The Centre for Internet and Society
http://editors.cis-india.org
These are the search results for the query, showing results 11 to 13.
Talking Back without "Talking Back"
http://editors.cis-india.org/digital-natives/blog/talking-back-without-talking-back
<b>The activism of digital natives is often considered different from previous generations because of the methods and tools they use. However, reflecting on my conversations with The Blank Noise Project and my experience in the ‘Digital Natives Talking Back’ workshop in Taipei, the difference goes beyond the method and can be spotted at the analytical level – how young people today are thinking about their activism. </b>
<p> </p>
<p><span class="description">Last August, I had the opportunity to participate in the three-day grueling yet highly rewarding ‘<a href="http://editors.cis-india.org/digital-natives/blog/talking-back" class="external-link">Digital Natives Talking Back</a>’ workshop<b> </b>in Taipei. On the very first day, Seema Nair, one of the facilitators and a good friend, asked us to reflect about what ‘talking back’ means in the context of activism. At first glance, activism is almost always interpreted as a confrontational resistance towards an identifiable opponent over a certain issue - a group of activists protesting against a discriminatory legislation passed by a government, for example. Although this is definitely the most popular form, is this the only way activism could be done? </span></p>
<p><span class="description">While reflecting on Seema’s question, I thought of my conversations with people in the Blank Noise Project and how they seem to defy this popular imagination through their efforts to address street sexual harassment. From the way it articulates its issue (I have shared it before in <a href="http://editors.cis-india.org/digital-natives/blog/first-thing-first" class="external-link">here</a>), Blank Noise challenges the idea of an opponent in activism by refusing to identify an entity as the “enemy” or the one responsible for the issue, given the grey areas of street sexual harassment. The opponent is intangible instead: the mindset shared by all members of society that enables the violation to continue. </span></p>
<p><span class="description">Consequently, Blank Noise ‘talks back’ differently. While it is common for many movements to set an intangible vision as its goal (for instance: a society where women is treated as equals with men), they also have a tangible intermediary targets to move towards the broader vision (e.g. a new legislation or service provision for women affected by domestic violence). Blank Noise sticks with the intangible. The goal is to form a collective where eve teasing is everybody’s shared concern, spreading awareness that street sexual harassment is happening every day and it is unacceptable because it is a form of violence against women. Pooja Gupta, a 19 year old art student who is one of the initiators of the ‘I Never Ask for It’ Facebook campaign, underlined this intangible goal by saying that “The goal really is to spread awareness. It is not about pushing any specific agenda or telling people what to do.”</span></p>
<p><span class="description">Because of this goal, I initially thought that there is a clear demarcation between people within the Blank Noise and the ‘public’ whose awareness they would like to raise – that there is a clear “us” (the Blank Noise activists) and “them” (the target group). However, I was corrected by Jasmeen Patheja, the founder of Blank Noise, when we chatted one day. “I haven’t ever put it that way. Since the beginning, the collective is meant to be inclusive and there is no specific target group. The public is invited to participate and there is no audience, everyone is a participant and co-creator.” </span></p>
<p><span class="description">The strategy for this is to open up a public dialogue. When Blank Noise first started in 2003, it started with the street as the public space and uses art as its method of intervention. It takes many forms: performative art, clothes exhibition, street polls, and many others. Although today Blank Noise is much more known for its engagement with the virtual public through its prolific Internet presence (4 blogs, a Twitter account, 2 Facebook groups, many Facebook events, and a YouTube channel), the street interventions remain a significant part of its activities. Regardless of the methods, which I will elaborate more in future blog posts, the principles of creativity, play, and non-confrontation are always maintained. </span></p>
