Centre for Internet and Society

Data Policy

praskrishna — 2018-05-29T15:14:45Z

Data Policy

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Data in the Cloud: Where Do Open Standards Fit In?

praskrishna — 2011-04-05T03:59:02Z

The Centre for Internet and Society is co-organising a workshop on Data in the Cloud: Where do Open Standards Fit In? on 16 September, 2010 at the Internet Governance Forum.

Two of the major concerns of recent times have been opening up of government data online and ensuring control over personal data. Interoperability play an important role in both.

When it comes to government data it is necessary to ensure that the data are in formats that citizens can make use of that data. Similarly, when it comes to personal data online, it is important to ensure that such data can be migrated from one service provider to another. While the former will aid in governance, the latter is necessary to ensure fair competition.

These two issues are proposed to be looked at in this best practices forum.

Which of the five broad IGF Themes or the Cross-Cutting Priorities does your workshop fall under?
Emerging Issues / Cloud Computing

Have you organized an IGF workshop before? Yes
If so, please provide the link to the report:

http://www.intgovforum.org/cms/index.php/component/chronocontact/?chronoformname=Workshopsreports2009View&curr=1&wr=94

Provide the names and affiliations of the panellists you are planning to invite:
1. Daniel Dardellier (World Wide Web Consortium)
2. Jeremy Malcolm (Consumers International)
3. Karsten Gerloff (Free Software Foundation of Europe)
4. Vinton Cerf (Father of the Internet)
5. Viviana Munoz (South Centre)

Biographies:

Rodríguez Katitza (Ms.)

Provide the name of the organizer(s) of the workshop and their affiliation to various stakeholder groups:

Centre for Internet and Society (Civil Society Organization)
Organization:Centre for Internet and Society
Contact Person: Pranesh Prakash

For more details visit http://editors.cis-india.org/events/data-in-cloud

Data for Good Bangalore

praskrishna — 2019-07-31T02:12:45Z

Data for Good

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Data for Good

praskrishna — 2019-07-31T02:05:09Z

Data for Good

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Data Collection

praskrishna — 2018-05-29T16:55:50Z

Data Collection

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Data Collected

praskrishna — 2018-05-29T16:54:07Z

Data Collected

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Data Availability and Openness

praskrishna — 2014-05-23T11:53:03Z

Data Availability and Openness

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Data Activism and Grassroots Empowerment in India

praskrishna — 2011-04-02T09:59:30Z

Glover Wright of the Center for Internet and Society talks about Data Activism and Grassroots Empowerment in India at the Innovate/Activate Unconference in New York Law School on 24 September 2010.

Video

For more details visit http://editors.cis-india.org/news/data-activism-grassroots

Data 1

praskrishna — 2018-11-30T16:37:19Z

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Data 1

praskrishna — 2018-11-30T16:37:24Z

Data 1

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Darshana

praskrishna — 2012-04-11T11:18:14Z

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Dark waders

praskrishna — 2011-04-20T05:22:10Z

Akhila Seetharaman finds out why a group of artists and researchers are preoccupied with chasing shadows. This article was published in Time Out Bengaluru, Vol. 3, Issue 20, April 15 - 28, 2011.

The New Bharat Brass Band from Kalasipalayam performed an unusual ditty at the Chitrakala Parishat last month. In a typical concert, the band plays raucous renditions of the latest hit Hindi film songs, but the music at this gig had its origin in a database of photographs of the city. These images had been taken by a group of student-artists, who converted the visual data into binary codes of 0s and 1s, and then transcribed the codes into musical notation, which they asked the band to perform. The result: strange, random, almost robotic music which represented a uniquely distilled experience of the city, peppered with the band’s characteristic filmy flourishes.

This performance was one among the several experimental art projects developed by participants as part of the Space the Final Frontier project, an initiative by the Dutch Art Institute and Centre for Experimental Media Arts at Srishti School of Art, Design and Technology to get students to – as described in a introduction to the project – articulate “spaces of flux” and “index the shadow worlds” of the city.

“When we speak about mapping the city, we immediately think in terms of physical geography. We don’t usually approach it in an aesthetic or theoretical way,” said Deepak DL, an art student from Chitrakala Parishat who participated in the two-week programme. His group chose to map shadow sounds – birds, buses on the street, sounds from a bar, and pressure cookers whistling in homes – piecing together an aural landscape of the city. “This project was about mapping the non-spaces. For instance when you go to a restaurant, you rarely see what’s going on behind the wall in the kitchen. We tried to do just that using sound,” said Deepak.

