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    <item rdf:about="http://editors.cis-india.org/a2k/blogs/a-comparative-study-of-wikimedia-article-creation-campaigns-in-india-part-ii">
    <title>A Comparative Study of Article Creation Campaigns on Wikipedia - Part II</title>
    <link>http://editors.cis-india.org/a2k/blogs/a-comparative-study-of-wikimedia-article-creation-campaigns-in-india-part-ii</link>
    <description>
        &lt;b&gt;This is a short report on a comparative analysis of two prominent Wikimedia initiatives, Wikipedia Asian Month and Project Tiger,  to understand prevailing challenges and opportunities, and strategies to address the same. The report has been authored by Nitesh Gill with inputs from Suswetha Kolluru, and editorial oversight and support by Puthiya Purayil Sneha. This is part of a series of short-term studies undertaken by the CIS-A2K team in 2019–2020. &lt;/b&gt;
        
&lt;p class="discreet"&gt;&lt;a class="external-link" href="https://cis-india.org/a2k/blogs/a-comparative-study-of-wikimedia-article-creation-campaigns-in-india"&gt;Part &lt;/a&gt;I of this report outlined the research questions and methods of this study. Part II presents some of the observations and learnings.&amp;nbsp;&lt;/p&gt;
&lt;h3&gt;Observations and Analysis&lt;/h3&gt;
&lt;p&gt;Wikipedia Asian Month and Project Tiger are pilot projects and both are equally popular among Indian communities. They are similar projects but also have some unique aspects. Communities connect with each-other but in different ways. For example, as noted by an&amp;nbsp; organiser, Sailesh Patnaik, WAM has the following objectives: “ a) Supporting Small Wikipedia communities around the world (majorly Asian Language Wikipedias) b) Providing support to small local communities, to encourage growth and development c)Increase the cooperation among the Wikimedia communities and affiliates in Asia, d)Enriching Asian related culture, content, and enjoyment on Wikimedia projects.”&lt;/p&gt;
&lt;p&gt;Meenakshi Nandini, a Malaylam Wikimedian notes, “The Project Tiger contest gave me some best experiences. Through this project, I got support in the form of laptop and Internet access. That is very useful for me. In my view, it is a competition between the communities rather than individuals. I saw that participants wrote more articles in the Project tiger contest than in any other events.But, WAM helped to create more relevant and high-quality content than Project tiger.”&lt;/p&gt;
&lt;p&gt;Some common aspects for the both projects are below:&lt;/p&gt;
&lt;h3&gt;Motivation&lt;/h3&gt;
&lt;p dir="ltr"&gt;WAM is one of the initial projects to give a boost to volunteers across the world. Most of the editors are focussed on initiatives in their own languages, and WAM offered a common platform for Asian communities to work together on a project. According to the interviews of community members, the love for their languages inspired them to participate as well as create content in regional languages, communicate to other community members etc.&amp;nbsp;&lt;/p&gt;
&lt;p dir="ltr"&gt;As community member SangappaDyamani notes , “To enrich Kannada wiki articles, [I’m] happy to represent kn wiki in such an event, we can meet new editors, learn new tech used in other wiki etc.”&amp;nbsp;&lt;/p&gt;
&lt;p dir="ltr"&gt;Communities or community members began to take part in WAM when they had less opportunities or less ideas to grow their local Wikipedias. After this project began, communities or individuals have been motivated for their Wikipedia’s growth, and engaging more with regional languages and knowing about Asia or Asian culture. Many Indic languages were searching for a platform and WAM gave them a common platform to engage and create content in their regional languages. All interviews indicated the same point that it was a new idea and as every Indic language was developing at the time, this idea influenced most of the languages.&lt;/p&gt;
&lt;p dir="ltr"&gt;As&amp;nbsp; community member, Ramajit Tudu observes,&amp;nbsp; “As our Santali Wikipedia [went live], we all had lots of excitement to cover all types of the article[s] but prior to that we had articles on the regional topic only. At that time some of the other community members suggested we should take part in this editathon (WAM) and we felt It was a very nice campaign, it is an exchange and sharing of information among the Wikipedians of Asia.&amp;nbsp; Knowing about the person, place and subject about your own continent other than your own country and putting them in your own language is always an interesting job. In the year 2018, I was one of the coordinators and Jury for WAM - Santali language. As our community was growing in the year 2019 others were the co-ordinator and jury but still, I had contributed by participating in the editathon. Besides these, I support the editathon by creating the project page in Santali language.”&lt;/p&gt;
&lt;p dir="ltr"&gt;&amp;nbsp;Similarly,there are quite a number of motivational factors for volunteers who have been actively participating in Project Tiger. Firstly, it gives an opportunity to create several important and relevant articles that relate to their language Wikipedia that are presently missing. Secondly, in order to keep up the momentum among participants throughout the competition, it is designed in two phases and there is friendly competition between all the Indic communities that participated to secure the top position. The third and final motivational factor is cash prizes, in the form of Amazon vouchers, for top 3 individual contributors from each community and a three day &lt;a href="https://meta.wikimedia.org/wiki/Project_Tiger_Training_2018"&gt;offline Wiki workshop&lt;/a&gt; for all the active and major contributors from top performing communities.&lt;/p&gt;
&lt;p dir="ltr"&gt;“When it comes to a competition (between communities), there is a different kind of zeal and there are cash prizes too for extra motivation” says&amp;nbsp; User:Jagmit Brar from the Punjabi community who created more than 1000 articles under Project Tiger in both the iterations.&lt;/p&gt;
&lt;p dir="ltr"&gt;These motivation factors have definitely been a major reason why the contest witnessed immense engagement and reach among the Indian communities.&amp;nbsp;&lt;/p&gt;
&lt;h3&gt;&lt;br /&gt;&lt;/h3&gt;
&lt;h3&gt;Communication and Collaboration&lt;/h3&gt;
&lt;p dir="ltr"&gt;Communication is an important aspect of running these long duration editathons. So, the model is to engage local organizers and participants with early invitations. The team started contacting Asian communities a month before the start of the campaign.&amp;nbsp;&lt;/p&gt;
&lt;p dir="ltr"&gt;According to Rupika, the Communication and Media officer of WAM “One of the most difficult things about any project is when it is a new project and they are just trying to [let the] community know about the project. But for projects that are popular and well-established like Wikipedia Asian Month and Wiki Loves Monuments, they don’t have to work that much hard. But we do make sure that our efforts with local organisers are complete. So, we ask them to create a page a month or two before that project starts.”&amp;nbsp;&amp;nbsp;&lt;/p&gt;
&lt;p dir="ltr"&gt;The discussion started from the mailing lists. Thereafter, mass messages were dropped on all the village pumps and local organisers started discussion with their community members. A new meta page was designed for every iteration. After the notifying and instructions, interested communities add their names and make sure to participate in this project. The model of engaging the communities is through social media channels, emails or on-wiki. The central-notice is a more beneficial method for informing Wikimedia about WAM and also writing blogs for the updates on progress of the project.&amp;nbsp;&lt;/p&gt;
&lt;p dir="ltr"&gt;Also Wikipedia Asian Month’s primary objective was to collaborate with all the Asian countries as well as others to increase content related to Asia on Wikipedia. It started after a proper discussion and this collaboration was a huge experiment for organisers as well editors. The volunteers interviewed in the course of this study expressed that they are glad with the collaboration of different communities across the world on this campaign.&lt;/p&gt;
&lt;p dir="ltr"&gt;Collaboration is one of the main features which defines the objective of WAM. It helps the small communities to grow systematically and do something for their regional Wikipedias and learn from other international and national communities.WAM started with 40 plus communities and at present, the number of participating communities is over 70 due to its collaborative nature. Through its five iterations, many Wikipedia communities have been linked to each other and know about each other’s histories and culture etc. ‘Mourya Biswas, a Bengali wikimedian notes’, “Personally, organising WAM was a great deal of a learning experience as well with regard to how to go about organising an editathon with so many people contributing from across different parts of the world. I had hitherto very little experience on organising online editathons. A few tools were absolutely new to me. In the subsequent editathons that I have organised since then, I've learnt to use a few tools to coordinate, support and manage the editathon even more efficiently.”&lt;/p&gt;
&lt;p dir="ltr"&gt;Similarly communication engagement is an effective step of Project Tiger as well. Organisers announce the project on India mailing list then approach communities via village pumps so that they are aware of when the project will commence. Communities remain engaged with the project till three months. The communication channels include social media, emails and phone-calls. Jury members regularly remain in touch with organisers. Editors also communicate regularly with recipients of hardware support.&amp;nbsp;&lt;/p&gt;
&lt;p dir="ltr"&gt;Project Tiger, as a contest,&amp;nbsp; needs collaborative efforts in order to be a successful engagement with the communities, and the emphasis was on regular communication and discussions that resulted in strengthening the community further.&lt;/p&gt;
&lt;p dir="ltr"&gt;“We had Whatsapp groups with all the volunteers participating in the contest to strategise, resolve doubts, share ideas in order to create as many good quality articles as possible”, observes User:Parvathi Sridharan from Tamil Wiki community.&lt;/p&gt;
&lt;p dir="ltr"&gt;This contest/project not only saw engaging participation from existing and experienced volunteers, but also from many new ones. This contest has paved a way for new and enthusiastic people who were interested in contributing to Wikipedia. One way this happened is also through offline Wiki workshops conducted as part of outreach.&lt;/p&gt;
&lt;p style="text-align: justify;" dir="ltr"&gt;“This contest was a good chance to show how people in India are improving the access to knowledge across India and to the world. Many communities which were unnoticed came out during this PT writing contest and showed their community strength.” notes User:Gnoeee, from the Malayalam community who had contributed to English and Malayalam Wikipedia during&amp;nbsp; Project Tiger 1.0&lt;/p&gt;
&lt;h3&gt;&lt;br /&gt;&lt;/h3&gt;
&lt;h3&gt;Culture&lt;/h3&gt;
&lt;p&gt;WAM encourages cultural exchange by mediating online connections between communities and helping them learn about unique aspects of their respective countries and languages. During this project, Asian communities generate articles/content on their local Wikipedias, and also have an opportunity to find their cultural interests and ways to understand other cultures.&lt;/p&gt;
&lt;p&gt;As noted by Saliesh Patnaik, an Odia Wikipedian who is also the social media head for WAM, “This project also encourages cultural exchange within the community with the help of a month-long edit-a-thon which promotes the creation or improvement of the Wikipedia content about Asia except for their (the participant’s) own country.”&amp;nbsp;&lt;/p&gt;
&lt;p dir="ltr"&gt;“Wikipedia Asian Month is the one of the first kinds of campaigns not just in Asia but in the entire movement to involve so many small communities in this wide level. That individually has allowed so many different communities to grow and help them to learn how to systematically and structurally work together. Project Tiger and other contests came [in the later stages]&amp;nbsp; which really got communities involved. But when WAM started in 2015 it was the first contest where people participated internationally.” The editors’ enthusiasm towards WAM proves that they are interested in creating content across cultures and establishing their links with other non-Indian communities.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Just like WAM, Project Tiger also encourages cultural exchange and bridging cultural gaps. Through this project, Indic communities got a platform to connect with each other. During this contest, communities generate their own regional list regarding important articles for their local Wikipedias. Communities have the opportunity to contact other fellow Wikimedians from Indic languages. They talked to each other through existing groups to solve their issues which they faced during the contest.&amp;nbsp;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;During the training period for the winner and runner up community, there was a possibility to exchange their thoughts and ideas. Due to that on-ground activity, Wikimedians played their roles enthusiastically and got more motivated with other stories, experiences and cultural aspects like cuisine.&amp;nbsp; This is the way cultural exchange happened via Project Tiger.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;h3&gt;Grant Process&lt;/h3&gt;
&lt;p&gt;While projects under the Wikimedia movement are primarily run on the strength and interests of its volunteer community, there are specific aspects which require funding and support from collaborators such as the Wikimedia Foundation (WMF). For major events, the Wikimedia project needs a grant, depending&amp;nbsp; on time duration and objectives. Similarly, WAM, while not being a very high budget event, is supported by a &lt;a href="https://meta.wikimedia.org/wiki/Grants:Project/Rapid"&gt;rapid grant&lt;/a&gt; from the foundation. This rapid grant supports the work on purchasing and sending postcards, certificates, T-shirts, stickers &amp;amp; pins, advertisements on social media (Facebook, Twitter), infrastructure (AirTable membership, G-Suite subscription, etc.), &lt;a href="https://asianmonth.wiki/"&gt;domain&lt;/a&gt;, and the time of volunteers who are engaged in this work.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;For Project Tiger, CIS-A2K gets a grant from the Wikimedia Foundation. Selected applicants from any Indic language get hardware support which covers chromebooks/laptops and internet connectivity. Apart from it, during the contest Amazon vouchers were also given to the participants from each community who got the 1st, 2nd and 3rd rank for all the three months. These prizes are fixed for every month. There are also prizes for an overall winner community, and a runner up, which is in the form of a training session after the writing contest.&amp;nbsp;&lt;/p&gt;
&lt;h3&gt;&lt;br /&gt;&lt;/h3&gt;
&lt;h3&gt;Appreciation&lt;/h3&gt;
&lt;p dir="ltr"&gt;A token of appreciation is provided to participants, which is important to aid efforts. Under WAM, this appreciation is divided into two parts : Postcards &amp;amp; Certificates and Brand Ambassador. Postcards are given to those participants who created at least five articles about an Asian country. The postcards are sent by the same countries in appreciation of the contributors’ participation. This is a way to encourage new leadership and new editors. Certificates are also part of this appreciation, as a recognition of active participation and the importance of their work. As Aliva Sahoo, Odia Wikimedia, notes “When I wrote articles in 2016 I created a good number of articles. And that time I was happier because I got 4 or 5 postcards from different countries. My other community members also received postcards. That time I felt motivated to get postcards and I decided to create more articles next time and will collect more postcards. I think this kind of appreciation encourages volunteers and makes them happy.&lt;/p&gt;
&lt;p dir="ltr"&gt;&lt;span style="text-align: center;"&gt;The second form of appreciation is the Wikipedia Asian Month Ambassador. This is an honour from WAM to a Wikipedian who creates the most number of articles on their respective Wikipedia. In every iteration of WAM, ambassadors are chosen depending on the number and quality of contributions. By adding an element of competition, and using a title that does not suggest the same, the ambassador initiative plays a very important role in the event to enable more contributions. In the end, we have Wikipedians who are willing to receive other postcards by contributing 30-50 articles (relatively high quality according to our rules), which makes this event very successful and effective” Rupika Sharma, notes.&lt;/span&gt;&lt;/p&gt;
&lt;p dir="ltr"&gt;In Project Tiger as well, as a token of appreciation to all the top performing participants, prizes were given to the top 3 editors who created the most number of articles from each community, every month in the 3 month contest. Appreciation was&amp;nbsp; given in the form of a cash prize during the first iteration of the Project. After receiving a lot of feedback about this, gift vouchers are given in the second iteration instead of cash prizes.&lt;/p&gt;
&lt;p dir="ltr"&gt;Apart from this, merchandise such as stickers and t-shirts to other top contributors is also a practice that’s followed. The overall winner, runner up communities and few other top contributors and juries from remaining communities later attend a three day workshop as part of the Project Tiger community prize, on the topics of their preference.&amp;nbsp;&lt;/p&gt;
&lt;h3&gt;&lt;br /&gt;&lt;/h3&gt;
&lt;h3&gt;Fountain tool&lt;/h3&gt;
&lt;p dir="ltr"&gt;The Fountain tool was developed for reviewing the articles of Wikipedia Asian Month, and is used only when the contests are running. “I made the first prototype during the first Wikipedia Asian Month in 2015. We, the jury members, were flooded with articles that needed to be evaluated fairly quickly and so I thought that I can automate 90% of the jury workflow” notes fountain tool developer Le Loy. In this tool, bytes and words are fixed according to the project. For example, in the Wikipedia Asia Month a minimum&amp;nbsp; of 3000 bytes are fixed as per the criteria of evaluation for WAM.&amp;nbsp; This is therefore a useful tool for the contests. It is a tool which helps a lot to collect statistics of specific projects on Wikipedia. After talking to Le Loy, we can reach the conclusion that the tool is not limited to a particular language, and it can be used for any kind of event on Wikipedia.&amp;nbsp;&lt;/p&gt;
&lt;p dir="ltr"&gt;Project Tiger also uses the Fountain tool to review articles submitted in this contest. It was easy for the participants to submit the articles and also for the jury to pick up an unreviewed article and review it based on the number of bytes, or if the article was actually submitted in the time period mentioned in the contest rules and so on. This tool has definitely made the jury process more efficient and smooth.&lt;/p&gt;
&lt;p dir="ltr"&gt;&amp;nbsp;&lt;/p&gt;
&lt;h3&gt;Diversity and Bridging gaps&lt;/h3&gt;
&lt;p dir="ltr"&gt;Cultural diversity is an important aspect of the sustenance of the Wikimedia movement itself, and bridging different cultural gaps is an important aspect of this effort.&amp;nbsp;&amp;nbsp;&lt;/p&gt;
&lt;p dir="ltr"&gt;After checking all past statistics of WAM, we found that WAM focused on content related to Asia only but it didn't pay much attention to content by and about persons across diverse gender and sexual identities, including marginalised groups. Sailesh Patnaik &amp;amp; Rupika Shrama, WAM organiser notes that there have been some efforts in this area, saying “We work with more than 50 different language communities on Wikipedia, and have also collaborated with &lt;a href="https://en.wikipedia.org/wiki/Wikipedia:WikiProject_Women_in_Red"&gt;Women in Red&lt;/a&gt; to bridge the gender gap in our projects.” There is however a need for ongoing work in this space.&amp;nbsp;&lt;/p&gt;
&lt;p dir="ltr"&gt;Project Tiger has its own strategy behind diversity and bridging gaps. Both events maintain their diversity as per required rules and areas. One of the major reasons why volunteers find a hindrance in dedicating time for Wikimedia and its projects is the lack of facilities like a laptop or even a proper internet connection. This is why laptops and internet stipends provided during the first phase of the contest have a monumental effect on the contest and also in contributions to not just Project Tiger, but also many other Wiki projects in general. Several volunteers contribute articles via mobile phones in spite of the difficult/complex editing environment. Without this support, there is a chance that Wikipedia can lose some of its most promising volunteers.&lt;/p&gt;
&lt;p dir="ltr"&gt;Project Tiger also tries to bridge a gender gap. For example, the criteria for hardware support also includes ensuring a certain percentage of women applicants are selected. The coordinators have&amp;nbsp; also tried to specifically engage women participants during the contest. Before opening the applications for hardware support, PT core team set criteria for eligibility. On the other hand, one rule always highlighted that 33% women can get laptop or internet connectivity due to their past contribution. This is an effort to engage women in the Wikimedia movement.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;h3&gt;&lt;span style="text-align: justify;"&gt;Limitations and Barriers&amp;nbsp;&lt;/span&gt;&lt;/h3&gt;
&lt;p style="text-align: justify;" dir="ltr"&gt;Despite the success of these long running programmes, its true that there still remain some barriers and limitations, as illustrated below:&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;span style="text-align: justify;"&gt;Wikipedia Asian Month&lt;/span&gt;&lt;/p&gt;
&lt;ul&gt;&lt;li style="list-style-type: disc;" dir="ltr"&gt;
&lt;p style="text-align: justify;" dir="ltr"&gt;WAM has largely remained a stable programme, but it would be a good thing to see how new aspects could be introduced in the programme. The process is the same every year because after finishing the first iteration the core team didn’t take any feedback, suggestions or concerns from the individuals for the next step, which is a major barrier to growing and planning something new for the next level. As Odia Wikimedian Aliva Sahoo notes, “From 2016 to 2019, WAM was the same and there was nothing new,&amp;nbsp; but I am not sure if during 2020, they changed something because I didn’t participate this year.” According to participant’s comments or WAM rules &amp;amp; guidelines changes in the structure could be introduced. “When the same project is happening again and again then the novelty will reduce. We should make some changes from time to time to engage the people” notes Punjabi Wikimedian, Satdeep Gill.&lt;/p&gt;
&lt;/li&gt;&lt;li style="list-style-type: disc;" dir="ltr"&gt;
&lt;p style="text-align: justify;" dir="ltr"&gt;The project actively makes an effort in trying to work with more communities every year but also collaborate with other projects such as Women in Red, which is aimed at creating more content by and about women. WAM itself has not been able to&amp;nbsp; promote women leaders and women content as well due to its design which focuses on promoting content.&amp;nbsp;&lt;/p&gt;
&lt;/li&gt;&lt;li style="list-style-type: disc;" dir="ltr"&gt;
&lt;p style="text-align: justify;" dir="ltr"&gt;Follow-up on receipt of appreciation postcards etc. should be done diligently.There have also been instances where appreciation postcards have been delayed or not sent which affects the motivations of contributors in engaging with the project further.&amp;nbsp; A few contributors did not receive their appreciation from senders, which has led to some negativity. At least after two iterations of any project, contributors or Wiki projects demand for something new. For example, during the beginning of the project, participants got the Wikipedia Asian Month ambassador tags and that was an honour for them. But volunteers seem to be looking for a change and they want to look forward to the project. A Malayalm Wikimedian, Meenakshi Nandini, noted, “However the prizes are not getting to most of the participants, especially the WAM prizes. Even me also didn’t receive most of the event prizes. So we couldn’t tell the participants that you will definitely get these prizes. I won two times as a&amp;nbsp; "Wikipedia Asian Ambassador". But is there any importance or benefit for that honor?”&lt;/p&gt;
&lt;/li&gt;&lt;li style="list-style-type: disc;" dir="ltr"&gt;
&lt;p style="text-align: justify;" dir="ltr"&gt;During the WAM, the focus was only on article creation but not on the &lt;a href="https://en.wikipedia.org/wiki/Wikipedia:Content_assessment"&gt;quality of articles&lt;/a&gt;. It is important therefore to accord more attention to the quality of the content being created, which would help in the long-term sustenance of the project and is better aligned with the larger objectives of the movement.&amp;nbsp;&lt;/p&gt;
&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;&lt;span style="text-align: justify;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;h3&gt;&lt;span style="text-align: justify;"&gt;Project Tiger&lt;/span&gt;&lt;/h3&gt;
&lt;ul&gt;&lt;li style="list-style-type: disc;" dir="ltr"&gt;
&lt;p style="text-align: justify;" dir="ltr"&gt;Project Tiger happened only in two iterations, but has its limitations and challenges as well. The participants or volunteers who participated in Project Tiger had some concerns on the Google article lists. Contributors felt Google should suggest only those articles which are important for their Wikipedias as priority. The PT core team was not properly able to convince participants as to why the Google list is important and editors were also not fully aware of the same, which led to some mismatch in expectations from the project.&lt;/p&gt;
&lt;/li&gt;&lt;li style="list-style-type: disc;" dir="ltr"&gt;
&lt;p style="text-align: justify;" dir="ltr"&gt;Due to hardware support and gift vouchers, most participants are motivated to contribute more, But on the other hand, it changes the whole process of contribution in the Wikimedia movement. Cash prizes or gift vouchers showed a less than satisfactory result, thereby leading to a rethinking of how best to motivate contributors.. But for a few editors hardware support and prizes are a lot. A few users who were editing from phones got laptops just because of the project which has helped their contributions.&amp;nbsp;&lt;/p&gt;
&lt;/li&gt;&lt;li style="list-style-type: disc;" dir="ltr"&gt;
&lt;p style="text-align: justify;" dir="ltr"&gt;The manner of addressing the gender gap in the project has also been a point of contention. The possibility is, some participants feel that women only get laptops or internet support due to their gender identity. The process of such quotas may be debatable going forward, and so a clear rationale and process may be developed to encourage participation by women and individuals across the spectrum of gender and sexual identities.&amp;nbsp;&amp;nbsp;&lt;/p&gt;
&lt;/li&gt;&lt;li style="list-style-type: disc;" dir="ltr"&gt;
&lt;p style="text-align: justify;" dir="ltr"&gt;One major concern from jury members was that participants did not work on quality but quantity. Reviewers and readers are facing problems with machine translated articles submitted during Project Tiger. The PT team tried to solve the issue of quality during the second iteration, but did not work well, and jury members faced the same difficulty this time as well.&amp;nbsp;&lt;/p&gt;
&lt;/li&gt;&lt;li style="list-style-type: disc;" dir="ltr"&gt;
&lt;p style="text-align: justify;" dir="ltr"&gt;A common challenge noted by Satdeep Gill (for both projects) is that “Contributors focus mainly on increasing the article count and the maintenance work lags behind. We need to focus on this as well.”&lt;/p&gt;
&lt;/li&gt;&lt;/ul&gt;
&lt;h3&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;Learnings&lt;/h3&gt;
&lt;p&gt;Both projects have had more than one iteration so far, and have managed to create interest and engagement within Indian language communities in working collaboratively and building content. They have also had a fair number of challenges and limitations as well, as illustrated by the interviews. For instance, there has been a difficulty in measuring the quality of articles, the way that quantity is tracked. So there is a need to develop metrics to capture and work on quality of content. A related point is with reference to a lack of capacity building within communities, which would enable them to collaborate and contribute better. There have also been some challenges with logistics, and ensuring that participants receive their prizes during Wikipedia Asian Month. This would need more communication and careful coordination of efforts. There is also a need to keep participants engaged over a long time, and repeating the same structure of the project every year may also lead to a lack of interest or innovation. The project actively makes an effort in trying to work with more communities every year but also collaborate with other projects such as Women in Red, which is aimed at creating more content by and about women. WAM itself has not been able to&amp;nbsp; promote women leaders and women content as well due to its design which focuses on promoting content. The projects therefore need to work in a progressive manner, building on feedback from participants and adapting to the evolving needs and interests of the communities.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;These difficulties are also faced by Project Tiger. Google should focus on lists according to the needs of communities, in discussion with the PT team.For example, the core team should track volunteers' contributions after getting the support because anyone can make 500 or 1000 edits for getting a laptop. The core team should find people from the communities who need this support and will contribute proactively.&amp;nbsp; Project Tiger’s process transparency is&amp;nbsp; appreciated, but with the same transparency the&amp;nbsp; infrastructure distribution process should be different from now. Also it should encourage or discuss with communities about proactive women’s participation during the project. PT should run a Bridging Gender Gap campaign, where communities should play a role to engage women as organisers from each community and should make a strategy for the same. This project needs to work on a strategy for building and sustaining quality as well which is important for growth of Indic Wikipedias.&lt;/p&gt;
&lt;p&gt;&lt;span style="text-align: justify;"&gt;So, not every project is perfect, every project has some achievements and some limitations. Therefore, WAM and Project Tiger are also the same, it achieves its goals but also carries some failures. But there is a possibility to make changes to both projects.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;h3 style="text-align: justify;"&gt;Conclusion&amp;nbsp;&amp;nbsp;&lt;/h3&gt;
&lt;p style="text-align: justify;" dir="ltr"&gt;Wikipedia Asian Month is an International project which started in 2015. It is a low budget project, and gives a common platform to Asian as well as Non-Asian communities to participate over the course of a month. When WAM started most of the communities were excited to do something for their languages, and this was a big initial motivation for the project. The communities want to continue with WAM because they feel like this is one of the projects which started at that time when communities wanted something to engage themselves with Wikipedias. Every year most of the communities participate in it for sure, although the people who work on the projects may differ.&amp;nbsp; Project Tiger is a pilot project which is a three-month-long contest. This project provides an opportunity to communities to work together. After the success of the Indic languages contest [Project Tiger] in 2018, two more countries, (&lt;a href="https://meta.wikimedia.org/wiki/Proyek_Saraswati/Kompetisi"&gt;Project Saraswati&lt;/a&gt; and &lt;a href="https://meta.wikimedia.org/wiki/Project_GLOW/Project_Al-Ma%27refa"&gt;Project Al-Ma'refa&lt;/a&gt;), also organised a similar project under different names. Due to Project Tiger, thousands of articles were created or developed by volunteers about important, most searched for topics suggested by Google, as well as those important to respective Indic language Wikipedias.&amp;nbsp; Infra-structure support pays attention to volunteers' hard work and encourages them to work to share free knowledge. These projects therefore go a long way in enriching local language content, and keeping volunteer communities interested and engaged with their respective Wikipedias.&amp;nbsp;&lt;/p&gt;
&lt;p style="text-align: justify;" dir="ltr"&gt;You may also read the full report on Wikimedia Meta-Wiki&lt;a class="external-link" href="https://meta.wikimedia.org/wiki/Research:A_Comparative_Analysis_of_Article_Creation_Campaigns_on_Wikipedia"&gt; here.&amp;nbsp;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p style="text-align: justify;" dir="ltr"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='http://editors.cis-india.org/a2k/blogs/a-comparative-study-of-wikimedia-article-creation-campaigns-in-india-part-ii'&gt;http://editors.cis-india.org/a2k/blogs/a-comparative-study-of-wikimedia-article-creation-campaigns-in-india-part-ii&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sneha-pp</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>A2K Research</dc:subject>
    