<p><span class="description">At this point, some critical questions could be raised. What is Blank Noise actually trying to achieve through the dialogue? Can public dialogue really address the issue? How does Blank Noise know if it is interventions have an impact?</span></p>
<p><span class="description">When I asked the last question, many people in the Blank Noise admitted that impact measurement is something that they are still grappling with. Some said that the public recognition of Blank Noise by bloggers and mainstream media is an indicator; others said that the growth of volunteers is also an impact. However, I found that this is not an issue many people were concerned with and was a bit puzzled. After all, if one were to dedicate their time and energy to a cause, wouldn’t s/he want to know what kind of difference made?</span></p>
<p><span class="description">The light bulb for this puzzle switched on when Apurva Mathad, one of Blank Noise male volunteers, said, “Eve teasing is an issue that nobody talks about. It seems like a monumental thing to try and change it, so the very act of doing something to address it and reaching as many people as possible right now seems to be enough.” </span></p>
<p><span class="description">Apurva basically told me that it is the action of doing something about the issue is what counts – and that it is the personal level change among people who are active within the Blank Noise is the real impact. I recalled that everyone else I talked with mentioned individual transformation after being a part of Blank Noise intervention – something I would elaborate upon in future posts. </span></p>
<p><span class="description">This observation was confirmed in a later conversation with Jasmeen, where I discovered that Blank Noise also has another goal that was not as easy to identify as the first: to allow people involved with the collective to undergo a personal transformation into “Action Heroes” - people who actively takes action to challenge the silence and disregard towards street sexual harassment. In this sense, Blank Noise is similar to many women collectives that became organized to empower themselves and hence could be said to also adopt a feminist ideology. </span></p>
<p><span class="description">The difference with most women collectives, however, lies on Blank Noise’s aim to allow a personalization of people’s experience with the collective. “The nature of this project is that people are in it for a reason close to them and they give meaning to their involvement as they see fit,” Jasmeen said. </span></p>
<p><span class="description">Blank Noise does face challenges in doing this. Some people found it difficult to understand that an issue could be addressed without shouting slogans or advocating for a specific solution and others joined with anger due to their personal experiences. Hence, the non-confrontational dialogue approach becomes even more important. The discussion and debates it raises help the Blank Noise volunteers to also learn more about the issue, reflect on their experiences and opinions, as well as to give meaning to their involvement. This is when I finally understood the point of “no target group”: the Blank Noise people also learn and become affected by the interventions they performed. Influencing ‘others’ is not the main goal although it is a desired effect, the main one is to allow personal empowerment. </span></p>
<p><span class="description">Going back to the ‘talking back’ discussion in Taipei, Seema then shared her experiences working with women groups in India and showed how ‘talking back’ could also be ‘talking with’, engaging people in a dialogue. It need not always address the state; it could also be aiming to make a change at the personal level in everyday life. It could also be ‘talking within’, keeping the discussion and debates alive within a movement to avoid a homogenized, simplification of the activism and provide a reflective element to the action. ‘Talking back’ could also take form other than “talking”, which usually is done through slogans and placards in a street protest, petition, or statements. It could be done through art, theatre performance, and many, many other possibilities. </span></p>
<p><span class="description">Blank Noise is definitely an example of these different forms and its experience shows that the difference is not arbitrary. It is based on a well-thought analysis of the issue that extends to how it formulates its objectives which is then translated into its strategies. Blank Noise is not only an example of how activism is done differently, but also on how the thought behind it is different.</span></p>
