. Provocatively called 'mapping digital humanities in India', this enquiry began with the term 'digital humanities' itself, as a 'found' name for which one needs to excavate some meaning, context, and location in India at the present moment. Instead of importing this term to describe practices taking place in this country - especially when the term itself is relatively unstable and undefined even in the Anglo-American context - what I chose to do was to take a few steps back, and outline a few questions/conflicts that the digital practitioners in arts and humanities disciplines are grappling with. The final report of this study will be published serially. This is the fifth among seven sections.
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Blog Entry The Infrastructure Turn in the Humanities
by Puthiya Purayil Sneha published Dec 07, 2015 last modified Jun 30, 2016 05:07 AM — filed under: , , , ,
An extended survey of digital initiatives in arts and humanities practices in India was undertaken during the last year. Provocatively called 'mapping digital humanities in India', this enquiry began with the term 'digital humanities' itself, as a 'found' name for which one needs to excavate some meaning, context, and location in India at the present moment. Instead of importing this term to describe practices taking place in this country - especially when the term itself is relatively unstable and undefined even in the Anglo-American context - what I chose to do was to take a few steps back, and outline a few questions/conflicts that the digital practitioners in arts and humanities disciplines are grappling with. The final report of this study will be published serially. This is the fourth among seven sections.
Located in RAW
Blog Entry Reading from a Distance – Data as Text
by Puthiya Purayil Sneha published Dec 07, 2015 last modified Jun 30, 2016 05:06 AM — filed under: , , , ,
An extended survey of digital initiatives in arts and humanities practices in India was undertaken during the last year. Provocatively called 'mapping digital humanities in India', this enquiry began with the term 'digital humanities' itself, as a 'found' name for which one needs to excavate some meaning, context, and location in India at the present moment. Instead of importing this term to describe practices taking place in this country - especially when the term itself is relatively unstable and undefined even in the Anglo-American context - what I chose to do was to take a few steps back, and outline a few questions/conflicts that the digital practitioners in arts and humanities disciplines are grappling with. The final report of this study will be published serially. This is the third among seven sections.
Located in RAW
Blog Entry RAW Lectures #01: Nishant Shah on 'Stories and Histories of Internet in India' - Video
by Puthiya Purayil Sneha published Dec 01, 2015 last modified Feb 09, 2016 08:45 AM — filed under: , , ,
Dr. Nishant Shah spoke on the 'Stories and Histories of Internet in India' at the first event of the RAW Lectures series in Bangalore on March 6, 2015. Here is the video recording of the talk and the discussion that followed.
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Blog Entry A Question of Digital Humanities
by Puthiya Purayil Sneha published Nov 16, 2015 last modified Jun 30, 2016 05:06 AM — filed under: , , , , ,
An extended survey of digital initiatives in arts and humanities practices in India was undertaken during the last year. Provocatively called 'mapping digital humanities in India', this enquiry began with the term 'digital humanities' itself, as a 'found' name for which one needs to excavate some meaning, context, and location in India at the present moment. Instead of importing this term to describe practices taking place in this country - especially when the term itself is relatively unstable and undefined even in the Anglo-American context - what I chose to do was to take a few steps back, and outline a few questions/conflicts that the digital practitioners in arts and humanities disciplines are grappling with. The final report of this study will be published serially. This is the second among seven sections.
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Blog Entry Digital Humanities in India?
by Puthiya Purayil Sneha published Nov 12, 2015 last modified Jun 30, 2016 05:05 AM — filed under: , , , , ,
An extended survey of digital initiatives in arts and humanities practices in India was undertaken during the last year. Provocatively called 'mapping digital humanities in India', this enquiry began with the term 'digital humanities' itself, as a 'found' name for which one needs to excavate some meaning, context, and location in India at the present moment. Instead of importing this term to describe practices taking place in this country - especially when the term itself is relatively unstable and undefined even in the Anglo-American context - what I chose to do was to take a few steps back, and outline a few questions/conflicts that the digital practitioners in arts and humanities disciplines are grappling with. The final report of this study will be published serially. This is the first among seven sections.
Located in RAW
Blog Entry CIS Featured in 'Building Expertise to Support Digital Scholarship: A Global Perspective' Report
by Puthiya Purayil Sneha published Oct 16, 2015 last modified Oct 16, 2015 07:43 AM — filed under: , , ,
This report, authored by Vivian Lewis, Lisa Spiro, Xuemao Wang, and Jon E. Cawthorne, sheds light on the expertise required to support a robust and sustainable digital scholarship (DS) program. It focuses first on defining and describing the key domain knowledge, skills, competencies, and mindsets at some of the world’s most prominent digital scholarship programs. It then identifies the main strategies used to build this expertise, both formally and informally. The work is set in a global context, examining leading digital scholarship organizations in China, India, Taiwan, the United Kingdom, Germany, Mexico, Canada, and the United States. The report team visited and spoke to us last year, as part of the study. Here are the Executive Summary and link to the final report.
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