    
        <dc:subject>Access to Knowledge</dc:subject>
    

   <dc:date>2021-06-11T10:54:37Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="http://editors.cis-india.org/raw/data-lives-of-humanities-text">
    <title>Data Lives of Humanities Text</title>
    <link>http://editors.cis-india.org/raw/data-lives-of-humanities-text</link>
    <description>
        &lt;b&gt;The ‘computational turn’ in the humanities has brought with it several questions and challenges for traditional ways of engaging with the ‘text’ as an object of enquiry.  The prevalence of data-driven scholarship in the humanities offers several challenges to traditional forms of work and practice, with regard to theory, tools, and methods. In the context of the digital, ‘text’ acquires new forms and meanings, especially with practices such as distant reading. Drawing upon excerpts from an earlier study on digital humanities in India, this essay discusses how data in the humanities is not a new phenomenon; concerns about the ‘datafication’ of humanities, now seen prominently in digital humanities and related fields is actually reflective of a longer conflict about the inherited separation between humanities and technology. It looks at how ‘data’ in the humanities has become a new object of enquiry as a result of several changes in the media landscape in the past few decades. These include large-scale digitalization and availability of  corpora of materials (digitized and born-digital) in an array of formats and across varied platforms, thus leading to also a steady prevalence of the use of computational methods in working with and studying cultural artifacts today. This essay also explores how reading ‘text as data’ helps understand the role of data in the making of humanities texts and redefines traditional ideas of textuality, reading, and the reader.&lt;/b&gt;
        
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;h4&gt;This essay by Puthiya Purayil Sneha was published in &lt;em&gt;Lives of Data: Essays on Computational Cultures from India&lt;/em&gt; (2020) edited by Sandeep Mertia, with a Foreword by Ravi Sundaram as part of the Series on Theory on Demand by Institute of Network Cultures, Amsterdam.&lt;/h4&gt;
&lt;h4&gt;Read the open access book &lt;a href="https://networkcultures.org/blog/publication/lives-of-data-essays-on-computational-cultures-from-india/" target="_blank"&gt;here&lt;/a&gt;.&lt;/h4&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='http://editors.cis-india.org/raw/data-lives-of-humanities-text'&gt;http://editors.cis-india.org/raw/data-lives-of-humanities-text&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sneha-pp</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Research</dc:subject>
    
    
        <dc:subject>Researchers at Work</dc:subject>
    
    
        <dc:subject>Publications</dc:subject>
    
    
        <dc:subject>Digital Humanities</dc:subject>
    

   <dc:date>2020-12-23T13:07:43Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="http://editors.cis-india.org/raw/call-for-papers-culture-for-all-conference">
    <title>Call for Papers: #CultureForAll Conference</title>
    <link>http://editors.cis-india.org/raw/call-for-papers-culture-for-all-conference</link>
    <description>
        &lt;b&gt;We are collaborating with Sahapedia, Azim Premji University, and University of Cape Town to invite papers on cultural mapping for the #CultureForAll conference scheduled to be held in March 2021. Cultural mapping is a set of activities and processes for exploring, discovering, documenting, examining, analysing, interpreting, presenting, and sharing information related to people, communities, societies, places, and the material products and practices associated with those people and places. All interested academicians, researchers, PhD students, and practitioners are invited to submit papers. The conference is supported by Tata Technologies and MapMyIndia.&lt;/b&gt;
        