<p><span class="description">As I looked around the workshop room I was reminded that Blank Noise was not the only one. A few seats away from me sat two people who combined technology and poetry to create everyday resistance towards consumerism in <a class="external-link" href="http://www.slideshare.net/zonatsou/huang-po-chih-tsou-yiping-presentation-20100816-reupload">Taiwan</a></span><span class="description"><b> </b></span><span class="description"> and a young woman who held urban camps in India to mobilize young people to <a class="external-link" href="http://www.facebook.com/home.php#!/pages/MIE-My-India-Empowered/125105444189224">volunteer</a> Regardless of the issue and the technology used, many digital natives with a cause across the world remind us that ‘talking back’ could be done in many other ways than “talking back”. </span></p>
<p><span class="description"> </span></p>
<p><span class="description"> </span></p>
<p><i>This is the third post in the <a href="http://editors.cis-india.org/digital-natives/blog/the-beyond-the-digital-directory" class="external-link"><b>Beyond the Digital </b>series</a>, a research project that aims to explore new insights to understand youth digital activism conducted by Maesy Angelina with The Blank Noise Project under the Hivos-CIS Digital Natives Knowledge Programme. </i><span class="description"> <br /></span></p>
<p><br /><span class="description"> </span></p>
<p><span class="description">*The photo is from one of Blank Noise's interventions in Cubbon Park, Bangalore. You can learn more about this intervention <a class="external-link" href="http://blog.blanknoise.org/2009/06/learning-to-belong-here.html">here</a>.<br /></span></p>
<p>
For more details visit <a href='http://editors.cis-india.org/digital-natives/blog/talking-back-without-talking-back'>http://editors.cis-india.org/digital-natives/blog/talking-back-without-talking-back</a>
</p>
No publishermaesyCyberspaceDigital ActivismEve teasingDigital NativesYouthResearchBlank Noise Projectart and interventionBeyond the DigitalCommunitiescyberspacesStreet sexual harassment2011-09-22T11:37:54ZBlog EntryThe 'Beyond the Digital' Directory
http://editors.cis-india.org/digital-natives/blog/the-beyond-the-digital-directory
<b>For the past few months, Maesy Angelina has been sharing the insights gained from her research with Blank Noise on the activism of digital natives. The ‘Beyond the Digital’ directory offers a list of the posts on the research based on the order of its publication.</b>
<p></p>
<p>Have you ever
wondered what is really “new” about the activism of digital natives? In May
2010, the Hivos-CIS ‘Digital Natives with a Cause?’ Knowledge Programme started
a collaboration The Blank Noise Project in India and Maesy Angelina, a
student-researcher from the Erasmus University of Rotterdam – International
Institute of Social Studies in The Hague who is taking up the research agenda
for her final project to qualify for her Masters degree in International
Development with a specialization in Children and Youth Studies.</p>
<p>Maesy
has been blogging about the insights she gained from her field work in
Bangalore in the CIS website under the ‘Beyond the Digital’ series, which
consists of the following posts:</p>
<p class="MsoListParagraphCxSpFirst"> </p>
<p class="MsoListParagraphCxSpFirst"><strong>1. <a href="http://editors.cis-india.org/digital-natives/blog/beyond-the-digital-understanding-digital-natives-with-a-cause/weblogentry_view" class="external-link">Beyond the Digital: Understanding
Digital Natives with a Cause</a></strong></p>
<p class="MsoListParagraphCxSpMiddle">Digital
natives with a cause: the future of activism or slacktivism? Maesy Angelina
argues that the debate is premature given the obscured understanding on youth
digital activism and contends that an effort to understand this from the
contextualized perspectives of the digital natives themselves is a crucial
first step to make. This is the first out of a series of posts on her journey
to explore new insights to understand youth digital activism through a research
with Blank Noise under the Hivos-CIS Digital Natives Knowledge
Programme.</p>
<p class="MsoListParagraphCxSpMiddle"> </p>
<p class="MsoListParagraphCxSpMiddle"><strong>2. <a href="http://editors.cis-india.org/digital-natives/blog/first-thing-first/weblogentry_view" class="external-link">First Thing First</a></strong></p>
<p class="MsoListParagraphCxSpMiddle">Studies
often focus on how digital natives do their activism in identifying the