“Wherever there is light, there is also shadow. For all the spaces getting attention, there are many more spaces not getting attention, but surviving and often thriving,” said Prayas Abhinav, faculty member and researcher at CEMA and one of the organisers of Space the Final Frontier. In collaboration with Renée Ridgeway, founder of an online platform for art activities called n.e.w.s., and a third collaborator Stephen Wright, Abhinav is currently working on a book which examines the distribution of human attention in the art world, based on a concept known as “attention economy”.

The trio’s fascination with the theme also led them to hunt for shadow art activities on the internet. In the course of their search they found themselves wondering how to find art online without necessarily limiting themselves to work that described itself as “art”. For Abhinav and his colleagues this became more than a technical problem, since search engines assume that users are looking for what others are looking for and throw up the most popular or valid entries first, leaving the vast majority of less popular entries in the shadow. “Lesser known artists don’t refer to themselves as ‘lesser known artists’, so finding them online via Google isn’t all that easy,” said Abhinav. “Everyone is operating in the same space with established hierarchies. Shadows exist, but how do we look for them?”

“In the 1990s we used to have a culture of community web sites that looked really bad, but were thriving hubs,” said Abhinav. He pointed out that over the decade, with the advent of search engines, the larger databases gained priority among users. To democratise search results, Abhinav and Ridgeway, along with the Centre for Internet and Society, launched the Shadow Search Project with an open call for entries in early 2010 to find an algorithm that could bring up entries that otherwise exist under the radar, through search.

“If the new currency is attention – that is, if users are supposed to pay not money but time –, certain kinds of priorities are set up and vast amounts of information will always remain invisible,” said Nishant Shah, researcher at the Centre for Internet and Society. The Shadow Search Project is intended to serve as a platform to look for these shadows and give them visibility.

The winning entry, a search engine called Narcissus, which will be demonstrated this fortnight, takes the search results of a regular search engine like Google and reverses it, such that the user gets the last page first. “The least popular results come up first, and as those become more popular, the new least popular results come up. This continues in a cyclical manner,” said Ridgeway.

Data gathered and indexed by students during the Space the Final Frontier programme will be used to test the Narcissus algorithm. “If one of the strengths of the Internet is serendipity – stumbling upon a small, but great find by chance – the idea of a search engine plug in like Narcissus that scrambles Google results and presents it in a democratic manner, definitely has appeal,” said Shah.

Read the original in Time Out Bengaluru here

For more details visit http://editors.cis-india.org/news/chasing-shadows

Dark days for the creative class in India: Siddiqui

praskrishna — 2014-02-17T09:14:43Z

As India’s literacy rate improves, governments, courts, media, publishers and big business are all stifling free speech.

Haroon Siddiqui's article was published in thestar.com on February 16, 2014. Pranesh Prakash is quoted.

In contrast to North America and Europe, India’s book publishers, newspapers and TV/radio stations are doing well, thanks to a rising literacy rate and a growing middle class. Authors, artists, journalists and filmmakers are enjoying big audiences and relatively good paycheques. Yet, paradoxically, free speech has never been so imperilled in the world’s largest democracy, for several reasons.

Governments are using colonial-era laws to stifle free speech. The lower courts and police are caving in to religious bigots who demand bans on what they don’t want to see and hear. Vigilante groups are using goon tactics to intimidate the creative class. Big business is slapping lawsuits and creating libel chill. Publishing houses are capitulating to legal, political and economic pressure. The media are too busy mollycoddling governments and advertisers to stand up for free speech.

Legal framework

The constitution guarantees free speech but, as in Canada and several European nations, it also imposes “reasonable restrictions” to maintain peace and public order. The Supreme Court has set a high bar for imposing any restrictions, yet both the federal and state governments routinely shut down anything that might flare communal riots, especially between Hindus and Muslims — a real and ever-present danger. Politicians don’t want blood on their hands to uphold the right of a preening writer to poke people in the eye. Critics counter that the political class doesn’t really care for intellectual freedom.

Libel and defamation laws criminalize speech and prescribe jail terms. This, again, is not much different than, say, the Canadian Criminal Code, under which those convicted of hate speech may be jailed for up to three years. (That’s what we are left with after the Stephen Harper Conservatives axed the civilian remedy that was available under the Human Rights Act.)