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;h4&gt;Cross-posted from &lt;a href="https://www.sahapedia.org/conferences" target="_blank"&gt;Sahapedia&lt;/a&gt;.&lt;/h4&gt;
&lt;hr /&gt;
&lt;h3&gt;Background&lt;/h3&gt;
&lt;p&gt;Sahapedia in collaboration with the Azim Premji University, The Centre for Internet and Society and the University of Cape Town is inviting papers in cultural mapping for the Culture For All conference scheduled to be held in March 2021.&lt;/p&gt;
&lt;p&gt;Cultural mapping is a set of activities and processes for exploring, discovering, documenting, examining, analysing, interpreting, presenting, and sharing information related to people, communities, societies, places, and the material products and practices associated with those people and places. It was recognised by UNESCO more than a decade ago as a crucial tool in sustaining the tangible, intangible, and natural heritage of the world.&lt;/p&gt;
&lt;p&gt;However, the exercise is either used inadequately or rarely highlighted in the Indian context thereby limiting accessibility to peer-reviewed work in this area. As part of the #CultureForAll festival and conference, an open call for research papers and action projects in cultural mapping is being made to consolidate knowledge created till date in India and regions with similar cultural history like Asia and Africa. Cultural mapping and documentation are intricate processes that attempt to solve complex questions of who, what, how, and for whom to map. We hope these papers will carve out a space to interrogate, discuss, and reflect upon the same.&lt;/p&gt;
&lt;p&gt;Another central objective of reviewing work in this area is to develop a mapping toolkit/guide that can help make cultural documentation accessible to anyone interested. Without being prescriptive or lending itself to a homogenous practise, the toolkit/guide would be a way to bring together varied approaches, contexts, and innovations in the field. In a sector like culture where financial and non-financial resources are insubstantial, we believe this toolkit/guide will give organisations and individuals a clear roadmap for future mapping projects.&lt;/p&gt;
&lt;h3&gt;Themes&lt;/h3&gt;
&lt;p&gt;All interested academicians, researchers, PhD students, and practitioners are invited to submit their papers under any one of the following themes. All papers will be evaluated by a review committee and select papers in each theme will be awarded INR 10,000 and presented in the #CultureForAll conference. Papers will also get an opportunity to be published in respected peer-reviewed journals and Sahapedia's web platform.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Cultural Mapping—Theory &amp;amp; Practise:&lt;/strong&gt; There is no fixed way to map cultural resources and the approach can be multi-fold. Efforts can also vary in terms of community involvement and collaborative processes. Papers submitted under this topic should explore and elucidate the theoretical and methodological frameworks used in mapping, with an emphasis on issues and challenges faced, the extent of community engagement, and the impact of such projects in policymaking and society, if any.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Technology for cultural mapping:&lt;/strong&gt; Technology and digitisation have shifted approaches to culture and heritage and the recent pandemic has made it indispensable to the society at large. Papers are invited on issues related to techniques and technologies for preservation, management and dissemination of cultural heritage with a focus on innovation and social equity specifically for the Indian context.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Evaluating impact of cultural mapping applications:&lt;/strong&gt; Cultural mapping provides rich cultural data by creating resource inventories that helps address varied issues like sustainability, intergenerational conflict, alienation of youth, and the role of women in society. It can create opportunities for communities to affirm identity and pursue land rights. Cultural mapping can be an informative classroom activity for children, and a valuable methodology for academic research. As a policymaking tool, it can be used to enhance and conserve heritage sites while promoting new tourism development approaches. Papers submitted under this topic should illustrate how cultural mapping has been used in areas like education, tourism, placemaking, conservation, and skilling, the issues and challenges faced, how impacts are measured, and the metrics associated with such measurement.&lt;/p&gt;
&lt;h3&gt;Important dates&lt;/h3&gt;
&lt;p&gt;Call for papers: November 16, 2020&lt;/p&gt;
&lt;p&gt;Last date for submission: January 31, 2021&lt;/p&gt;
&lt;p&gt;Announcement of final selection: February 26, 2021&lt;/p&gt;
&lt;p&gt;Presentation of select papers: March 1 to March 15, 2021&lt;/p&gt;
&lt;p&gt;If you have any questions, please contact us at conference[at]sahapedia[dot]org&lt;/p&gt;
&lt;h3&gt;Eligibility &amp;amp; Selection&lt;/h3&gt;
&lt;p&gt;All interested academicians, researchers, PhD students, and practitioners are invited to participate in the call for papers. Papers should be submitted in English and will be reviewed for their originality, relevance, and clarity. Works that have been published earlier or are found to be plagiarised will not be accepted. The submission should include a paper of not more than 3,500 words along with a presentation for the same. Please email submissions to conference[at]sahapedia[dot]org with the subject "Paper Submission: [Theme] [Applicant’s Full Name]". Please find formatting instructions for the paper &lt;a href="https://www.sahapedia.org/sites/default/files/pdf/Annexure-1-Submission-Requirements.pdf" target="_blank"&gt;here&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='http://editors.cis-india.org/raw/call-for-papers-culture-for-all-conference'&gt;http://editors.cis-india.org/raw/call-for-papers-culture-for-all-conference&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sneha-pp</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Researchers at Work</dc:subject>
    
    
        <dc:subject>Digital Knowledge</dc:subject>
    
    
        <dc:subject>Event</dc:subject>
    

   <dc:date>2020-12-23T13:34:23Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="http://editors.cis-india.org/raw/digital-humanities-and-new-contexts-of-digital-archival-practice-in-india">
    <title>Digital Humanities and New Contexts of Digital Archival Practice in India</title>
    <link>http://editors.cis-india.org/raw/digital-humanities-and-new-contexts-of-digital-archival-practice-in-india</link>
    <description>
        &lt;b&gt;Puthiya Purayil Sneha attended and presented at a conference on 'The Arts, Knowledge, and Critique in the Digital Age in India: Addressing Challenges in the Digital Humanities' organised by Sahapedia and Department of Liberal Arts, Indian Institute of Technology, Hyderabad on November 28-29, 2019.&lt;/b&gt;
        
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;h4&gt;Conference: &lt;a class="external-link" href="https://www.digitalhumanities.in/"&gt;Website&lt;/a&gt; (external)&lt;/h4&gt;
&lt;hr /&gt;
&lt;h3&gt;&lt;strong&gt;Digital humanities and new contexts of digital archival practice in India&lt;/strong&gt;&lt;/h3&gt;
&lt;p&gt;&lt;em&gt;This is the abstract of Sneha's presentation on digital humanities in India and transitions in digitization and cultural archival practices in the postcolonial context. The presentation was part of a session titled 'Community and Knowledge.'&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;The last few decades have seen several large-scale efforts in digitalization across various sectors in India. In space of Galleries, Libraries, Archives and Museums (GLAM) in particular, there have been several initiatives undertaken by state institutions, along with individual and collaborative efforts to digitize and make cultural heritage and educational content available online. The growth of new areas of research and creative practice like digital humanities has also brought to the fore the need for digital corpora, including new technologies and methods of research as ways to engage with cultural content through the development of digital pedagogies and creative practice.&lt;/p&gt;
&lt;p&gt;Many of these questions are located in long-spanning efforts in digitization and digital literacy more broadly, which are still fraught with challenges of access, usage and context. While digitization and archival practice form a significant aspect of the discourse on digital humanities, there still exist a number of anxieties around its practice. Especially in the case of community-led efforts, such as archiving oral histories or GLAM initiatives with collaborative knowledge platforms like Wikimedia, challenges of the digital divide are persistent, reflecting also a larger politics around the growth and sustenance of cultural heritage projects and the humanities and arts more broadly. &amp;nbsp;Drawing upon excerpts from work on mapping the field of DH in India, and ongoing conversations on the digital transition in cultural archives, this presentation seeks to understand the practices and politics of digitization and archival work today, and how it continues to inform the growth of fields like digital humanities in India.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='http://editors.cis-india.org/raw/digital-humanities-and-new-contexts-of-digital-archival-practice-in-india'&gt;http://editors.cis-india.org/raw/digital-humanities-and-new-contexts-of-digital-archival-practice-in-india&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sneha-pp</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Digital Knowledge</dc:subject>
    
    
        <dc:subject>Research</dc:subject>
    
    
        <dc:subject>Archives</dc:subject>
    
    
        <dc:subject>Digital Humanities</dc:subject>
    
    
        <dc:subject>Researchers at Work</dc:subject>
    

   <dc:date>2019-12-18T10:32:07Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="http://editors.cis-india.org/raw/stil-2020-selected-contributions">
    <title>State of the Internet's Languages 2020: Announcing selected contributions!</title>
    <link>http://editors.cis-india.org/raw/stil-2020-selected-contributions</link>
    <description>
        &lt;b&gt;In response to our call for contributions and reflections on ‘Decolonising the Internet’s Languages’ in August, we are delighted to announce that we received 50 submissions, in over 38 languages! We are so overwhelmed and grateful for the interest and support of our many communities around the world; it demonstrates how critical this effort is for all of us. From all these extraordinary offerings, we have selected nine that we will invite and support the contributors to expand further.&lt;/b&gt;
        
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;h4&gt;Cross-posted from the Whose Knowledge? website: &lt;a href="https://whoseknowledge.org/selected-contributions/" target="_blank"&gt;URL&lt;/a&gt;&lt;/h4&gt;
&lt;p&gt;Call for Contributions and Reflections: &lt;a href="https://cis-india.org/raw/stil-2020-call" target="_blank"&gt;URL&lt;/a&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;img src="https://whoseknowledge.org/wp-content/uploads/2019/07/DTI-L-webbanner-1.png" alt="Decolonizing the Internet's Languages" /&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Thank you to all of you who wrote in: we would publish every one of your contributions if we could! Each of you highlighted unique aspects of the problem and possibility of the multilingual internet, and it was extremely difficult to select a few to include in the ‘State of the Internet’s Languages Report’. Whether your submission was selected or not, we hope you will continue to be part of this work with us, and that the report will reflect your thoughtful concerns and interests in a multi-lingual internet.&lt;/p&gt;
&lt;p&gt;The nine selected contributions will be a significant aspect of the openly licensed State of the Internet’s Languages report to be published mid-2020. In different formats and languages, they span many kinds of language contexts across the world, from many different communities and perspectives. They will form part of a broader narrative combining data and experience, highlighting how limited the current language capacities of the internet are, and how much opportunity there is for making our knowledges available in our many languages.&lt;/p&gt;
&lt;p&gt;A special thank you to the final contributors – we’ll be in touch shortly with more details. We’re looking forward to working with you as you develop your contributions and share your experiences!&lt;/p&gt;
&lt;p&gt;The selected contributions are from:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;
&lt;h4&gt;&lt;em&gt;Caddie Brain, Joel Liddle, Leigh Harris, Graham Wilfred&lt;/em&gt;&lt;/h4&gt;
&lt;p&gt;As part of a broader movement to increase inclusion and diversity in emojis, Aboriginal people in Central Australia are creating Indigemoji, the first set of Australian Indigenous emojis delivered via a free app. Caddie, Joel, Leigh and Graham aim to describe how to reflect Aboriginal experiences online, to increase the accessibility of Arrernte language in the broader Australian lexicon, to position Arrernte knowledge on digital platforms for future generations of Arrentre speakers and learners, and to contribute more broadly to the decolonisation of the internet.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;h4&gt;&lt;em&gt;Claudia Soria&lt;/em&gt;&lt;/h4&gt;
&lt;p&gt;Claudia will describe “The Digital Language Diversity Project” funded by the European Commission under the Erasmus+ programme. The project has surveyed the digital use and usability of four European minority languages: Basque, Breton, Karelian and Sardinian. It has also developed a number of instruments that can help speakers’ communities drive the digital life of their languages, in the form of a methodology named “digital language planning”.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;h4&gt;&lt;em&gt;Donald Flywell Malanga&lt;/em&gt;&lt;/h4&gt;
&lt;p&gt;Donald will share his experiences conducting two panel discussions with elderly and ten young Ndali People in Chisitu Village based in Misuku Hills, Malawi. He aims to hear their stories and make sense of them relating to how Chindali could be spoken/expressed online, examine the barriers they face in sharing/expressing their language online, and unearth possible solutions to address such barriers.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;h4&gt;&lt;em&gt;Emna Mizouni&lt;/em&gt;&lt;/h4&gt;
&lt;p&gt;Emna will interview African and Arab content creators and consumers to share their experiences in posting content in their own language and expose their cultures. She will reach out to different ethnicities from Africa to gather data on the reasons they use the “colonial languages” on the internet and the burdens they face, whether technical such as internet connectivity and accessibility, lack of devices, social or cultural barriers, etc.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;h4&gt;&lt;em&gt;Ishan Chakraborty&lt;/em&gt;&lt;/h4&gt;
&lt;p&gt;Ishan will explore the experiences of individuals who identify themselves as both disabled and queer, and who are not visible online in Bengali. Online research papers and academic works in Bengali are significantly limited, and even more so in the case of works on marginalities and intersections. One of the most effective ways of making online material accessible to persons with visual disability is through audio material, and Ishan will explore some of these possibilities.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;h4&gt;&lt;em&gt;Joaquín Yescas Martínez&lt;/em&gt;&lt;/h4&gt;
&lt;p&gt;Joaquin will be describing the free software, open technology initiatives and the sharing philosophy of “compartencia” in his community of Mixe and Zapotec peoples in Mexico. He will explore initiatives such as Xhidza Penguin School, an app to learn the language online, and learning workshops to look at new methodologies for sharing and using the language. It is not only a means of communication but it also encompasses a different way of understanding the world.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;h4&gt;&lt;em&gt;Kelly Foster&lt;/em&gt;&lt;/h4&gt;
&lt;p&gt;Kelly will draw attention to the work being done to revitalise indigenous languages and the struggles to represent the Nation Languages of the Caribbean and its diasporas in structured data and on Wikipedia. She aims to have the native names of the islands, locations and indigenous peoples on Wikidata, labelled with their own language so she can generate a map of the Caribbean with as many native names as possible. But the language of the Taino people of the islands that are now called Jamaican, Cuba, Puerto Rico and Haiti has been labelled as extinct, as are the people, by European researchers. Though a victim of the first European genocide of the Caribbean, they live on in the tongues and blood of people who are more often racialised as Black and Latinx.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;h4&gt;&lt;em&gt;Paska Darmawan&lt;/em&gt;&lt;/h4&gt;
&lt;p&gt;As a first-generation college student who did not understand English, Paska had difficulties in finding educational, inspiring content about LGBTQIA issues in their native language, let alone positive content about the local LGBTQIA community. They plan to share a mapping of available Indonesian digital LGBTQIA content, whether it be in the form of Wikipedia articles, websites, social media accounts, or any other online media.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;
&lt;h4&gt;&lt;em&gt;Uda Deshpriya&lt;/em&gt;&lt;/h4&gt;
&lt;p&gt;Uda will explore the lack of feminist content on the internet in Sinhala and Tamil. Mainstream human rights discussions take place in English and leaves out the majority of Sri Lankans. Women’s rights discourse remains even more centralized. Despite the fact that all primary criminal and civil courts work in local languages, statutes and decided cases are not available in Sinhala and Tamil, including Sri Lanka’s Constitution and its amendments. This extends to content creation through both text and art, with significant barriers of keyboard and input methods.&lt;/p&gt;
&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='http://editors.cis-india.org/raw/stil-2020-selected-contributions'&gt;http://editors.cis-india.org/raw/stil-2020-selected-contributions&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sneha-pp</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Language</dc:subject>
    
    
        <dc:subject>Digital Knowledge</dc:subject>
    
    
        <dc:subject>Research</dc:subject>
    
    
        <dc:subject>Featured</dc:subject>
    
    
        <dc:subject>State of the Internet's Languages</dc:subject>
    
    
        <dc:subject>Digital Humanities</dc:subject>
    
    
        <dc:subject>Researchers at Work</dc:subject>
    
    
        <dc:subject>Decolonizing the Internet's Languages</dc:subject>
    

   <dc:date>2019-11-01T18:12:49Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="http://editors.cis-india.org/raw/dtil-2019-from-conversations-to-actions">
    <title>Decolonizing the Internet’s Languages 2019 - From Conversations to Actions</title>
    <link>http://editors.cis-india.org/raw/dtil-2019-from-conversations-to-actions</link>
    <description>
        &lt;b&gt;Whose Knowledge? is organising the Decolonizing the Internet's Languages 2019 gathering in London on October 23-24 — with a specific focus on building an agenda for action to decolonize the internet’s languages. Puthiya Purayil Sneha is participating in this meeting with scholars, linguists, archivists, technologists and community activists, to share the initial findings towards the State of the Internet’s Language Report (to be published in 2020) being developed by Whose Knowledge?, Oxford Internet Institute, and the CIS.&lt;/b&gt;
        
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;h4&gt;Event page: &lt;a href="https://whoseknowledge.org/initiatives/decolonizing-the-internet/" target="_blank"&gt;URL&lt;/a&gt;&lt;/h4&gt;
&lt;h4&gt;Agenda: &lt;a href="https://github.com/cis-india/website/raw/master/docs/WK_DTIL2019_Agenda.pdf"&gt;Download&lt;/a&gt; (PDF)&lt;/h4&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='http://editors.cis-india.org/raw/dtil-2019-from-conversations-to-actions'&gt;http://editors.cis-india.org/raw/dtil-2019-from-conversations-to-actions&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sneha-pp</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Language</dc:subject>
    
    
        <dc:subject>Decolonizing the Internet's Languages</dc:subject>
    
    
        <dc:subject>Research</dc:subject>
    
    
        <dc:subject>Digital Knowledge</dc:subject>
    
    
        <dc:subject>Researchers at Work</dc:subject>
    

   <dc:date>2019-11-01T17:53:40Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="http://editors.cis-india.org/raw/essays-on-list-selected-abstracts">
    <title>Essays on #List — Selected Abstracts </title>
    <link>http://editors.cis-india.org/raw/essays-on-list-selected-abstracts</link>
    <description>
        &lt;b&gt;In response to a recent call for essays that social, economic, cultural, political, infrastructural, or aesthetic dimensions of the #List, we received 11 abstracts. Out of these, we have selected 4 pieces to be published as part of a series titled #List on the r@w blog. Please find below the details of the selected abstracts. The call for essays on #List remains open, and we are accepting and assessing the incoming abstracts on a rolling basis.&lt;/b&gt;
        