characteristics of youth digital activism and dedicate little attention to what
the activism is about. The second blog post in the Beyond the Digital series
reverses this trend and explores how Blank Noise articulates the
issue it addresses: street sexual harassment.</p>
<p class="MsoListParagraphCxSpMiddle"> </p>
<p class="MsoListParagraphCxSpMiddle"><a href="http://editors.cis-india.org/digital-natives/blog/talking-back-without-talking-back" class="external-link"><strong>3. Talking Back without “Talking Back”</strong></a></p>
<p class="MsoListParagraphCxSpLast"><span class="description">The activism of digital natives is often
considered different from previous generations because of the methods and tools
they use. However, reflecting on my conversations with Blank Noise
and my experience in the ‘Digital Natives Talking Back’ workshop in Taipei, the
difference goes beyond the method and can be spotted at the analytical level –
how young people today are <em>thinking</em>
about their activism. <br /></span></p>
<p class="MsoListParagraphCxSpLast"> </p>
<p class="MsoListParagraphCxSpLast"><a href="http://editors.cis-india.org/digital-natives/blog/taking-it-to-the-streets/" class="external-link">4. Taking It to the Streets</a></p>
<p class="MsoListParagraphCxSpLast">The previous posts in the Beyond the Digital series have discussed the distinct ways in which young people today are thinking about their activism. The fourth post elaborates further on how this is translated into practice by sharing the experience of a Blank Noise street intervention: Y ARE U LOOKING AT ME?</p>
<p class="MsoListParagraphCxSpLast"> </p>
<a href="http://editors.cis-india.org/digital-natives/blog/the-digital-tipping-point" class="external-link">5. The Digital Tipping Point</a>
<p> </p>
<span id="parent-fieldname-description" class="kssattr-atfieldname-description kssattr-templateId-widgets/textarea kssattr-macro-textarea-field-view inlineEditable">Is
Web 2.0 really the only reason why youth digital activism is so
successful in mobilizing public engagement? A look into the
transformation of Blank Noise’s blog from a one-way communication medium
into a site of public dialogue and collaboration reveals the crucial
factors behind the success.<br /><br /><br /><a href="http://editors.cis-india.org/digital-natives/blog/diving-into-the-digita" class="external-link">6. Diving Into the Digital</a><br /></span>
<p> </p>
<p>Previous posts in the ‘Beyond the Digital’ series have discussed the non-virtual aspects and presence of Blank Noise. However, to understand the activism of digital natives also require a look into their online presence and activities. This post explores how Blank Noise’s engagement with the public in their digital realm.</p>
<p> </p>
<p><a href="http://editors.cis-india.org/digital-natives/blog/the-class-question" class="external-link">7. The Class Question</a></p>
<p><span id="parent-fieldname-description" class="kssattr-atfieldname-description kssattr-templateId-widgets/textarea kssattr-macro-textarea-field-view inlineEditable">Blank
Noise aims to be as inclusive as possible and therefore does not
identify any specific target groups. Yet, the spaces and the methods
they occupy do attract certain kinds of volunteers and public. This
raises the class question: what are the dilemmas around class on digital
interventions? Are they any different from the dilemmas on street
interventions? <br /></span></p>
<p><span id="parent-fieldname-description" class="kssattr-atfieldname-description kssattr-templateId-widgets/textarea kssattr-macro-textarea-field-view inlineEditable"><br /></span></p>
<p><span id="parent-fieldname-description" class="kssattr-atfieldname-description kssattr-templateId-widgets/textarea kssattr-macro-textarea-field-view inlineEditable"><a href="http://editors.cis-india.org/digital-natives/blog/the-many-faces-within" class="external-link">8. The Many Faces Within</a></span></p>
<p><span id="parent-fieldname-description" class="kssattr-atfieldname-description kssattr-templateId-widgets/textarea kssattr-macro-textarea-field-view inlineEditable">Blank
Noise, as many other digital native collectives, may seem to be
complete horizontal at first glance. But, a closer look reveals the many
different possibilities for involvement and a unique way the collective
organize itself. <br /></span></p>
<p><span id="parent-fieldname-description" class="kssattr-atfieldname-description kssattr-templateId-widgets/textarea kssattr-macro-textarea-field-view inlineEditable"><br /></span></p>