India’s Anti-Sedition Act prohibits words and actions that may cause “hatred or contempt or disaffection” toward government. This is used even against journalists, activists and those protesting government policies. As many as 6,000 farmers and fishermen were charged for opposing a nuclear plant along the southeast coast.

The Penal Code makes it an offence, punishable by up to three years in jail, to hurt anyone’s religious sensibilities; promote enmity between different religious groups; circulate “any statement or report containing rumour or alarming news with intent to create or promote, or which is likely to create or promote, on grounds of religion, race, place of birth, residence, language, caste or community feelings of enmity,” etc., etc.

Worse, the code allows anyone offended by anything to demand that the offensive material be removed.

Indians are easily offended, indeed are “desperate to be offended,” jokes novelist Manu Joseph. The milieu allows religious leaders and politicians to stoke real or imagined grievances and rush to the courts and the police, both of which usually cave in rather than risk the wrath of frenzied protesters.

“Instead of protecting the right of free expression, the state defends the offended,” writes Salil Tripathi on the website Index on Censorship.

Adds Kian Ganz, editor of the website Legally India: “Many of these British-colonial laws were written and enforced to ‘control’ a multi-ethnic and religious population. Yet they are still around and are regularly used to stifle free speech.”

Religious bigotry

While we hear mostly of angry Muslims taking offence to alleged insults to Islam — the 1988 ban on Salman Rushdie’s The Satanic Verses being the prime example — increasingly it is Hindu fundamentalists who have been agitating successfully against what they do not like.

“Hindu bigots have matched, or perhaps even outperformed, their Islamic counterparts,” writes Ramachandra Guha, India’s pre-eminent historian. He was condemning Penguin India’s decision last week to recall and pulp American academic Wendy Doniger’s The Hindus: an Alternative History, under pressure from a Hindu group that said the 2009 book contained “heresies” and was focused on “sex and eroticism.”

There has been no bigger victim of Hindu wrath than the late M.F. Hussain, the “Picasso of India.” His priceless work was vandalized, he was slapped with hundreds of lawsuits and threatened with death for painting Hindu deities in the nude. He went into exile in Doha, Qatar, where I spoke to him on the phone in 2011 and heard his pain at having been hounded out of his beloved India. We agreed to meet later but he died soon after, at age 95.

Last year, India’s leading intellectual Ashish Nandy was threatened with arrest for ostensibly offending Dalits (Hindus of a lower caste, formerly known as untouchables).

In 2012, Mumbai police arrested a young woman who complained on Facebook about the shutdown of the city of 18 million on the death of Bal Thackeray, leader of a chauvinist regional Hindu party. Another woman who “liked” the page was also detained,both for “hurting religious sentiments.”

In 2011, the western state of Gujarat stopped the sale of American journalist Joseph Lelyveld’s biography of Mahatma Gandhi, which suggested that the great leader may have had a sexual relationship with a male German architect. The chief minister (premier), Narendra Modi, is now the prime ministerial candidate of the Hindu nationalist Bharata Janata Party for federal elections in May, which he is favoured to win.

In 2010, Canadian author Rohinton Mistry’s 1995 book, A Fine Balance, was removed from the syllabus of Bombay University, his alma mater, following objections by a student, the grandson of Thackeray. The head of the university’s English Department had to go into hiding after receiving death threats.

In 2008, Delhi University expunged from its history course an essay by A.K. Ramanujam on Hinduism following complaints by a Hindu group, and Oxford University Press India temporarily stopped printing it.

Other examples:

In 2007, a court issued an arrest warrant for actor Richard Gere for kissing Bollywood actress Shilpa Shetty, following complaints by irate Hindus. An institute in the western city of Pune was vandalized because American academic James Laine had done part of his research there for his book, Shivaji: Hindu King in Islamic India. An art gallery in Bangalore hastily removed partially nude pictures of Hindu deities fearing retaliation by a Hindu moral squad.

Guha, the historian, once suggested that both Rushdie and Hussain, one pilloried by Muslims and the other by Hindus, be conferred India’s highest civilian honours. “That would have been a blow for artistic freedom. And it’d have equally offended Hindu and Islamic bigots.”

Libel chill

There has been a steady rise in what free speech advocates see as nuisance lawsuits by corporate houses, businessmen and political parties.