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;h4&gt;1. &lt;a href="#manisha"&gt;Manisha Chachra&lt;/a&gt;&lt;/h4&gt;
&lt;h4&gt;2. &lt;a href="#meghna"&gt;Meghna Yadav&lt;/a&gt;&lt;/h4&gt;
&lt;h4&gt;3. &lt;a href="#sarita"&gt;Sarita Bose&lt;/a&gt;&lt;/h4&gt;
&lt;h4&gt;4. &lt;a href="#shambhavi"&gt;Shambhavi Madan&lt;/a&gt;&lt;/h4&gt;
&lt;hr /&gt;
&lt;h3 id="manisha"&gt;&lt;strong&gt;Manisha Chachra&lt;/strong&gt;&lt;/h3&gt;
&lt;h4&gt;&lt;em&gt;MeToo in Indian journalism: Questioning access to internet among intersectional women and idea of rehabilitative justice in digital spaces&lt;/em&gt;&lt;/h4&gt;
&lt;p&gt;The advent of LoSHA and MeToo era witnessed an intriguing intersection of technology, politics and gender. The list and name-shame culture of social media has not only displayed changing power dynamics in digital space but an increasing movement towards engendering of internet spaces. The social, political and economic matrix defined by power relationships -- a patriarchy reflected in internet spaces, percolating in our interactions confronted a major challenge when women rose up to claim the same space. Internet space cannot be called a virtual reality as it is a sharp mirror into what is going in the power dynamics of society and politics. My paper broadly seeks to examine this engendering of spatial reality of digital space by looking at various conversations that took place on Twitter around MeToo in Indian journalism. MeToo has been widely understood as narration of one’s tale and how that experiential reality is connected with other women. However, a universalisation of such an experience often neglects intersectional reality attached to women’s experiences -- belonging to different caste, class, ethnicity and other
kinds of differences. My paper attempts to question how far MeToo in digital space accommodated the differential aspects of woman as a heterogeneous category. The spatial realities of technological spaces function like a double edged sword-- liberating as well as mobility paralysing. I use the term mobility paralysis to denote a contradiction in digital space-- which might be equally available to all sections of women but not fairly accessible. The accessibility is often a reflection of deep rooted patriarchies and kinship relationships that bind women in same
voiceless zone. MeToo in Indian journalism is a case study of how women of different backgrounds access digital spaces in questioning this mobility paralysis and inch towards a certain kind of emancipatory politics. Examining MeToo from the perspective of a social movement emerging on Twitter and Facebook, I aim to scrutinise scope of rehabilitative justice for the accused. The emergence of lists, and claiming of spaces is attached to the question of justice and being guilty or innocent of allegations. Online spaces in the recent times have also emerged as platforms of e-khaps (online khap panchayats with certain gatekeepers of the movement) where screenshot circulation, photoshop technology could be used to garner a public response against a particular person. It is interesting how after MeToo the question was not whether the person is guilty or accused rather how they should abandon their social media accounts and probably go absent virtually. In such a context, it is crucial to question the relationship between justice, one’s digital identity and who owns this identity. If rehabilitative justice is not an option, and apology-seeking is not available, what are we hoping from MeToo? The aim of any name-shame movement must be to reclaim digital space, narrate experiences and also to leave scope for others to respond, and seek justice. The question of justice is also closely linked with how women from intersectional backgrounds access internet, and emancipate
themselves.&lt;/p&gt;
&lt;h3 id="meghna"&gt;&lt;strong&gt;Meghna Yadav&lt;/strong&gt;&lt;/h3&gt;
&lt;p&gt;For most people, the Internet is now synonymous with social media. Likewise, consumption of content on the Internet has shifted. We’ve moved from an earlier design of explicitly going to content-specific websites, to now, simply “logging in” and being presented with curated content spanning multiple areas. The infrastructure for consuming this content, however, remains predominantly screen based, implying a space constraint. Websites must, hence, decide what content users are to be presented with and in what order. In other words, social media must
generate itself as a ranked list of content.&lt;/p&gt;
&lt;p&gt;In the classical theory of social choice, a set of voters is called to rank a set of alternatives and a social ranking of the alternatives is generated. In this essay, I propose to look at ranking of content as a social choice problem. Ranking rules of different social media platforms can be studied as social welfare functions for how they aggregate the preferences of their voters (i.e. users). Current listings of content could be modelled as the results of previously held rounds of voting. Taking examples, Reddit is built on a structure of outward voting, visceral through ‘upvotes’ and ‘downvotes’, constantly displaying to users the choice they have to alter content ranks on the website. TikTok, on the other hand, relies on taking away most of the voting power of its users.&lt;/p&gt;
&lt;p&gt;As the Internet tends towards centralisation, studying how different list ranking rules aggregate our choices and in turn, alter the choices presented to us, becomes important to design a more democratic Internet.&lt;/p&gt;
&lt;h3 id="sarita"&gt;&lt;strong&gt;Sarita Bose&lt;/strong&gt;&lt;/h3&gt;
&lt;h4&gt;&lt;em&gt;Mapping goes local: A study of how Google Maps tracks user’s footprints and creates a ‘For You’ list&lt;/em&gt;&lt;/h4&gt;
&lt;p&gt;The ‘Explore Nearby’ feature in Google Maps has three sections – Explore, Commute and For You. Of this, ‘For You’ section contains ‘Lists based on your local history’ as mentioned by Google itself. The Google Maps auto tracks a user’s movements and creates a digital footprint map and lists up events, programmes, restaurants, shops etc for the user. This research will focus on the ‘For You’ feature of Google Maps and its cultural and social dimensions. The work will focus on how the mapping is done and the logic behind drawing up the list. It will try to find out how the economy of Google Maps works. Why some lists shows up while some doesn’t. What kind of ‘algorithm – economy – user’ matrix is used to make up the list? The work will also try to understand cultural dimensions based on mind mapping techniques of Google. This research will follow three dimensions. The first is the mapping of user’s footprints itself and how the distance covered by a user becomes the user’s own digital existence. The Google Maps automatically asks for reviews of places the user might have visited or passed. The question is what algorithm is Google using to ask for the review? Is it pre-pointed or post-pointed? Thus, we come to the second part. Is Google only listing places that paid it or is it trying to digitally map a user’s area of geographical reach in general. If so, why? This brings us to the third dimension of the research work. What kind of cultural mapping is done of the user? The list the user gets is based on his own history and as more data is added, the more mapping is done. These three dimensions are intricately woven with each other and the work will try to establish this relationship.&lt;/p&gt;
&lt;h3 id="shambhavi"&gt;&lt;strong&gt;Shambhavi Madan&lt;/strong&gt;&lt;/h3&gt;
&lt;h4&gt;&lt;em&gt;List of lists of lists: Technologies of power, infrastructures of memory&lt;/em&gt;&lt;/h4&gt;
&lt;p&gt;Lists make infinities comprehensible, and thus controllable. By virtue of the ubiquity of cyberspace and the digitized information infrastructures curating reality within these infinities, we are increasingly subjected to curatorial efforts of individuals as well as codes – algorithmic and architectural.&lt;/p&gt;
&lt;p&gt;Statistical lists are Foucauldian technologies of power in modern societies; tools for the functioning of governmentality – not just in terms of state control over population phenomena but the governmentality of groups or individuals over themselves. The framework of biopolitics identifies a bureaucracy imposed by determining social classifications through listing and categorizing, within which people must situate themselves and their actions (Foucault, 2008). Thus, the authorship of lists is often reflective of power that allows for the perpetuation of hegemonic constructions of social reality, making the lists themselves sites of struggle.&lt;/p&gt;
&lt;p&gt;This paper seeks to contextualize (public-oriented) lists as forms of biopolitical curation that often lie at  points of intersection between collective consciousness and social order, through an approach that problematizes the socio-technics of agency and the subjective objectivity of authorship. Although list-making acts such as the National Population Register, NRC, #LoSHA, the electoral roll, the census, and Vivek Agnihotri’s call for a list of “Urban Naxals” all differ in terms of content, intent, and impact, and contain different asymmetries of power, the lowest common denominator lies in their role as producers of public knowledge and consequently, infrastructures of public memory. This approach allows for a reinterpretation of the fundamental duality of lists of and within publics: &lt;em&gt;the functionality of enforcing/maintaining social order, and the phenomenological practise of publicly self-presenting with a (semi-material) manifestation of a collective identity&lt;/em&gt;. The former sees the use of lists as tools of population management, enacting citizenship and belonging through forms of inclusion and exclusion; the latter is reflective of the workings of self-autonomy – redefining the authorship of justice and punishment – in networked societies. Thus, a secondary theme in this paper would be to question the change and significance in the role of authorship through a phenomenological comparative of lists that are institutionalised practice versus those that are open and collaborative.&lt;/p&gt;
&lt;p&gt;Both the act of list-making and the lists themselves are framed as coalescences of material and imaginary, by juxtaposing the idea of infrastructures as primarily relationalities – i.e. they can’t be theorized in terms of the object alone (Larkin, 2013) – with Latour’s relational ontology of human and non-human actors. The list itself is a non-human object/actant that after emerging as a product of co-construction, takes on an agential role of its own (Latour, 2005). Each of these lists can be considered as a quasi-object, a complex convergence of the technological and the social. Both #LoSHA and the NRC are not mere placeholders being ‘acted upon’, but real and meaningful actors acting as cultural mediators and not intermediaries. The integration of a socio-technical, infrastructural approach with one that emphasizes upon the aesthetics of authorship and public memory allows the subject to be seen as constitutive of an embodied, relational experience as opposed to just existing as a dissociative (re)presentation.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;References:&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Foucault, M. 2008. &lt;em&gt;The Birth of Biopolitics: Lectures at the Collège de France 1978-1979&lt;/em&gt;. Trans. G. Burchell. Basingstoke: Palgrave Macmillan.&lt;/p&gt;
&lt;p&gt;Larkin, B. 2013. "The Politics and Poetics of Infrastructural." &lt;em&gt;Annual Review of Anthropology&lt;/em&gt;. 42:327-343.&lt;/p&gt;
&lt;p&gt;Latour, B. 2005. &lt;em&gt;Reassembling the Social: An Introduction to Actor-Network Theory&lt;/em&gt;. Oxford: Oxford University Press.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='http://editors.cis-india.org/raw/essays-on-list-selected-abstracts'&gt;http://editors.cis-india.org/raw/essays-on-list-selected-abstracts&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sneha-pp</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Researchers at Work</dc:subject>
    
    
        <dc:subject>List</dc:subject>
    
    
        <dc:subject>RAW Blog</dc:subject>
    
    
        <dc:subject>Featured</dc:subject>
    
    
        <dc:subject>Internet Studies</dc:subject>
    

   <dc:date>2019-09-03T13:38:12Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="http://editors.cis-india.org/raw/stil-2020-call">
    <title>Call for Contributions and Reflections: Your experiences in Decolonizing the Internet’s Languages!</title>
    <link>http://editors.cis-india.org/raw/stil-2020-call</link>
    <description>
        &lt;b&gt;Whose Knowledge?, the Oxford Internet Institute, and the Centre for Internet and Society are creating a State of the Internet’s Languages report, as baseline research with both numbers and stories, to demonstrate how far we are from making the internet multilingual. We also hope to offer some possibilities for doing more to create the multilingual internet we want. This research needs the experiences and expertise of people who think about these issues of language online from different perspectives. Read the Call here and share your submission by September 2, 2019.&lt;/b&gt;
        