<p class="MsoListParagraphCxSpLast"><a href="http://editors.cis-india.org/digital-natives/blog/activism-unraveling-the-term" class="external-link">9. Activism: Unraveling the Term</a></p>
<p class="MsoListParagraphCxSpLast"><span id="parent-fieldname-description" class="kssattr-atfieldname-description kssattr-templateId-widgets/textarea kssattr-macro-textarea-field-view inlineEditable">After
discussing Blank Noise’s politics and ways of organizing, the current
post explores whether activism is still a relevant concept to capture
the involvement of people within the collective. I explore the questions
from the vantage point of the youth actors, through conversations about
how they relate with the very term of activism. <br /></span></p>
<p class="MsoListParagraphCxSpLast"> </p>
<p class="MsoListParagraphCxSpLast"><a href="http://editors.cis-india.org/digital-natives/blog/reflecting-from-the-beyond" class="external-link">10. Reflecting from the Beyond</a></p>
<p class="MsoListParagraphCxSpLast"><span id="parent-fieldname-description" class="kssattr-atfieldname-description kssattr-templateId-widgets/textarea kssattr-macro-textarea-field-view inlineEditable">After
going ‘beyond the digital’ with Blank Noise through the last nine
posts, the final post in the series reflects on the understanding gained
so far about youth digital activism and questions one needs to carry in
moving forward on researching, working with, and understanding digital
natives. <br /></span></p>
<p class="MsoListParagraphCxSpLast"><br /><span id="parent-fieldname-description" class="kssattr-atfieldname-description kssattr-templateId-widgets/textarea kssattr-macro-textarea-field-view inlineEditable"></span></p>
<p class="MsoListParagraphCxSpLast"><span id="parent-fieldname-description" class="kssattr-atfieldname-description kssattr-templateId-widgets/textarea kssattr-macro-textarea-field-view inlineEditable"></span>While the posts present bits and pieces of field research notes and reflections from data analysis, the full research products are:</p>
<p class="MsoListParagraphCxSpLast">- Angelina, M. (2010) '<a class="external-link" href="http://thesis.eur.nl/theses/law_culture_society/iss/cys/index/863849405/">Beyond the Digital: Understanding Contemporary Forms of Youth Activism - The Case of Blank Noise in Urban India</a>'. Unpublished thesis, graded with Distinction. The Hague: International Institute of Social Studies - Erasmus University of Rotterdam.</p>
<p class="MsoListParagraphCxSpLast">- Angelina, M. (2010) '<a href="http://editors.cis-india.org/digital-natives/position-paper/view?searchterm=position%20paper%20digital%20natives" class="external-link">Towards a New Relationship of Exchange</a>'. Position paper for the Digital Natives with a Cause Thinkathon. </p>
<p class="MsoListParagraphCxSpLast"> </p>
<p>
For more details visit <a href='http://editors.cis-india.org/digital-natives/blog/the-beyond-the-digital-directory'>http://editors.cis-india.org/digital-natives/blog/the-beyond-the-digital-directory</a>
</p>
No publishermaesyYouthDigital ActivismDigital NativesWeb PoliticsStreet sexual harassmentBlank Noise ProjectBeyond the DigitalCommunitiesart and interventionResearchers at Work2015-05-15T11:33:39ZBlog EntryBeyond the Digital: Understanding Digital Natives with a Cause
http://editors.cis-india.org/digital-natives/blog/beyond-the-digital-understanding-digital-natives-with-a-cause
<b>Digital natives with a cause: the future of activism or slacktivism? Maesy Angelina argues that the debate is premature given the obscured understanding on youth digital activism and contends that an effort to understand this from the contextualized perspectives of the digital natives themselves is a crucial first step to make. This is the first out of a series of posts on her journey to explore new insights to understand youth digital activism through a research with The Blank Noise Project under the Hivos-CIS Digital Natives Knowledge Programme. </b>
<p></p>
<p style="text-align: justify;" class="MsoListParagraphCxSpFirst">The last decade
has witnessed an escalating interest among academics, policy makers, and other
practitioners on the intersection between youth, activism, and the new media
technologies, which resulted in two narratives: one of doubt and the other of
hope. The ‘hope’ narrative hinges on the new plethora of avenues for activism
at the young people’s disposal and the bulge of the population, stating that
the contemporary forms of youth activism represent new ways of conceiving and
doing activism in the present and the future (see, for example, UN DESA, 2005).