In December, Jitender Bhargava, executive director of Air India until 2010, saw his book on the national airline withdrawn by Bloomsbury India, allegedly under political pressure.

The same month, another book, Sahara: The Untold Story, on the controversial finance and real estate conglomerate, was held back under a court order.

In 2011, Penguin removed a chapter in The Beautiful and the Damned from its Indian edition after Arindam Chaudhuri, who runs business schools, sued about his profile in it. He also sued Caravan, a journal of politics and culture, for an article on how he had “made a fortune off the aspirations and insecurities of India’s middle class.” The Delhi-based businessman still has the Delhi-based magazine entangled in the case he filed in a jurisdiction 1,750 kilometres away — and 300 kilometres from the nearest airport.

Penguin also held back a biography of J. Jayalalithaa, chief minister of the southern state of Tamil Nadu, who had a stay order issued against it.

In 1998, a book about the head of a textile conglomerate, Dhirubhai Ambani, was not published in India after the publisher was threatened with lawsuits. A second edition of The Polyester Prince was issued in India but with the offending material cut out.

It is difficult for outsiders, especially without the benefit of reading the materials in dispute, to judge the timidity of the publishers. But there’s no questioning the creeping self-censorship.

Obeisant media

Vinod Jose, executive editor of Caravan, writes in its annual media issue:

“Media owners bargained with the government to secure lucrative licences to mine coal blocks in return for their power to influence the public. Editors got caught on tape striking deals with lobbyists but remained arrogantly unapologetic. Owners fired political editors who wrote about politics independently . . . Forbes India pulled a story because it irked the finance ministry.”

Jose said that in 2013, the year surveyed, “the dominant mood of the press was docility.” If in the 1950s and 1960s, the media served the state, now they serve big business. They have begun to expose government corruption but remain mostly mum on corporate malfeasance. The Times of India, the country’s largest English daily, takes equity in some companies it provides advertising space to.

State surveillance

India, like the United States and other democracies, is under heavy criticism for invasion of citizen privacy under sweeping state surveillance, especially by its eight intelligence agencies that operate under mostly secretive powers.

“The real problem is that we don’t know what powers they do have — we only know bits and pieces about the Centralised Monitoring System (CMS), from some tender documents that indicate that the government intends to track web usage, phone calls, text messages and map location information, apparently without the knowledge of even telecom operators,” says Nikhil Pahwa of MediaNama (Media Journal), a website that provides news and analysis of digital media. “The issue is even less obvious here than that of the NSA,” the National Security Agency in the United States.

“The rules give the Indian government the ability to gag free speech, and block any website it deems fit, without publicly disclosing why or who blocked it — or providing adequate recourse for getting the block removed.”

“Intelligence agencies are not answerable to parliament, only to the Home ministry,” says Anja Kovacs of the Centre for Internet and Society. There are few checks and balances, little or no civilian oversight.

“The Indian government’s centralized monitoring is chilling, given its reckless and irresponsible use of the sedition and Internet laws,” says Human Rights Watch. “New surveillance capabilities have been used . . . to target critics, journalists and human rights activists.”

“Every month at the federal level, 7,000 to 9,000 phone taps are authorized or re-authorized,” writes Pranesh Prakash, policy director for the Centre for Internet and Society.

Conclusion

It is useful to remember that whatever is true of India, the exact opposite may also be true. So, while the situation is getting bleaker on the free speech front, in India the state is not the sole culprit, unlike in Russia, China or other authoritarian places. India also has a vibrant civil society that’s hammering away — is free to hammer away — at the need for a liberal polity to be liberal. The intellectuals, activists and NGOs I have quoted, testify to that. Here’s another:

The PEN All-India Centre in Mumbai and the newly formed Delhi Pen, both part of the global network of writers dedicated to free speech, said this last week:

“The removal of books from our bookshops, bookshelves and libraries, whether through state-sanctioned censorship, private vigilante action or publisher capitulation are all egregious violations of free speech that we shall oppose in all forms at all times.”

For more details visit http://editors.cis-india.org/news/the-star-op-ed-february-16-2014-haroon-siddiqui-dark-days-for-creative-class-in-india

Dariusz Kloza

praskrishna — 2013-07-29T04:51:39Z

Dariusz Kloza

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Danish

praskrishna — 2012-01-28T09:04:43Z

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