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;h4&gt;Cross-posted from the Whose Knowledge? website: &lt;a href="https://whoseknowledge.org/initiatives/callforcontributions/" target="_blank"&gt;Call for Contributions and Reflections&lt;/a&gt;&lt;/h4&gt;
&lt;p&gt;The call is available in &lt;a href="https://whoseknowledge.org/initiatives/callforcontributions/#CIS-AR" target="_blank"&gt;Arabic&lt;/a&gt;, &lt;a href="https://whoseknowledge.org/initiatives/callforcontributions/#CIS-PT" target="_blank"&gt;Brazilian Portuguese&lt;/a&gt;, &lt;a href="#en"&gt;English&lt;/a&gt;, &lt;a href="https://whoseknowledge.org/initiatives/callforcontributions/#CIS-IZ" target="_blank"&gt;IsiZulu&lt;/a&gt;, &lt;a href="https://whoseknowledge.org/initiatives/callforcontributions/#CIS-ES" target="_blank"&gt;Spanish&lt;/a&gt;, and &lt;a href="#ta"&gt;Tamil&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Note:&lt;/strong&gt; This call for contributions is in a few languages right now, but we invite our friends and communities to translate into many more! Please reach out to info (at) whoseknowledge (dot) org with your translations… thank you!&lt;/p&gt;
&lt;hr /&gt;
&lt;img src="https://raw.githubusercontent.com/cis-india/website/master/img/CISraw_WK-OII_DTIL-banner2.png" alt="Call for Contributions and Reflections: Your experiences in Decolonizing the Internet’s Languages!" /&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;blockquote&gt;
&lt;h4 id="en"&gt;“It’s not just the words that will be lost. The language is the heart of our culture; it holds our thoughts, our way of seeing the world. It’s too beautiful for English to explain.”&lt;/h4&gt;
– Potawatomi elder, cited in Robin Wall Kimmerer’s “Braiding Sweetgrass.”&lt;/blockquote&gt;
&lt;p&gt;&lt;strong&gt;The problem:&lt;/strong&gt; The internet we have today is not multilingual enough to reflect the full depth and breadth of humanity. Language is a good proxy for, or way to understand, knowledge – different languages can represent different ways of knowing and learning about our worlds. Yet most online knowledge today is created and accessible only through colonial languages, and mostly English. The UNESCO Report on ‘&lt;a href="https://unesdoc.unesco.org/in/documentViewer.xhtml?v=2.1.196&amp;amp;id=p::usmarcdef_0000232743&amp;amp;file=/in/rest/annotationSVC/DownloadWatermarkedAttachment/attach_import_8df09604-0040-4b44-b53c-110207ac407d%3F_%3D232743eng.pdf&amp;amp;locale=en&amp;amp;multi=true&amp;amp;ark=/ark:/48223/pf0000232743/PDF/232743eng.pdf#685_15_CI_EN_int.indd%3A.7579%3A23" target="_blank"&gt;A Decade of Promoting Multilingualism in Cyberspace&lt;/a&gt;’ (2015) estimated that “out of the world’s approximately 6,000 languages, just 10 of them make up 84.3 percent of people using the Internet, with English and Chinese the dominant languages, accounting for 52 per cent of Internet users worldwide.” More languages become endangered and disappear every year; &lt;a href="http://www.unesco.org/new/en/culture/themes/endangered-languages/atlas-of-languages-in-danger/" target="_blank"&gt;230 languages have become extinct between 1950 and 2010&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;At best, then, 7% of the world’s &lt;a href="https://www.ethnologue.com/statistics" target="_blank"&gt;languages&lt;/a&gt; are captured in published material, and an even smaller fraction of these languages are available online. This is particularly critical for communities who have been historically or currently marginalized by power and privilege – women, people of colour, LGBT*QIA folks, indigenous communities, and others marginalized from the global South (Asia, Africa, Latin America, the Caribbean and Pacific Islands). We often cannot add or access knowledge in our own languages on the internet. This reinforces and deepens inequalities and invisibilities that already exist offline, and denies all of us the richness of the multiple knowledges of the world.&lt;/p&gt;
&lt;p&gt;Some of the issues that shape our abilities to create and share content online in our languages include:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;The internet’s infrastructure (hardware, software, platforms, protocols…);&lt;/li&gt;
&lt;li&gt;Content management tools and technologies for translation, digitization, and archiving (voice, machine-learning systems and AI, semantic web…);&lt;/li&gt;
&lt;li&gt;The experience of those who consume and produce information online in different languages (devices like cell phones and laptops, messaging tools, micro-blogging, audio-video…);&lt;/li&gt;
&lt;li&gt;The experience of looking for content in different languages online, through search engines and other tools.&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;Understanding the range of these issues will help us map the possibilities and concerns around linguistic biases and disparities on the internet.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Who we are:&lt;/strong&gt; We are a group of three research partners who believe that the internet we co-create should support, share, and amplify knowledge in all of the world’s languages. For this to happen, we need to better understand the challenges and opportunities that support or prevent our languages and knowledges from being online. The Centre for Internet and Society (CIS) is a non-profit organisation that undertakes interdisciplinary research on internet and digital technologies from policy and academic perspectives. The areas of focus include digital accessibility for persons with disabilities, access to knowledge, intellectual property rights, openness (including open data, free and open source software, open standards, open access, open educational resources, and open video), internet governance, telecommunication reform, digital privacy, and cyber-security. The &lt;a href="https://www.oii.ox.ac.uk/" target="_blank"&gt;Oxford Internet Institute&lt;/a&gt; is a multidisciplinary research and teaching department of the University of Oxford, dedicated to the social science of the Internet. &lt;a href="https://whoseknowledge.org/" target="_blank"&gt;Whose Knowledge?&lt;/a&gt; is a global campaign to centre the knowledges of marginalized communities – the majority of the world – online.&lt;/p&gt;
&lt;p&gt;Together we are creating a State of the Internet’s Languages report, as baseline research with both numbers and stories, to demonstrate how far we are from making the internet multilingual. We also hope to offer some possibilities for doing more to create the multilingual internet we want.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Why we need YOU:&lt;/strong&gt; This research needs the experiences and expertise of people who think about these issues of language online from different perspectives.&lt;/p&gt;
&lt;p&gt;You may be a person who:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Self-identifies as being from a marginalized community, and you find it difficult to bring your community’s knowledge online because the technology to display your language’s script is hard to access or read&lt;/li&gt;
&lt;li&gt;Works on creating content in languages that are from parts of the world, and from people, who are mostly invisible and unheard online&lt;/li&gt;
&lt;li&gt;Is a techie who works on making keyboards for non-colonial languages&lt;/li&gt;
&lt;li&gt;Is a linguist who tries to bring together communities and technologies in a way that is easy and accessible&lt;/li&gt;
&lt;li&gt;... you may be any of these, all of these, or more!&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;We are looking for your experience online to help us tell the story of how limited the language capacities of the internet are, currently, and how much opportunity there is for making the internet share our knowledges in our many different languages. Most importantly: you don’t have to be an academic or researcher to apply, we particularly encourage people experiencing these issues in their everyday lives and work to contribute!&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;h3&gt;Some of the key questions we’d like you to explore:&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;How are you or your community using your language online?&lt;/li&gt;
&lt;li&gt;What do you wish you could create or share in your language online that you can’t today?&lt;/li&gt;
&lt;li&gt;What does content in your language look like online? What exists, what’s missing? (&lt;em&gt;you might think about, for example, news, social media, education or government websites, e-commerce, entertainment, online libraries and archives, self-published content, etc&lt;/em&gt;)&lt;/li&gt;
&lt;li&gt;How and where and using what technologies do you share or create content in your language? (&lt;em&gt;you might think about, for example, video, audio, writing, social media, digitization…whatever formats, tools, processes or websites you use for creating oral, visual, textual, or other forms of content&lt;/em&gt;.)&lt;/li&gt;
&lt;li&gt;What is challenging to create or share on your language online? (&lt;em&gt;you might think about, for example, access, device usability, platforms, websites, apps and other tools, software, fonts, digital literacy, etc when developing digital archives, online language resources, or just making any presence on the web in general for your language&lt;/em&gt;.)&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;h3&gt;Submissions:&lt;/h3&gt;
&lt;p&gt;We would love to hear about your and your community’s experiences in response to any or some of the above questions!&lt;/p&gt;
&lt;p&gt;Your contribution could be in the form of a written essay, a visualization or work of art, a video or recorded conversation – we’d be happy to interview you if that’s your preference. We would be happy to accept in any language, and will review the submissions with the support of our multilingual communities and friends.&lt;/p&gt;
&lt;p&gt;Are you interested in participating? Please email &lt;strong&gt;raw [at] cis-india [dot] org&lt;/strong&gt; a short note (of about 300 words) by &lt;strong&gt;2 September at 23:59 IST (Indian Standard Time)&lt;/strong&gt;, briefly outlining your idea along with the following information:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Your name&lt;/li&gt;
&lt;li&gt;Your location – both country of origin and your current location is useful!&lt;/li&gt;
&lt;li&gt;Your language(s)&lt;/li&gt;
&lt;li&gt;Your community or any other background you’d care to share with us&lt;/li&gt;
&lt;li&gt;Which questions you’re interested in addressing, and why&lt;/li&gt;
&lt;li&gt;Your prefered contribution format&lt;/li&gt;
&lt;li&gt;Any requests for how we can best support your participation&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;h3&gt;Timeline:&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;&lt;strong&gt;By 2nd September 2019:&lt;/strong&gt; Send us your submission note&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;By 1st November 2019:&lt;/strong&gt; Contributors will be notified of selection&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;By 1st December 2019:&lt;/strong&gt; First round of contributions are due. We’ll work with you to finalise contributions by mid January.&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;Selected contributors will be offered an honorarium of USD 500, and their final works will be published as part of the Decolonising the Internet – Languages Report, in early 2020.&lt;/p&gt;
&lt;hr /&gt;
&lt;h2 id="ta"&gt;பங்களிப்பதற்காக அழைப்பு இணைய மொழி ஆதிக்கச் சூழலை மாற்றியதில் உங்கள்அனுபவம்!&lt;/h2&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;blockquote&gt;
&lt;h4&gt;“மொழி அழிவால் சொற்கள் மட்டும் அழிவதில்லை. நம் பண்பாட்டின் சாரமே மொழி தான். மொழியே நம் எண்ணங்களை வெளிப்படுத்துகிறது. இவ்வுலகத்தை நாம் காண்பதும் மொழிவழியே தான். ஆங்கிலத்தால் அதை ஒருக்காலும் வெளிப்படுத்த முடியாது.”&lt;/h4&gt;
– போட்டோவாடோமி எல்டர் (ராபின் வால் கிம்மெரார் எழுதிய ‘பிரெயிடிங் சுவீட்கிராஸ்’ என்ற நூலில் இருந்து)&lt;/blockquote&gt;
&lt;p&gt;&lt;strong&gt;சிக்கல்:&lt;/strong&gt; மனித குலத்தின் பரந்துவிரிந்த பண்பாட்டுச் சூழலை வெளிப்படுத்தும் அளவுக்கு இன்றைய இணையம் பன்மொழிச் சூழல் கொண்டதாய் இல்லை. தகவல்களை அறிந்துகொள்வதற்கு மொழி ஒரு கருவியாய் இருக்கிறது. ஒவ்வொரு மொழியும் உலகத்தை வெவ்வேறுவிதத்தில் காட்டத்தக்கன. இருந்தபோதும், பெரும்பாலான அறிவுசார் தளங்கள் ஆதிக்க மொழிகளில், குறிப்பாக ஆங்கிலத்தில் அதிகளவில் இருக்கின்றன. ‘இணையவெளியில் பன்மொழிச் சூழலைக் ஊக்குவிக்க பத்தாண்டுகளில் எடுத்த முயற்சி’ (2015) என்ற யுனெசுகோ அறிக்கையில் குறிப்பிட்டுள்ளதாவது: “உலகில் பேசப்படும் சுமார் 6,000 மொழிகளில், வெறும் 10 மொழியை பேசுவோர் மட்டுமே இணையத்தின் 84.3 சதவீதம் பேராக உள்ளனர். இவற்றில், ஆங்கிலமும் மாண்டரின் சீனமும் பேசுவோர் மட்டும் 52 சதவீதத்தினர் என்பது குறிப்பிடத்தக்கது.” ஒவ்வொரு ஆண்டும் அதிகளவிலான மொழிகள் அருகி, அழிந்து வருகின்றன. 1950 – 2010 ஆகிய ஆண்டுகளுக்குள் 230 மொழிகள் அழிந்திருக்கின்றன&lt;/p&gt;
&lt;p&gt;எல்லா உள்ளடக்கத்தையும் கணக்கில் எடுத்தால் கூட, உலகின் 7% மொழிகளில் தான் ஆக்கங்கள் இருக்கின்றன. இவற்றில் சிலவே இணையத்தில் கிடைக்கின்றன. முற்காலத்தில் ஒடுக்கப்பட்டிருந்த பழங்குடியின சமூகத்தினர், அடக்குமுறைக்கு உட்பட்டிருந்த பெண்கள், நிறவெறிக்கு உட்பட்டிருந்தோர், மாற்று பாலின கருத்தியல் கொன்டோர் ஆகியோருக்கான ஆக்கங்கள் வெகு சில. பெரும்பாலானோர் இணையத்தில் தம் தாய்மொழியில் தகவல்களை தேடிப் பெற முடிவதில்லை. தம் மொழியில் கிடைக்கப்பெறாத பெரும்பாலானோருக்கு இவ்வுலகைப் பற்றிய அறிவுசார் ஆக்கங்கள் மறுக்கப்பட்டு, சமமின்மை வெளிப்படுகிறது.&lt;/p&gt;
&lt;p&gt;நம் மொழியிலேயே இணையத்தில் ஆக்கங்களை உருவாக்குவதிலும் பகிர்வதிலும் சில சிக்கல்களை எதிர்நோக்குகிறோம். அவை:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;கட்டமைப்பு வசதிக் குறைபாடு : வன்பொருள், மென்பொருள், இயங்குதளம், மரபுத்தகவு&lt;/li&gt;
&lt;li&gt;உள்ளடக்க மேம்பாட்டுக் கருவிகளும் தொழில்நுட்பங்களும் போதிய அளவில் இல்லாமை: மொழிபெயர்ப்புக் கருவி, மின்மயமாக்கக் கருவி, சேமிப்பகம், செயற்கை நுண்ணறிவு, குரல்வழி உள்ளடக்கம்&lt;/li&gt;
&lt;li&gt;இணையத்தில் பொருட்களை வாங்கிப் பயன்படுத்துவோரின் கருத்துக்களோ, பொருட்களைப் பற்றிய தகவலோ, இணையச் செயலிகளான செய்தியனுப்பல், வலைப்பூ போன்றவையோ தம் மொழியில் இல்லாமை&lt;/li&gt;
&lt;li&gt;தேடுபொறிகளையும் பிற கருவிகளையும் கொன்டு வெவ்வேறு மொழிகளில் ஆக்கங்களைத் தேடிப் பழக்கம் இல்லாமை&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;இச்சிக்கல்களைப் புரிந்துகொள்வதன் மூலம், இணையத்தின் பன்மொழிச் சூழலுக்கான தேவைகளையும் அவற்றிற்கான குறைநிறைகளையும் சரிப்படுத்திக்கொள்ள முடியும்.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;நாங்கள் யார்?:&lt;/strong&gt; உலக மொழிகளிலான ஆக்கங்கள் இணையவெளியில் இடம்பெற உதவவும், ஊக்குவிக்கவும் மூன்று ஆய்வு நிறுவனங்கள் கைகோர்த்துள்ளோம். இதை நடைமுறைப்படுத்துவதற்கு முன், நாம் எதிர்கொள்ளும் சிக்கல்களையும் பெறக்கூடிய வாய்ப்புகளையும் நன்கு அறிந்துகொள்வது அவசியம் என உணர்ந்தோம்.&lt;/p&gt;
&lt;p&gt;1. சென்டர் ஃபார் இன்டர்நெட் அன்ட் சொசைட்டி (the Centre for Internet and Society or CIS) என்ற தன்னார்வல நிறுவனம், இணையத்தையும், மின்மயமாக்கத் தொழில்நுட்பங்களையும் பற்றிய ஆய்வுகளை கொள்கை நோக்கிலும், கல்விசார் நோக்கிலும் செய்கிறது. உடற்குறைபாடு உடையோருக்கு மின்மயமாக்கிய உள்ளடக்கம், அறிவைப் பெறும் சூழல், அறிவுசார் சொத்துரிமை, திறந்தவெளி ஆக்கங்கள், இணையவழி ஆளுகை, தொழில்நுட்பச் சீர்திருத்தம், இணையவெளியில் தனியுரிமை, இணையவெளிப் பாதுகாப்பு போன்ற தலைப்புகளில் இந்நிறுவனம் கவனம் செலுத்துகிறது.&lt;/p&gt;
&lt;p&gt;2. ஆக்சுபோர்டு இன்டர்நெட் இன்ஸ்டிடியூட் என்ற ஆய்வு நிறுவனம் ஆக்சுபோர்டு பல்கலைக்கழகத்தைச் சேர்ந்தது. இது இணையச் சமூகத்துக்காகவே தனித்துவமாக உருவாக்கப்பட்ட துறை.&lt;/p&gt;
&lt;p&gt;3. ஹூஸ் நாலெட்ஜ் என்ற இயக்கம், உலகளவில் ஒடுக்கப்பட்ட சமூகங்களின் அறிவுசார் ஆக்கங்களை இணையவெளியில் கொண்டு வர முயற்சி எடுக்கிறது.&lt;/p&gt;
&lt;p&gt;நாங்கள் மூவரும் இணைந்து, இணையத்தில் பயன்பாட்டிலுள்ள மொழிகளைப் பற்றிய ஆய்வறிக்கையை தயாரிக்கிறோம். புள்ளிவிவரங்களையும், தகவல்களையும் வெளியிட்டு, பன்மொழிச் சூழலில் எந்தளவு பின்தங்கி இருக்கிறோம் என்பதை உணர்த்த உள்ளோம். இணையவெளியில் ஆக்கங்களை வெளியிட எங்களால் முடிந்த சில வாய்ப்புகளையும் வழங்க உள்ளோம்.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;உங்கள் உதவி எங்களுக்கு தேவைப்படுவதன் காரணம்:&lt;/strong&gt; இத்தகைய சிக்கல்களை எதிர்நோக்கி வருவோரின் அனுபவங்களையும், அவர்கள் முயன்ற தீர்வுகளையும் பற்றி அறிந்துகொள்வதே இவ்வாய்வின் நோக்கம்.&lt;/p&gt;
&lt;p&gt;நீங்கள்,&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;ஒடுக்கப்பட்ட சமூகத்தைச் சேர்ந்தவராக உணர்ந்தாலோ, உங்கள் சமூகத்தின் அறிவுசார் உள்ளடக்கங்கள் இணையவெளியில் கிடைப்பதில்லை என்று கருதினாலோ, உங்கள் மொழி எழுத்துவடிவங்கள் அணுகவும், படிக்கவும் ஏற்றவகையில் கணினிமயமாக்கப்படவில்லை என்று உணர்ந்தாலோ,&lt;/li&gt;
&lt;li&gt;தொழில்நுட்பராக இருந்து, ஆதிக்கத்துக்கு உட்பட்டோரின் மொழிகளுக்காக விசைப்பலகைகள் செய்பவராக இருந்தாலோ,&lt;/li&gt;
&lt;li&gt;மொழியியலாளராக இருந்து, பல்வேறு சமூகங்களை ஒருங்கிணைத்து, தொழில்நுட்பத்தை அவர்களுக்கு புரியும் வகையிலும், அணுகும் வகையிலும் கிடைக்கச் செய்தாலோ,&lt;/li&gt;
&lt;li&gt;… உங்களைத் தான் தேடிக் கொன்டிருக்கிறோம்!&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;உங்கள் இணையவெளி அனுபவங்களை எங்களுக்கு தெரிவிப்பதன் மூலம், ஒவ்வொரு மொழிச் சமூகத்தின் நிலையையும் நாங்கள் அறிந்துகொள்ள உதவியாக இருக்கும். அத்துடன், எத்தகைய வாய்ப்புகளை ஏற்படுத்தித் தரலாம் என்றும் நாங்கள் சிந்திக்க உதவியாய் இருக்கும்.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;h3&gt;உங்களிடம் நாங்கள் கேட்க விரும்பும் சில கேள்விகள்:&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;நீங்களும், உங்கள் மொழிச் சமூகத்தினரும் இணையவெளியில் உங்கள் மொழியை எப்படி பயன்படுத்துகிறீர்கள்?&lt;/li&gt;
&lt;li&gt;இன்றைய நிலையில், இணையவெளியில் உங்கள் மொழியைக் கொண்டு செய்ய முடியாதது இருப்பின், அதற்கு என்ன செய்ய விரும்புவீர்கள்?&lt;/li&gt;
&lt;li&gt;இணையவெளியில் உங்கள் மொழியில் என்னென்ன ஆக்கங்கள் இருக்கின்றன, எவை இல்லை? (எடுத்துக்காட்டாக, செய்திகள், சமுக வலைத்தளம், கல்விசார் உள்ளடக்கம், அரசுசார் உள்ளடக்கம், மனமகிழ் வீடியோக்கள், இணையவழி கற்றல், போன்றவை)&lt;/li&gt;
&lt;li&gt;உங்கள் மொழியில் ஆக்கங்களை படைப்பதற்கு எந்த தளத்தை நாடுவீர்கள், எந்த தொழில்நுட்பத்தை பயன்படுத்துவீர்கள்? (எ.கா : ஒளி, ஒலி, உரை, உரைநடை ஒழுங்கமைவு, பிழைத்திருத்திக் கருவி போன்றவை)&lt;/li&gt;
&lt;li&gt;உங்கள் மொழியில் எழுதுவதற்கோ, பகிர்வதற்கோ முயலும் போது என்னென்ன மாதிரியான சிக்கல்களை இணையவெளியில் சந்திக்கிறீர்கள்? (எ.கா: அணுக்கம் இன்மை, கருவியில் எழுத்துரு ஆதரவின்மை, பிழை திருத்த கருவி இன்மை)&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;h3&gt;ஆய்வேடு சமர்ப்பித்தல்:&lt;/h3&gt;
&lt;p&gt;மேற்கண்ட கேள்விகளுக்கு உங்கள் சமூகத்தினரிடமும், உங்களிடமும் அனுபவம் மூலம் விடை கிடைத்திருக்கும் என நம்புகிறோம். அவற்றைப் பற்றி தெரிந்து கொள்ள விரும்புகிறோம்!&lt;/p&gt;
&lt;p&gt;கட்டுரையாகவோ, கலைப்படைப்பாகவோ, பதிவு செய்யப்பட்ட ஆவணமாகவோ, வேறு வடிவிலோ உங்கள் படைப்புகள் இருக்கலாம். நீங்கள் விரும்பினால் உங்களை பேட்டி காணவும் தயாராக இருக்கிறோம். உங்கள் படைப்புகள் எந்த மொழியில் இருந்தாலும் ஏற்போம். எங்களிடமுள்ள பன்மொழிச் சமூகத்திடம் உங்கள் படைப்புகளை கொடுத்து அவற்றை சீராய்வு செய்யச் சொல்வோம்.&lt;/p&gt;
&lt;p&gt;உங்களுக்கு பங்கேற்க விருப்பமா? raw@cis-india.org என்ற மின்னஞ்சல் முகவரிக்கு, செப்டம்பர் இரன்டாம் தேதிக்கு முன்னர் அனுப்புக. 300 சொற்களுக்கு மிகாமல், கீழ்க்காணும் விவரங்களைக்&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;உங்கள் பெயர்&lt;/li&gt;
&lt;li&gt;இருப்பிடம் – பிறந்த நாடும், தற்போது வாழும் நாடும்&lt;/li&gt;
&lt;li&gt;உங்கள் மொழி(கள்)&lt;/li&gt;
&lt;li&gt;உங்கள் சமூகத்தினரைப் பற்றிய தகவல் (அ) நீங்கள் விரும்பும் சமூகத்தினரைப் பற்றிய தகவல்&lt;/li&gt;
&lt;li&gt;எந்தெந்த கேள்விகளுக்கு பதிலளிக்க விரும்புகிறீர்கள், ஏன்&lt;/li&gt;
&lt;li&gt;உங்கள் படைப்பு எந்த வடிவில் உள்ளது&lt;/li&gt;
&lt;li&gt;உங்கள் பங்களிப்பை மேம்படுத்தல் நாங்கள் ஏதும் செய்ய வேண்டுமா&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;h3&gt;காலகட்டம்:&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;&lt;strong&gt;2 செப்டம்பர், 2019:&lt;/strong&gt; உங்கள் படைப்புகள் எங்களை வந்தடைய வேண்டிய கடைசி நாள்&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;1 நவம்பர், 2019:&lt;/strong&gt; தேர்ந்தெடுக்கப்பட்ட படைப்பாளர்களிடம் விவரம் தெரிவிக்கப்படும் நாள்&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;1 திசம்பர், 2019:&lt;/strong&gt; முதற்கட்ட பங்களிப்பு நடைபெறும். பங்களிப்பை ஜனவரி மாத மத்தியில் முடிக்க முயற்சி செய்வோம்.&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;தேர்ந்தெடுக்கப்பட்ட படைப்பாளிகளுக்கு 500 அமெரிக்க டாலர்கள் ஊக்கத்தொகையாக வழங்கப்படும். நாங்கள் தயாரிக்கும் அறிக்கையில் அவர்களின் படைப்பு வெளியிடப்படும்.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='http://editors.cis-india.org/raw/stil-2020-call'&gt;http://editors.cis-india.org/raw/stil-2020-call&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sneha-pp</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Language</dc:subject>
    