The ‘doubt’ narrative, on the other hand, questions to what extent the digital
activism can contribute to broader social change (Collin, 2008) and some
proponents of this view even call it ‘slacktivism’, stating that online
activism is only effective if accompanied with real life activism (Morozov, 2009).</p>
<p style="text-align: justify;" class="MsoListParagraphCxSpMiddle">Before assessing
the potentials of youth’s digital activism to contribute to social change, it
is imperative to first gain a comprehensive understanding about this emerging
form of activism. A brief review of existing literature on the topic found that
most of the analyses are centered on three perspectives, each with its own
approach, strengths, and weaknesses: the technology centered, the new social
movements centered, and the youth centered perspectives.</p>
<p style="text-align: justify;" class="MsoListParagraphCxSpMiddle">The technology centered
perspective places a great emphasis on the instrumental role of the internet
and new media (see, for instance, Kassimir, 2005; Shirkey, 2007; Brooks and
Hodkinson, 2008). It discusses how internet savvy young people are able to
exercise their activism differently, because the technology can remove
obstacles to organizing, provide a new platform for visibility and make
transnational networking easier. In this perspective, the Internet and new media technologies are seen as enabling tool sand the web is viewed as a new space to promote
activism. However, this perspective mainly stipulates that there is already a
formulaic form of activism that can be transferred from the actual, physical
sphere to the virtual arena; it does not consider that the changes caused by
the way the youth are using technologies in their daily lives may also create
new meanings and forms of activism. This perspective is the most dominant in
literature on the topic, being the lens used by the pioneering studies on
youth, Internet, and activism.</p>
<p style="text-align: justify;" class="MsoListParagraphCxSpMiddle">The new social
movements centered perspective goes beyond that and looks at how new meanings
and forms of politics and activism are created as the result of the way people
are using new media technologies and the Internet. This perspective is leading
the recently emerging literature on the topic and emphasizes on the trend of
being concerned on issues related to everyday democracy and the favour towards
self organized, autonomous, horizontal networks (for examples, see Bennett,
2003; Martin, 2004; Collin, 2008). However, this perspective treats young
people merely as ‘vessels’ of the new activism and neglect to examine how their
lives have been shaped by the use of new media technologies and the Internet.</p>
<p style="text-align: justify;" class="MsoListParagraphCxSpMiddle">The youth
centered perspective, represented for example by Juris and Pleyers (2009),
acknowledges that ICTs have always been part of young people’s lives and that
it intersects with other factors in shaping how they conceive politics and
activism. Most of the studies in this perspective were done with youth
activists in existing transnational social justice movements, such as the
global anti-capitalism or environmental movements. Nevertheless, this
perspective mainly views youth activists as ‘becomings’ by defining them as the
younger layer of actors in a multi-generational group that will be future
leaders of the movement. There are very few researches on autonomous youth
movements that are created and consist of young people themselves and look at
the youth as political actors in its own right. In addition, the majority of
studies also focused on the youth as individuals but not as a collective force.</p>
<p style="text-align: justify;" class="MsoListParagraphCxSpMiddle">In addition to
the shortcomings of each perspective, there are also common gaps in the current
broader body of knowledge on the intersection of youth, new media technologies,
and activism.</p>
<p style="text-align: justify;" class="MsoListParagraphCxSpMiddle">Firstly, existing
researches tend to define activism as concrete actions, such as protests and
campaigns, and the values represented by such actions. It neglects other
elements that constitute activism together with the actions and values, such as
the issue taken up by the action, the ideologies underlying the formulation of
action, and the actors behind the activism (Sherrod, 2005; Kassimir, 2005). Divorcing
these elements from the analysis gave only a partial view of what youth digital
activism is.</p>
<p style="text-align: justify;" class="MsoListParagraphCxSpMiddle">Secondly, the
majority of studies zoomed into the novelty of new media technologies and how
they are being used as a point of departure to investigate the topic. This
arguably stems from an adult-centric, pre-digital point of view, which overlooks
the fact that internet and new media has always been ‘technology’ for most
young people just as how the radio and television have always been ‘technology’
for the previous generation (Shah and Abraham, 2009). This way of thinking
divorces the ‘digital’ from the ‘activism’ in digital activism; consequently,
it ignores all the other factors that are causing and shaping youth activism and
fails to capture how youth actors themselves are viewing or giving meaning to
this digital activism.</p>
<p style="text-align: justify;" class="MsoListParagraphCxSpMiddle">Finally, researches
on the issue skew excessively on developed countries. It must be acknowledged
that the ‘digital divide’, or the unequal access to and familiarity with
technology based on gender, class, caste, education, economic status or
geographical location, in developing countries is deeper and that the digitally
active youth are a privileged minority. Yet, a neglect to understand their
activism also means a failure to understand why and how the elite who are often
perceived to be politically apathetic are engaging with their community to
create social change.</p>
<p style="text-align: justify;" class="MsoListParagraphCxSpLast">The weaknesses
identified above demonstrate that our understanding on this particular form of
contemporary youth activism is currently obscured. Hence, the two narratives of
‘hope’ and ‘doubt’ lose their relevance given that the subject of assessment,
the digital youth activism, is not even clearly understood.</p>
<p>Based
on the above overview of the limitations, it is imperative to find a new way to
approach to understand the phenomenon of digital youth activism. I will explore
the possibilities of such an approach with the following arguments as the
starting point.</p>
<p>Firstly,
I argue that the key limitation lies on the adult-centric perspective in
viewing youth’s engagement with new media technologies, thus what is essential
is to go beyond the ‘digital’ and focus on the ‘activism’ part of youth digital
activism. Secondly, I argue that exploration of the
issue from the standpoint of the youth political actors themselves is crucial
to counter the adult-centric perspective dominating the literature on this
topic. Thirdly, since so many researches divorce the youth from the context of
their activism, it is crucial to focus on a particular case study to a tease
out the nuances of youth digital activism.</p>
<p>I
have the opportunity to explore the approach through a study with <a class="external-link" href="http://blog.blanknoise.org/">The Blank Noise
Project</a>, an initiative to address the problem of street sexual harassment in
public spaces that originated in 2003 in Bangalore. It has since expanded into
nine cities in India with over 2,000 volunteers, all young people between 17-30
years of age. Known for their unique public art street interventions as well as
their savvy online presence, The Blank Noise Project was also chosen because
its growth and sustainability over the past seven years are a testament to its
legitimacy and relevance for youth in India. </p>
<p>The
research does not aim to assess the contribution of The Blank Noise Project to
social change nor does it claim to represent all forms of youth digital
activism in India. Rather, it aims to offer insights on one of the forms of
digital natives joining forces for a cause. The research is interested in the
following questions: how do young people involved in the Blank Noise articulate
their politics? Who are their audience? What are their strategies? What is
their conception of the public sphere? How do they organize themselves? How do
they represent themselves to others? How do they see and give meaning to their
involvement with the Blank Noise? How can we make sense of their initiative? While
‘activism’ is the popular term that is also used in this research, is their
initiative a form of activism or is it something else altogether? More importantly,
how do these young people define it by themselves? For the next few months, I
will share stories, questions, and reflections that emerge along my journey of
exploring those questions with The Blank Noise Project on the CIS blog. </p>
<p> </p>
<p></p>
<p><em>This is the first post in the <a href="http://editors.cis-india.org/digital-natives/blog/the-beyond-the-digital-directory" class="external-link"><strong>Beyond the Digital </strong>series</a>, a research
project that aims to explore new insights to understand youth digital activism
conducted by Maesy Angelina with The Blank Noise Project under the Hivos-CIS
Digital Natives Knowledge Programme. </em><span class="description"> </span></p>
<p> </p>
<p> </p>
<p><strong>References:</strong></p>
<p>Bennett,
W.L. (2007) ‘Changing Citizenship in the Digital Age’, paper presented at</p>
<p>the OECD/ INDIRE Conference on Millenial
Learners, Florence, Italy (5-6 March).</p>
<p> </p>
<p>Brooks,
R. and Hodkinson, P. (2008) ‘Introduction’, <em>Journal
of Youth Studies</em> Vol. 11:5,</p>
<p>p. 473 – 479</p>
<p> </p>
<p>Collin,
P. (2008) ‘The internet, youth participation policies, and the development of</p>
<p>young people’s political identities in
Australia’, <em>Journal of Youth Studies </em>Vol.