    
        <dc:subject>Research</dc:subject>
    
    
        <dc:subject>Researchers at Work</dc:subject>
    
    
        <dc:subject>Digital Knowledge</dc:subject>
    
    
        <dc:subject>Decolonizing the Internet's Languages</dc:subject>
    
    
        <dc:subject>Featured</dc:subject>
    
    
        <dc:subject>State of the Internet's Languages</dc:subject>
    
    
        <dc:subject>Digital Humanities</dc:subject>
    
    
        <dc:subject>Homepage</dc:subject>
    

   <dc:date>2019-08-07T12:29:25Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="http://editors.cis-india.org/raw/call-for-essays-list">
    <title>Call for Essays — #List</title>
    <link>http://editors.cis-india.org/raw/call-for-essays-list</link>
    <description>
        &lt;b&gt;The researchers@work programme at CIS invites abstracts for essays that explore social, economic, cultural, political, infrastructural, or aesthetic dimensions of the ‘list’. We have selected 4 abstracts among those received before August 31, 2019, and are now accepting and evaluating further submissions on a rolling basis.&lt;/b&gt;
        
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;img src="https://raw.githubusercontent.com/cis-india/website/master/img/CIS_r%40w_CallForEssays_List_Open.png" alt="Call for essays on #List, abstracts are considered on a rolling basis" /&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;For the last several years, #MeToo and #LoSHA have set the course for rousing debates within feminist praxis and contemporary global politics. It also foregrounded the ubiquitous presence of the list in its various forms, not only on the internet but across diverse aspects of media culture. Much debate has emerged about specificities and implications of the list as an information artefact, especially in the case of #LoSHA and NRC - its role in creation and curation of information, in building solidarities and communities of practice, its dependencies on networked media infrastructures, its deployment by hegemonic entities and in turn for countering dominant discourses.&lt;/p&gt;
&lt;p&gt;From Mailing Lists to WhatsApp Broadcast Lists, lists have been the very basis of multi-casting capabilities of the early and the recent internets. The list - in terms of list of people receiving a message, list of machines connecting to a router or a tower, list of ‘friends’ and ‘followers’ ‘added’ to your social media persona - structures the open-ended multi-directional information flow possibilities of the internet. It simultaneously engenders networks of connected machines and bodies, topographies of media circulation, and social graphs of affective connections and consumptions.&lt;/p&gt;
&lt;p&gt;As a media format that is easy to create, circulate, and access (as seen in the number of rescue and relief lists that flood the web during national disasters) or one that is essential in classification and cross-referencing (such as public records and memory institutions), the list becomes an essential trope to understand new media forms today, as the skeletal frame on which much digital content and design is structured and also consumed through.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;What new subjectivities - indicative of different asymmetries of power/knowledge - do list-making, and being listed, engender? How are they hegemonic or intersectional?&lt;/li&gt;
&lt;li&gt;What new modes of questioning and meaning-making have manifested today in various practices of list-making?
What modalities of creation and circulation of lists affords their authority; what makes them legitimate information artefacts, or contentious forms of knowledge?&lt;/li&gt;
&lt;li&gt;How and when do lists became digital, where are lists on paper? How do we understand their ephemerality or robustness; are they medium or message?&lt;/li&gt;
&lt;li&gt;Are there cultural economies of lists, list-making, and getting listed? Who decides, and who gets invisibilized on lists?&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;h2&gt;Call for Essays&lt;/h2&gt;
&lt;p&gt;We invite abstracts for essays that explore social, economic, cultural, political, infrastructural, or aesthetic dimensions of the ‘list’.&lt;/p&gt;
&lt;p&gt;Please submit the abstracts by &lt;strong&gt;Friday, August 23, 2019&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;We will select 10 abstracts and announce them on Friday, August 30. The selected authors are expected to submit a full  draft of the essay (of 2000-3000 words) by Monday, September 30. We will share editorial suggestions with the authors, and the final versions of the essays will be published on the &lt;a href="https://medium.com/rawblog" target="_blank"&gt;researchers@work blog&lt;/a&gt; from November onwards. We will offer Rs. 5,000 as honorarium to all selected authors.&lt;/p&gt;
&lt;p&gt;Please submit the abstract (300-500 words), and a short biographic note, in a single text file with the title of the essay and your name via email sent to &lt;a href="mailto:raw@cis-india.org"&gt;raw@cis-india.org&lt;/a&gt;, with the subject line of ‘List’.&lt;/p&gt;
&lt;p&gt;Authors are very much welcome to work with text, images, sounds, videos, code, and other mediatic forms that the internet offers.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='http://editors.cis-india.org/raw/call-for-essays-list'&gt;http://editors.cis-india.org/raw/call-for-essays-list&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sneha-pp</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Researchers at Work</dc:subject>
    
    
        <dc:subject>List</dc:subject>
    
    
        <dc:subject>RAW Blog</dc:subject>
    
    
        <dc:subject>Research</dc:subject>
    
    
        <dc:subject>Featured</dc:subject>
    
    
        <dc:subject>Call for Essays</dc:subject>
    
    
        <dc:subject>Internet Studies</dc:subject>
    

   <dc:date>2019-10-11T17:07:26Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="http://editors.cis-india.org/raw/presentation-at-global-digital-humanities-symposium">
    <title>Presentation at Global Digital Humanities Symposium</title>
    <link>http://editors.cis-india.org/raw/presentation-at-global-digital-humanities-symposium</link>
    <description>
        &lt;b&gt;P.P. Sneha gave a virtual presentation of her work on digital cultural archives at the Global Digital Humanities Symposium organised by Michigan State University on March 21-22, 2019. &lt;/b&gt;
        
&lt;p&gt;&lt;a name="sneha"&gt;&lt;/a&gt;&lt;/p&gt;
&lt;h3 style="text-align: justify;"&gt;&lt;a name="sneha"&gt;&lt;/a&gt;&lt;/h3&gt;
&lt;p&gt;&lt;a name="sneha"&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;h4&gt;Puthiya Purayil Sneha (Centre for Internet and Society, Bangalore, India)&lt;/h4&gt;
&lt;p style="text-align: justify;"&gt;The archive has been an important context for conversations around digital humanities (DH) in India, as it has been globally. The last few decades have seen several large-scale efforts in digitalization across various sectors, including state institutions (National Museum, National Cultural Audio-Visual Archive (IGNCA)) universities (Jadavpur University, Ambedkar University,) and individual and collaborative efforts (Indian Memory Project, Indiancine.ma ) to name a few. The emergence of new fields like DH, digital cultures and cultural analytics also indicate several shifts in scholarship, pedagogy and practice, on the one hand alluding to the potential offered by democratizing technologies, but also reflecting persistent challenges related to the digital divide, and more specifically politics around the growth and sustenance of the humanities disciplines.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;The growth of new areas of study and creative practice like DH has brought about a renewed focus on the creation of digital corpora, and the need for new technologies and methods of research, more specifically through the development of digital pedagogies. The contexts of these questions are however much wider, located in long-spanning efforts in digitization and digital literacy more broadly, which are still fraught with challenges of access, usage and context. Even as the colonial imagination of state archives remains prevalent in India, digital archival initiatives facilitated by infrastructure such as open source content management systems and tools like web annotation have opened up spaces for alternate narratives. Drawing upon excerpts from a report on mapping the field of DH in India, and ongoing conversations on the digital transition in archival practices, this presentation seeks to understand the politics of digital archiving in a postcolonial context, and how it informs larger trajectories of digitalisation, and the growth of fields like DH in India today.&lt;/p&gt;
&lt;hr /&gt;
&lt;p style="text-align: justify;"&gt;For more info &lt;a class="external-link" href="http://www.msuglobaldh.org/schedule/abstracts/"&gt;click here&lt;/a&gt;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='http://editors.cis-india.org/raw/presentation-at-global-digital-humanities-symposium'&gt;http://editors.cis-india.org/raw/presentation-at-global-digital-humanities-symposium&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sneha-pp</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Researchers at Work</dc:subject>
    

   <dc:date>2019-05-03T09:41:53Z</dc:date>
   <dc:type>News Item</dc:type>
   </item>


    <item rdf:about="http://editors.cis-india.org/raw/irc19-list">
    <title> Internet Researchers' Conference 2019 (IRC19): #List, Jan 30 - Feb 1, Lamakaan</title>
    <link>http://editors.cis-india.org/raw/irc19-list</link>
    <description>
        &lt;b&gt;Who makes lists? How are lists made? Who can be on a list, and who is missing? What new subjectivities - indicative of different asymmetries of power/knowledge - do list-making, and being listed, engender? What makes lists legitimate information artifacts, and what makes their knowledge contentious? Much debate has emerged about specificities and implications of the list as an information artifact, especially in the case of #LoSHA and NRC - its role in creation and curation of information, in building solidarities and communities of practice, its dependencies on networked media infrastructures, its deployment by hegemonic entities and in turn for countering dominant discourses. For the fourth edition of the Internet Researchers’ Conference (IRC19), we invited sessions and papers that engage critically with the form, imagination, and politics of the *list* - to present or propose academic, applied, or creative works that explore its social, economic, cultural, material, political, affective, or aesthetic dimensions. IRC19 will be organised in Lamakaan, Hyderabad, during January 30 - February 1, 2019.&lt;/b&gt;
        