11:5, p. 527 - 542</p>
<p><strong> </strong></p>
<p>Juris,
J.S. and Pleyers, G.H. (2009) ‘Alter-activism: Emerging cultures of
participation</p>
<p>among young global justice activists’, <em>Journal of Youth Studies </em>Vol. 12 (1): p.
57-</p>
<p>75.</p>
<p><strong> </strong></p>
<p>Kassimir,
R. (2006) ‘Youth Activism: International and Transnational’, in Sherrod,</p>
<p>L.R., Flanagan, C.A. and Kassimir, R.
(eds.) <em>Youth Activism: An International </em></p>
<p><em>Encyclopedia,
</em>p.
20-28. London: Greenwood Press.</p>
<p><strong> </strong></p>
<p>Martin,
G. (2004) ‘New Social Movements and Democracy’, in Todd, M.J. and Taylor,</p>
<p>G. (eds.) <em>Democracy and Participation: Popular protests and new social movements</em>,
p. 29-54. London: Merlin Press.</p>
<p><strong> </strong></p>
<p>Morozov,
E. (2009) ‘The brave new world of slacktivism’. Accessed 19 May 2010 <</p>
<p>http://neteffect.foreignpolicy.com/posts/2009/05/19/the_brave_new_world_of_slacktivism></p>
<p> </p>
<p>Shah,
N. and Abraham, S. (2009) ‘Digital Natives with a Cause? A Knowledge</p>
<p>Survey and Framework’. Accessed 7 April
2010 < <a href="http://www.hivos.net/Hivos-Knowledge-Programme/Themes/Digital-Natives-with-a-Cause/News/New-Publication-Digital-Natives-with-a-Cause">http://www.hivos.net/Hivos-Knowledge-Programme/Themes/Digital-Natives-with-a-Cause/News/New-Publication-Digital-Natives-with-a-Cause</a>></p>
<p><strong> </strong></p>
<p>Sherrod,
L.R. (2006) ‘Youth Activism and Civic Engagement’, in Sherrod, L.R.,</p>
<p>Flanagan, C.A. and Kassimir, R. (eds.) <em>Youth Activism: An International </em></p>
<p><em>Encyclopedia,
</em>p.
2-10. London: Greenwood Press.</p>
<p> </p>
<p>Shirkey,
C. (2008) <em>Here Comes Everybody: How
Change Happens and People Come </em></p>
<p><em>Together</em>. New York:
Penguin Books</p>
<p><strong> </strong></p>
<p>United
Nations Department of Economic and Social Affairs / UN DESA (2005)</p>
<p>‘World Youth Report 2005: Young People
Today and in 2015’. Accessed 7 April 2010 <http://www.un.org/esa/socdev/unyin/documents/wyr05book.pdf></p>
<p>
For more details visit <a href='http://editors.cis-india.org/digital-natives/blog/beyond-the-digital-understanding-digital-natives-with-a-cause'>http://editors.cis-india.org/digital-natives/blog/beyond-the-digital-understanding-digital-natives-with-a-cause</a>
</p>
No publishermaesyYouthDigital ActivismDigital NativesBlank Noise ProjectBeyond the Digital2012-03-13T10:43:37ZBlog Entry