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;h4&gt;Venue: &lt;a href="http://www.lamakaan.com/" target="_blank"&gt;Lamakaan&lt;/a&gt;, Off Road 1, Near GVK Mall, Banjara Hills, Hyderabad 500034&lt;/h4&gt;
&lt;h4&gt;Location: &lt;a href="https://goo.gl/maps/grVp3tKUGiu" target="_blank"&gt;Google Maps&lt;/a&gt;&lt;/h4&gt;
&lt;h4&gt;Conference Programme: &lt;a href="https://www.slideshare.net/CIS_India/irc19-list-conference-programme" target="_blank"&gt;Read&lt;/a&gt; (SlideShare) and &lt;a href="http://editors.cis-india.org/raw/irc19-list-conference-programme/at_download/file"&gt;Download&lt;/a&gt; (PDF)&lt;/h4&gt;
&lt;h4&gt;Code of Conduct and Friendly Space Policy: &lt;a href="https://cis-india.org/raw/irc19-code-of-conduct-and-friendly-space-policy/at_download/file" target="_blank"&gt;Download&lt;/a&gt; (PDF)&lt;/h4&gt;
&lt;h4&gt;Poster: &lt;a href="https://cis-india.org/raw/irc19-list/image" target="_blank"&gt;Download&lt;/a&gt; (JPG)&lt;/h4&gt;
&lt;h4&gt;Registration: Directly at the venue, it is a free and open conference&lt;/h4&gt;
&lt;hr /&gt;
&lt;h3&gt;&lt;strong&gt;IRC19: #List&lt;/strong&gt;&lt;/h3&gt;
&lt;p&gt;For the last several years, #MeToo and #LoSHA have set the course for rousing debates within feminist praxis and contemporary global politics. It also foregrounded the ubiquitous presence of the &lt;em&gt;list&lt;/em&gt; in its various forms, not only on the internet but across diverse aspects of media culture. Much debate has emerged about specificities and implications of the &lt;em&gt;list&lt;/em&gt; as an information artifact, especially in the case of #LoSHA and NRC - its role in creation and curation of information, in building solidarities and communities of practice, its dependencies on networked media infrastructures, its deployment by hegemonic entities and in turn for countering dominant discourses. Directed by the Supreme Court, the Government of India has initiated the National Register of Citizens process of creating an updated &lt;em&gt;list&lt;/em&gt; of all Indian citizens in the state of Assam since 2015. This is a &lt;em&gt;list&lt;/em&gt; that sets apart legal citizens from illegal immigrants, based on an extended and multi-phase process of announcement of draft &lt;em&gt;lists&lt;/em&gt; and their revisions. NRC is producing a &lt;em&gt;list&lt;/em&gt; with a specific question: who is a citizen and who is not? UIDAI has produced a &lt;em&gt;list&lt;/em&gt; of unique identification number assigned to individuals: a &lt;em&gt;list&lt;/em&gt; to connect/aggregate other &lt;em&gt;lists&lt;/em&gt;, a &lt;em&gt;meta-list&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;From Mailing Lists to WhatsApp Broadcast Lists, &lt;em&gt;lists&lt;/em&gt; have been the very basis of multi-casting capabilities of the early and the recent internets. The &lt;em&gt;list&lt;/em&gt; - in terms of &lt;em&gt;list&lt;/em&gt; of people receiving a message, &lt;em&gt;list&lt;/em&gt; of machines connecting to a router or a tower, &lt;em&gt;list&lt;/em&gt; of ‘friends’ and ‘followers’ ‘added’ to your social media persona - structures the open-ended multi-directional information flow possibilities of the internet. It simultaneously engenders networks of connected machines and bodies, topographies of media circulation, and social graphs of affective connections and consumptions. The epistemological, constitutive, and inscriptive functions of the &lt;em&gt;list&lt;/em&gt;, as &lt;a href="http://amodern.net/article/on-lists-and-networks/" target="_blank"&gt;Liam Young documents&lt;/a&gt;, have been crucial to the creation of new infrastructures of knowledge, and to understand where the internet emerges as a challenge to these.&lt;/p&gt;
&lt;p&gt;As a media format that is easy to create, circulate, and access (as seen in the number of rescue and relief lists that flood the web during national disasters) or one that is essential in classification and cross-referencing (such as public records and memory institutions), the &lt;em&gt;list&lt;/em&gt; becomes an essential trope to understand new media forms today, as the skeletal frame on which much digital content and design is structured and consumed through.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Who makes lists?&lt;/li&gt;
&lt;li&gt;How are lists made?&lt;/li&gt;
&lt;li&gt;Who can be on a list, and who is missing?&lt;/li&gt;
&lt;li&gt;Who gets counted on lists, and who is counting?&lt;/li&gt;
&lt;li&gt;What new subjectivities - indicative of different asymmetries of power/knowledge - do list-making, and being listed, engender?&lt;/li&gt;
&lt;li&gt;What modalities of creation and circulation of lists affords its authority, its simultaneous revelations and obfuscations?&lt;/li&gt;
&lt;li&gt;What makes lists legitimate information artifacts, and what makes their knowledge contentious?&lt;/li&gt;
&lt;li&gt;What makes lists ephemeral, and what makes their content robust?&lt;/li&gt;
&lt;li&gt;What makes lists hegemonic, and what makes them intersectional?&lt;/li&gt;
&lt;li&gt;What makes lists ordered, and what makes them unordered?&lt;/li&gt;
&lt;li&gt;What do listicles do to habits of reading and creation of knowledge?&lt;/li&gt;
&lt;li&gt;What new modes of questioning and meaning-making have manifested today in various practices of list-making?&lt;/li&gt;
&lt;li&gt;How and when do lists became digital, and whatever happened to lists on paper?&lt;/li&gt;
&lt;li&gt;Are there cultural economies of lists, list-making, and getting listed?&lt;/li&gt;
&lt;li&gt;Are lists content or carriage, are they medium or message?&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;For the fourth edition of the Internet Researchers’ Conference (IRC19), we invited sessions and papers that engage critically with the form, imagination, and politics of the *list* - to present or propose academic, applied, or creative works that explore its social, economic, cultural, material, political, affective, or aesthetic dimensions.&lt;/p&gt;
&lt;h3&gt;&lt;strong&gt;Sessions&lt;/strong&gt;&lt;/h3&gt;
&lt;p&gt;&lt;strong&gt;&lt;a href="https://cis-india.org/raw/irc19-proposed-session-ayushmanbhavah" target="_blank"&gt;#AyushmanBhavah&lt;/a&gt;&lt;/strong&gt; - Arya Lakshmi and Adrij Chakraborty&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;a href="https://cis-india.org/raw/irc19-proposed-session-butitisnotfunny" target="_blank"&gt;#ButItIsNotFunny&lt;/a&gt;&lt;/strong&gt; - Madhavi Shivaprasad and Sonali Sahoo&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;a href="https://cis-india.org/raw/irc19-proposed-session-callingoutandin" target="_blank"&gt;#CallingOutAndIn&lt;/a&gt;&lt;/strong&gt; - Usha Raman, Radhika Gajjala, Riddhima Sharma, Tarishi Varma, Pallavi Guha, Sai Amulya Komarraju, and Sugandha Sehgal&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;a href="https://cis-india.org/raw/irc19-proposed-session-enlistingprivacy" target="_blank"&gt;#EnlistingPrivacy&lt;/a&gt;&lt;/strong&gt; - Pawan Singh and Pranjal Jain&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;a href="https://cis-india.org/raw/irc19-proposed-session-fomo" target="_blank"&gt;#FOMO&lt;/a&gt;&lt;/strong&gt; - Pritha Chakrabarti and Dr. Baidurya Chakrabarti&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;a href="https://cis-india.org/raw/irc19-proposed-session-legitlists" target="_blank"&gt;#LegitLists - Form follows function: List by design&lt;/a&gt;&lt;/strong&gt; - Akriti Rastogi, Ishani Dey, and Sagorika Singha&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;a href="https://cis-india.org/raw/irc19-proposed-session-listinterface" target="_blank"&gt;#ListInterface&lt;/a&gt;&lt;/strong&gt; - Bharath Sivakumar, Rakshita Siva, and Deepak Prince&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;a href="https://cis-india.org/raw/irc19-proposed-session-loshaandwhatfollowed" target="_blank"&gt;#LoSHAandWhatFollowed&lt;/a&gt;&lt;/strong&gt; - Anannya Chatterjee, Arunima Singh, Bhanu Priya Gupta, Renu Singh, and Rhea Bose&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;a href="https://cis-india.org/raw/irc19-proposed-session-powerlisting" target="_blank"&gt;#PowerListing&lt;/a&gt;&lt;/strong&gt; - Dr. Shubhda Arora, Dr. Smitana Saikia, Prof. Nidhi Kalra, and Prof. Ravikant Kisana&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;a href="https://cis-india.org/raw/irc19-proposed-session-storiesrecordslegendsrituals" target="_blank"&gt;#StoriesRecordsLegendsRituals&lt;/a&gt;&lt;/strong&gt; - Priyanka, Aditya, Bhanu Prakash GS, Aishwarya, and Dinesh&lt;/p&gt;
&lt;h3&gt;&lt;strong&gt;Papers&lt;/strong&gt;&lt;/h3&gt;
&lt;p&gt;&lt;strong&gt;&lt;a href="https://cis-india.org/raw/irc19-list-selected-sessions-papers#brindaalakshmi" target="_blank"&gt;Orinam: An online list archiving queer history, activism, support, experiences and literature&lt;/a&gt;&lt;/strong&gt; - Brindaalakshmi.K&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;a href="https://cis-india.org/raw/irc19-list-selected-sessions-papers#gayas" target="_blank"&gt;De-duplicating amidst disaster: how rescue databases were made during 2018 Kerala floods&lt;/a&gt;&lt;/strong&gt; - Gayas Eapen&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;a href="https://cis-india.org/raw/irc19-list-selected-sessions-papers#monish-ranjit" target="_blank"&gt;Making the ‘Other’ Count: Categorizing ‘Self’ using the NRC&lt;/a&gt;&lt;/strong&gt; - Khetrimayum Monish Singh and Ranjit Singh&lt;/p&gt;
&lt;h3&gt;&lt;strong&gt;About the IRC Series&lt;/strong&gt;&lt;/h3&gt;
&lt;p&gt;Researchers and practitioners across the domains of arts, humanities, and social sciences have attempted to understand life on the internet, or life after the internet, and the way digital technologies mediate various aspects of our being today. These attempts have in turn raised new questions around understanding of digital objects, online lives, and virtual networks, and have contributed to complicating disciplinary assumptions, methods, conceptualisations, and boundaries.&lt;/p&gt;
&lt;p&gt;The researchers@work programme at the Centre for Internet and Society (CIS) initiated the Internet Researchers' Conference (IRC) series to address these concerns, and to create an annual temporary space in India, for internet researchers to gather and share experiences.&lt;/p&gt;
&lt;p&gt;The IRC series is driven by the following interests:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;creating discussion spaces for researchers and practitioners studying internet in India and in other comparable regions,&lt;/li&gt;
&lt;li&gt;foregrounding the multiplicity, hierarchies, tensions, and urgencies of the digital sites and users in India,&lt;/li&gt;
&lt;li&gt;accounting for the various layers, conceptual and material, of experiences and usages of internet and networked digital media in India, and&lt;/li&gt;
&lt;li&gt;exploring and practicing new modes of research and documentation necessitated by new (digital) objects of power/knowledge.&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;The &lt;a href="https://cis-india.org/raw/irc16" target="_blank"&gt;first edition of the Internet Researchers' Conference&lt;/a&gt; series was held in February 2016. It was hosted by the &lt;a href="https://www.jnu.ac.in/SSS/CPS/" target="_blank"&gt;Centre for Political Studies&lt;/a&gt; at Jawaharlal Nehru University, and was supported by the CSCS Digital Innovation Fund. The &lt;a href="https://cis-india.org/raw/irc17" target="_blank"&gt;second Internet Researchers' Conference&lt;/a&gt; was organised in partnership with the &lt;a href="http://citapp.iiitb.ac.in/" target="_blank"&gt;Centre for Information Technology and Public Policy&lt;/a&gt; (CITAPP) at the International Institute of Information Technology Bangalore (IIIT-B) campus on March 03-05, 2017. The &lt;a href="https://cis-india.org/raw/irc18" target="_blank"&gt;third Internet Researchers' Conference&lt;/a&gt; was organised at the &lt;a href="http://www.sambhaavnaa.org/" target="_blank"&gt;Sambhaavnaa Institute&lt;/a&gt;, Kandbari (Himachal Pradesh) during February 22-24, 2018, and the theme of the conference was *offline*.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='http://editors.cis-india.org/raw/irc19-list'&gt;http://editors.cis-india.org/raw/irc19-list&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sneha-pp</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Internet Studies</dc:subject>
    
    
        <dc:subject>Internet Researcher's Conference</dc:subject>
    
    
        <dc:subject>IRC19</dc:subject>
    
    
        <dc:subject>Researchers at Work</dc:subject>
    
    
        <dc:subject>Event</dc:subject>
    

   <dc:date>2019-01-31T06:41:38Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="http://editors.cis-india.org/raw/welcome-to-raw-blog">
    <title>Welcome to r@w blog!</title>
    <link>http://editors.cis-india.org/raw/welcome-to-raw-blog</link>
    <description>
        &lt;b&gt;We from the researchers@work programme at the Centre for Internet and Society (CIS) are delighted to announce the launch of our new blog, hosted on Medium. It will feature works by researchers and practitioners working in India and elsewhere at the intersections of internet, digital media, and society; and highlights and materials from ongoing research and events at the researchers@work programme.&lt;/b&gt;
        
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;h4&gt;r@w blog: &lt;a href="https://medium.com/rawblog" target="_blank"&gt;Visit&lt;/a&gt; (Medium)&lt;/h4&gt;
&lt;hr /&gt;
&lt;h3&gt;A space for reflections on internet and society, r@w blog is also an attempt to facilitate conversations around contemporary debates and foster creative engagement with research and practice through text, images, sounds, videos, code, and other media forms offered by the internet.&lt;br /&gt;&lt;br /&gt;&lt;/h3&gt;
&lt;h3&gt;r@w blog opens with  an essay on ‘&lt;a href="https://medium.com/rawblog/information-offline-labour-surveillance-and-activism-in-the-indian-it-ites-industry-903c71567d1a" target="_blank"&gt;Information Offline: Labour, Surveillance, and Activism in the Indian IT &amp;amp; ITES Industry&lt;/a&gt;’ by Rianka Roy - as part of an &lt;a href="https://cis-india.org/raw/call-for-essays-offline" target="_blank"&gt;essay series&lt;/a&gt; exploring social, economic, cultural, political, infrastructural, and aesthetic dimensions of the "offline" - and audio recording from a session titled &lt;a href="https://medium.com/rawblog/iloveyou-167665a5145a" target="_blank"&gt;#ILoveYou&lt;/a&gt; by Dhiren Borisa and Dhrubo Jyoti, which was part of the &lt;a href="https://cis-india.org/raw/irc18" target="_blank"&gt;Internet Researchers’ Conference 2018 - #Offline&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/h3&gt;
&lt;h3&gt;We will publish our (including commissioned/supported) writings and works on this blog, as well as submitted and compiled materials. Please write to raw[at]cis-india[dot]org to submit your works to be considered for publication. Copyright to all material published on this blog are owned by CIS and author(s) concerned, and they are shared under Creative Commons Attribution 4.0 International license.&lt;/h3&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='http://editors.cis-india.org/raw/welcome-to-raw-blog'&gt;http://editors.cis-india.org/raw/welcome-to-raw-blog&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sneha-pp</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Homepage</dc:subject>
    
    
        <dc:subject>RAW Blog</dc:subject>
    
    
        <dc:subject>Researchers at Work</dc:subject>
    
    
        <dc:subject>Featured</dc:subject>
    
    
        <dc:subject>Internet Studies</dc:subject>
    

   <dc:date>2019-01-02T11:48:04Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="http://editors.cis-india.org/raw/irc19-list-selected-sessions-papers">
    <title>Internet Researchers' Conference 2019 (IRC19): #List - Selected Sessions and Papers</title>
    <link>http://editors.cis-india.org/raw/irc19-list-selected-sessions-papers</link>
    <description>
        &lt;b&gt;Here is the list of selected sessions and papers for the Internet Researchers' Conference 2019 (IRC19) - #List. IRC19 will be held in Lamakaan, Hyderabad, from Jan 30 to Feb 1, 2019. The conference announcement, along with the final agenda, will be published on Monday, January 7.&lt;/b&gt;
        
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;h4&gt;Internet Researchers' Conference 2019 - #List - &lt;a href="https://cis-india.org/raw/irc19-list-call" target="_blank"&gt;Call for Sessions&lt;/a&gt;&lt;/h4&gt;
&lt;h4&gt;Internet Researchers' Conference 2019 - #List - &lt;a href="https://cis-india.org/raw/irc19-list-call-papers" target="_blank"&gt;Call for Papers&lt;/a&gt;&lt;/h4&gt;
&lt;h4&gt;Internet Researchers' Conference 2019 - #List - &lt;a href="https://cis-india.org/raw/irc19-proposed-sessions" target="_blank"&gt;List of Proposed Sessions&lt;/a&gt;&lt;/h4&gt;
&lt;hr /&gt;
&lt;h4&gt;Selected Sessions&lt;/h4&gt;
&lt;p&gt;&lt;a href="https://cis-india.org/raw/irc19-proposed-session-ayushmanbhavah" target="_blank"&gt;#AyushmanBhavah&lt;/a&gt; - Arya Lakshmi and Adrij Chakraborty &lt;strong&gt;(9 votes)&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://cis-india.org/raw/irc19-proposed-session-butitisnotfunny" target="_blank"&gt;#ButItIsNotFunny&lt;/a&gt; - Madhavi Shivaprasad and Sonali Sahoo &lt;strong&gt;(9 votes)&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://cis-india.org/raw/irc19-proposed-session-callingoutandin" target="_blank"&gt;#CallingOutAndIn&lt;/a&gt; - Usha Raman, Radhika Gajjala, Riddhima Sharma, Tarishi Varma, Pallavi Guha, Sai Amulya Komarraju, and Sugandha Sehgal &lt;strong&gt;(9 votes)&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://cis-india.org/raw/irc19-proposed-session-enlistingprivacy" target="_blank"&gt;#EnlistingPrivacy&lt;/a&gt; - Pawan Singh and Pranjal Jain &lt;strong&gt;(9 votes)&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://cis-india.org/raw/irc19-proposed-session-fomo" target="_blank"&gt;#FOMO&lt;/a&gt; - Pritha Chakrabarti and Dr. Baidurya Chakrabarti &lt;strong&gt;(9 votes)&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://cis-india.org/raw/irc19-proposed-session-legitlists" target="_blank"&gt;#LegitLists - Form follows function: List by design&lt;/a&gt; - Akriti Rastogi, Ishani Dey, and Sagorika Singha &lt;strong&gt;(9 votes)&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://cis-india.org/raw/irc19-proposed-session-listinterface" target="_blank"&gt;#ListInterface&lt;/a&gt; - Bharath Sivakumar, Rakshita Siva, and Deepak Prince &lt;strong&gt;(7 votes)&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://cis-india.org/raw/irc19-proposed-session-loshaandwhatfollowed" target="_blank"&gt;#LoSHAandWhatFollowed&lt;/a&gt; - Anannya Chatterjee, Arunima Singh, Bhanu Priya Gupta, Renu Singh, and Rhea Bose &lt;strong&gt;(7 votes)&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://cis-india.org/raw/irc19-proposed-session-powerlisting" target="_blank"&gt;#PowerListing&lt;/a&gt; - Dr. Shubhda Arora, Dr. Smitana Saikia, Prof. Nidhi Kalra, and Prof. Ravikant Kisana &lt;strong&gt;(10 votes)&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://cis-india.org/raw/irc19-proposed-session-storiesrecordslegendsrituals" target="_blank"&gt;#StoriesRecordsLegendsRituals&lt;/a&gt; - Priyanka, Aditya, Bhanu Prakash GS, Aishwarya, and Dinesh &lt;strong&gt;(11 votes)&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;h4&gt;Selected Papers&lt;/h4&gt;
&lt;p id="brindaalakshmi"&gt;&lt;strong&gt;Brindaalakshmi.K&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;Orinam: An online list archiving queer history, activism, support, experiences and literature&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;In July 2009, the Delhi High Court legalised homosexual acts among consenting adults. However, in 2013, the Supreme Court of India held that homosexuality between two consenting adults was illegal and reinstated Section 377 of the Indian Penal Code. This section was reinstated under the pretext of the LGBTIQA+ community being a minuscule minority. The Supreme Court saw this as insufficient for declaring that Section 377 as going against Article 14, 15 and 21. However, on September 6, 2018, the Supreme Court of India passed the historic verdict reading down Section 377 to decriminalise homosexuality in India. In the time between 2013 and 2018, the LGBTIQA+ community struggled to their presence and rights. Different groups and organisations have worked on this.&lt;/p&gt;
&lt;p&gt;One such collectives has been Orinam, an all-volunteer unregistered Chennai-based collective. Started in 2003, Orinam among other things, has also been recording queer experiences on its website since Dec 2005. These experiences of queer people and their families have been recorded in Tamil and English on Orinam’s blog, Our Voices as poetry, fiction, news, views, podcasts and reviews. The website also archives queer events in India through The Orinam Photo archives. Orinam has also been archiving the legal developments with respect to the rights of LGBTIQA+ community. This included legal documents, landmark verdicts, letters written by the family of queer individuals in multiple Indian languages to the Supreme Court to read down Section 377, among others &lt;strong&gt;[1]&lt;/strong&gt;. These listings along with others, in turn also contributed to building the case for the legal battle to eventually read down Section 377.&lt;/p&gt;
&lt;p&gt;This paper looks specifically at the functioning of Orinam based in Chennai that uses lists in a way to support a marginalised community acknowledging their realities and also keeping them alive in different ways. This is being done through its support resources, peer support, activism or archiving queer experiences in the form of literature and other media, both online and offline. This paper will trace Orinam’s work through the fifteen years of its existence as a listing and archiving platform supporting the LGBTIQA+ community.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;[1]&lt;/strong&gt; Orinam@15: talk delivered at 15th Anniversary Celebrations. Dec 23, 2018&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Brindaalakshmi is a member/volunteer of the Chennai based queer collective, Orinam; and is currently working with the Centre for Internet and Society, India, on a study on 'Gendering of Development Data in India'.&lt;/em&gt;&lt;/p&gt;
&lt;p id="gayas"&gt;&lt;strong&gt;Gayas Eapen&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;De-duplicating amidst disaster: how rescue databases were made during 2018 Kerala floods&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Natural disasters can be crucial time for making lists: of people in need of assistance, rescue, support, relief and other similar disaster-related operations. In lists concerning rescue, being on the list and not being on it could mean the difference of life and death. In which case it is important to consider: how do the processes which make such lists possible come about? How do they ensure that people are not left out of these lists? How they do they sort out redundancies? I study the lists made during the Kerala floods of 2018 to attempt to answer some of these questions.&lt;/p&gt;
&lt;p&gt;As rescue requests started piling up on social media, a group of volunteers set up the web portal, keralarerscue.in, which later became the central database of all the rescue requests. The portal was unique in two fronts. First, the developers building the portal were volunteers from the community instead of being the state employees, but, nonetheless, worked in coordination with the the government and rescue agencies along with the feedback they were getting from people. Second, the rescue requests were being crowdsourced from people directly. This led to the duplication of requests, it wasn’t until much later that it was realized that crowdsourced information was not coming directly from the victims, but from people who were placing requests on their behalf.&lt;/p&gt;
&lt;p&gt;In this paper I argue how feedback from the community, coupled with the personal investment of the programmers lead to improvements in the structuring and use of the database. I will delineate the concerns of de-duplication (process of removing redundancies) which posed a serious dilemma, of either deleting crucial information hence posing danger to people’s lives, or incurring loss of precious resources in chasing repeated rescue requests.&lt;/p&gt;
&lt;p&gt;I argue that the streamlining of  programming operations by developing methods such as ticketing system (of labelling the urgency or marking completion of rescue requests by telephonically confirming them) were made possible because of a participatory model of building lists. Those involved in the technical creation of the lists identified closely with the experiences of the people stuck in the flood. The solution, which involved not deleting names of people but instead undertaking another painstaking scrutinizing operation even in a time sensitive environment, can be placed in stark contrast to how lists have been created by state or corporate agencies in similar crucial situations.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Gayas is an assistant professor of English and Journalism (as part of the Resident Expert Panel, 2018-19) at Dayapuram Arts and Science College, Kozhikode, University of Calicut.&lt;/em&gt;&lt;/p&gt;
&lt;p id="monish-ranjit"&gt;&lt;strong&gt;Khetrimayum Monish Singh and Ranjit Singh&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;Making the ‘Other’ Count: Categorizing ‘Self’ using the NRC&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;This paper focuses on the National Register of Citizens (NRC) as a case study to discuss legal and administrative challenges in categorizing Assamese residents as citizens of India. At a fundamental level, lists manifest a binary of categories: people who are on the list and others who are not. However, the process of achieving this binary distinction, especially in the exercise of updating NRC, has required bureaucratic accounting of a wide variety of Assameseresidents who neither are completely on the list nor completely off it. This paper specifically focuses on instances of inclusion and exclusion of three categories of Assamese residents in the process of updating the NRC: (i) Original Inhabitants (OI), (ii) Doubtful Voters (D-Voters), and (ii) Women applicants who have been excluded from the list because of the lack of appropriate bureaucratic documents. As an administrative exercise, the NRC as a citizen identification project is a moment where temporalities of NRC as a classification system does not map onto the individual biographies of a variety of Assamese residents as outlined above. In such moments of ‘torque’ (Geoffrey Bowker and Susan Leigh Star, Sorting things out: Classifications and its consequences, 2000), listing (or the process of making a list) is not simply bureaucratic accounting; it is also a lived experience of mismatch and the struggle that follows in efforts to secure representation through listing. We show that while the NRC update in
Assam may itself be driven by anxieties around illegal immigration, the attempts to technologically, legally, and politically categorize the ‘other’ using the information infrastructure of NRC have profound consequences on the ‘self’ of India as a nation state.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Monish is a Programme Officer at the Centre for Internet and Society, India; and Ranjit is a PhD candidate at the Department of Science and Technology Studies, Cornell University, and a Research Associate at the Centre for Internet and Society, India.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;h4&gt;Notes&lt;/h4&gt;
&lt;p&gt;The sessions have been selected based on the votes submitted by all the session teams (that proposed a session for IRC19). Please find details of this process in the &lt;a href="https://cis-india.org/raw/irc19-list-call" target="_blank"&gt;Call for Sessions&lt;/a&gt; page. The papers have been selected by the researchers@work team.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='http://editors.cis-india.org/raw/irc19-list-selected-sessions-papers'&gt;http://editors.cis-india.org/raw/irc19-list-selected-sessions-papers&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sneha-pp</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Researchers at Work</dc:subject>
    
    
        <dc:subject>Internet Studies</dc:subject>
    
    
        <dc:subject>Internet Researcher's Conference</dc:subject>
    
    
        <dc:subject>IRC19</dc:subject>
    

   <dc:date>2019-01-21T12:11:35Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="http://editors.cis-india.org/raw/silicon-plateau-volume-two">
    <title>Silicon Plateau: Volume Two</title>
    <link>http://editors.cis-india.org/raw/silicon-plateau-volume-two</link>
    <description>
        &lt;b&gt;Silicon Plateau is an art project and publishing series that explores the intersection of technology, culture and society in the Indian city of Bangalore. Each volume of the series is a themed repository for research, artworks, essays and interviews that observe the ways technology permeates the urban environment and the lives of its inhabitants. This project is an attempt at creating collaborative research into art and technology, beginning by inviting an interdisciplinary group of contributors (from artists, designers and writers, to researchers, anthropologists and entrepreneurs) to participate in the making of each volume.&lt;/b&gt;
        
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;h4&gt;Download the book: &lt;a href="https://files.cargocollective.com/c221119/SiliconPlateau_VolumeTwo.epub"&gt;Epub&lt;/a&gt; and &lt;a href="https://files.cargocollective.com/c221119/SiliconPlateau_VolumeTwo.pdf"&gt;PDF&lt;/a&gt;&lt;/h4&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;em&gt;Silicon Plateau Volume 2&lt;/em&gt; explores the ecosystem of mobile apps and their on-demand services. The book investigates how apps and their infrastructure are impacting our relationship with the urban environment; the way we relate and communicate with each other; and the way labour is changing. It also explores our trust in these technologies, and their supposed capacity to organise things for us and make them straightforward—while, in exchange, we relentlessly feed global corporations with our GPS data and online behaviours.&lt;/p&gt;
&lt;p&gt;The sixteen book contributors responded to a main question: what does it mean to be an app user today—as a worker, a client, or simply an observer?&lt;/p&gt;
&lt;p&gt;The result is a collection of stories about contemporary life in Bangalore; of conversations and deliberations on how we behave, what we sense, and what we might think about when we use the services that are offered to us on demand, through just a tap on our mobile screens.&lt;/p&gt;
&lt;p&gt;Website: &lt;a href="https://siliconplateau.info/" target="_blank"&gt;siliconplateau.info&lt;/a&gt;&lt;/p&gt;
&lt;h4&gt;Contributors&lt;/h4&gt;
&lt;p&gt;Sunil Abraham and Aasavri Rai, Yogesh Barve, Deepa Bhasthi, Carla Duffett, Furqan Jawed, Vir Kashyap, Saudha Kasim, Qusai Kathawala, Clay Kelton, Tara Kelton, Mathangi Krishnamurthy, Sruthi Krishnan, Vandana Menon, Lucy Pawlak, Nicole Rigillo, Yashas Shetty, Mariam Suhail&lt;/p&gt;
&lt;h4&gt;Editors&lt;/h4&gt;
&lt;p&gt;Marialaura Ghidini and Tara Kelton&lt;/p&gt;
&lt;h4&gt;Publisher&lt;/h4&gt;
&lt;p&gt;Institute of Network Cultures, Amsterdam, in collaboration with the Centre for Internet and Society, India, 2018. ISBN: 978-94-92302-29-8&lt;/p&gt;
&lt;h4&gt;Book and Cover Design&lt;/h4&gt;
&lt;p&gt;Furqan Jawed and Tara Kelton&lt;/p&gt;
&lt;h4&gt;Copyediting&lt;/h4&gt;
&lt;p&gt;Aditya Pandya&lt;/p&gt;
&lt;h4&gt;Supported by&lt;/h4&gt;
&lt;p&gt;Jitu Pasricha, Bangalore; Aarti Sonawala, Singapore; and the Centre for Internet and Society, India.&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Cross-posted from &lt;a href="https://networkcultures.org/blog/publication/silicon-plateau-volume-two/" target="_blank"&gt;Institute of Network Cultures&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='http://editors.cis-india.org/raw/silicon-plateau-volume-two'&gt;http://editors.cis-india.org/raw/silicon-plateau-volume-two&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sneha-pp</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Silicon Plateau</dc:subject>
    
    
        <dc:subject>RAW Publications</dc:subject>
    
    
        <dc:subject>Web Cultures</dc:subject>
    
    
        <dc:subject>Featured</dc:subject>
    
    
        <dc:subject>Publications</dc:subject>
    
    
        <dc:subject>Researchers at Work</dc:subject>
    

   <dc:date>2019-03-13T01:01:27Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="http://editors.cis-india.org/raw/irc19-list-call-papers">
    <title>Internet Researchers' Conference 2019 (IRC19): #List - Call for Papers </title>
    <link>http://editors.cis-india.org/raw/irc19-list-call-papers</link>
    <description>
        &lt;b&gt;Who makes lists? How are lists made? Who can be on a list, and who is missing? What new subjectivities - indicative of different asymmetries of power/knowledge - do list-making, and being listed, engender? What makes lists legitimate information artifacts, and what makes their knowledge contentious? Much debate has emerged about specificities and implications of the list as an information artifact, especially in the case of #LoSHA and NRC - its role in creation and curation of information, in building solidarities and communities of practice, its dependencies on networked media infrastructures, its deployment by hegemonic entities and in turn for countering dominant discourses. For the fourth edition of the Internet Researchers’ Conference (IRC19), we invite papers that engage critically with the form, imagination, and politics of the *list*. &lt;/b&gt;
        
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;h3&gt;&lt;strong&gt;Call for Papers&lt;/strong&gt;&lt;/h3&gt;
&lt;h4&gt;For the fourth edition of the Internet Researchers’ Conference (IRC19), we invite papers that engage critically with the form, imagination, and politics of the *list* - to present or propose academic, applied, or creative works that explore its social, economic, cultural, material, political, affective, or aesthetic dimensions.&lt;/h4&gt;
&lt;p&gt;Paper abstracts (of not more than 500 words) are to be submitted by &lt;strong&gt;Sunday, December 23&lt;/strong&gt; via email sent to &lt;strong&gt;raw@cis-india.org&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Authors of selected paper abstracts will be informed by Monday, December 31, and will be expected to present the full paper (either in person, or remotely) at the IRC19 - #List, to be held in Hyderabad during Jan 31 - Feb 2, 2019.&lt;/p&gt;
&lt;p&gt;Selected paper authors, who are unemployed or underemployed, will be offered support to cover travel expenses fully/partially.&lt;/p&gt;
&lt;p&gt;The only eligibility criteria for submitting papers is that they must engage with the thematic of the conference - *list*.&lt;/p&gt;
&lt;h3&gt;&lt;strong&gt;IRC19: List&lt;/strong&gt;&lt;/h3&gt;
&lt;p&gt;For the last several years, #MeToo and #LoSHA have set the course for rousing debates within feminist praxis and contemporary global politics. It also foregrounded the ubiquitous presence of the list in its various forms, not only on the internet but across diverse aspects of media culture. Much debate has emerged about specificities and implications of the list as an information artifact, especially in the case of #LoSHA and NRC - its role in creation and curation of information, in building solidarities and communities of practice, its dependencies on networked media infrastructures, its deployment by hegemonic entities and in turn for countering dominant discourses. Directed by the Supreme Court, the Government of India has initiated the National Register of Citizens process of creating an updated list of all Indian citizens in the state of Assam since 2015. This is a list that sets apart legal citizens from illegal immigrants, based on an extended and multi-phase process of announcement of draft lists and their revisions. NRC is producing a list with a specific question: who is a citizen and who is not? UIDAI has produced a list of unique identification number assigned to individuals: a list to connect/aggregate other lists, a meta-list.&lt;/p&gt;
&lt;p&gt;From Mailing Lists to WhatsApp Broadcast Lists, lists have been the very basis of multi-casting capabilities of the early and the recent internets. The list - in terms of list of people receiving a message, list of machines connecting to a router or a tower, list of ‘friends’ and ‘followers’ ‘added’ to your social media persona - structures the open-ended multi-directional information flow possibilities of the internet. It simultaneously engenders networks of connected machines and bodies, topographies of media circulation, and social graphs of affective connections and consumptions. The epistemological, constitutive, and inscriptive functions of the list, as Liam Young documents, have been crucial to the creation of new infrastructures of knowledge, and to understand where the internet emerges as a challenge to these.&lt;/p&gt;
&lt;p&gt;As a media format that is easy to create, circulate, and access (as seen in the number of rescue and relief lists that flood the web during national disasters) or one that is essential in classification and cross-referencing (such as public records and memory institutions), the list becomes an essential trope to understand new media forms today, as the skeletal frame on which much digital content and design is structured and consumed through.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Who makes lists?&lt;/li&gt;
&lt;li&gt;How are lists made?&lt;/li&gt;
&lt;li&gt;Who can be on a list, and who is missing?&lt;/li&gt;
&lt;li&gt;Who gets counted on lists, and who is counting?&lt;/li&gt;
&lt;li&gt;What new subjectivities - indicative of different asymmetries of power/knowledge - do list-making, and being listed, engender?&lt;/li&gt;
&lt;li&gt;What modalities of creation and circulation of lists affords its authority, its simultaneous revelations and obfuscations?&lt;/li&gt;
&lt;li&gt;What makes lists legitimate information artifacts, and what makes their knowledge contentious?&lt;/li&gt;
&lt;li&gt;What makes lists ephemeral, and what makes their content robust?&lt;/li&gt;
&lt;li&gt;What makes lists hegemonic, and what makes them intersectional?&lt;/li&gt;
&lt;li&gt;What makes lists ordered, and what makes them unordered?&lt;/li&gt;
&lt;li&gt;What do listicles do to habits of reading and creation of knowledge?&lt;/li&gt;
&lt;li&gt;What new modes of questioning and meaning-making have manifested today in various practices of list-making?&lt;/li&gt;
&lt;li&gt;How and when do lists became digital, and whatever happened to lists on paper?&lt;/li&gt;
&lt;li&gt;Are there cultural economies of lists, list-making, and getting listed?&lt;/li&gt;
&lt;li&gt;Are lists content or carriage, are they medium or message?&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='http://editors.cis-india.org/raw/irc19-list-call-papers'&gt;http://editors.cis-india.org/raw/irc19-list-call-papers&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sneha-pp</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Researchers at Work</dc:subject>
    
    
        <dc:subject>Internet Studies</dc:subject>
    
    
        <dc:subject>Internet Researcher's Conference</dc:subject>
    
    
        <dc:subject>IRC19</dc:subject>
    

   <dc:date>2018-12-06T07:00:30Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>




</rdf:RDF>
