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CPOV : Wikipedia Research Initiative
http://editors.cis-india.org/research/conferences/conference-blogs/cpov
<b>The Second event, towards building the Critical Point of View Reader on Wikipedia, brings a range of scholars, practitioners, theorists and activists to critically reflect on the state of Wikipedia in our contemporary Information Societies. Organised in Amsterdam, Netherlands, by the Institute of Network Cultures, in collaboration with the Centre for Internet and Society, Bangalore, the event builds on the debates and discussions initiated at the WikiWars that launched off the knowledge network in Bangalore in January 2010. Follow the Live Tweets at #CPOV</b>
<p>Second international conference of the <em>CPOV Wikipedia Research
Initiative</em> :: March 26-27, 2010 :: OBA (Public Library Amsterdam,
next to Amsterdam central station), Oosterdokskade 143, Amsterdam.</p>
<p>Wikipedia is at the brink of becoming the de facto global reference
of dynamic knowledge. The heated debates over its accuracy, anonymity,
trust, vandalism and expertise only seem to fuel further growth of
Wikipedia and its user base. Apart from leaving its modern counterparts
Britannica and Encarta in the dust, such scale and breadth places
Wikipedia on par with such historical milestones as Pliny the Elder’s
Naturalis Historia, the Ming Dynasty’s Wen-hsien ta- ch’ eng, and the
key work of French Enlightenment, the Encyclopedie. <span id="more-10604"></span>The multilingual Wikipedia as digital
collaborative and fluid knowledge production platform might be said to
be the most visible and successful example of the migration of FLOSS
(Free/ Libre/ Open Source Software) principles into mainstream culture.
However, such celebration should contain critical insights, informed by
the changing realities of the Internet at large and the Wikipedia
project in particular.</p>
<p>The CPOV Research Initiative was founded from the urge to stimulate
critical Wikipedia research: quantitative and qualitative research that
could benefit both the wide user-base and the active Wikipedia community
itself. On top of this, Wikipedia offers critical insights into the
contemporary status of knowledge, its organizing principles, function,
and impact; its production styles, mechanisms for conflict resolution
and power (re-)constitution. The overarching research agenda is at once a
philosophical, epistemological and theoretical investigation of
knowledge artifacts, cultural production and social relations, and an
empirical investigation of the specific phenomenon of the Wikipedia.</p>
<p>Conference Themes: Wiki Theory, Encyclopedia Histories, Wiki Art,
Wikipedia Analytics, Designing Debate and Global Issues and Outlooks.</p>
<p>Follow the live tweets on http://twitter.com/#search?q=%23CPOV</p>
<p>Confirmed speakers: Florian Cramer (DE/NL), Andrew Famiglietti (UK),
Stuart Geiger (USA), Hendrik-Jan Grievink (NL), Charles van den Heuvel
(NL), Jeanette Hofmann (DE), Athina Karatzogianni (UK), Scott Kildall
(USA), Patrick Lichty (USA), Hans Varghese Mathews (IN), Teemu Mikkonen
(FI), Mayo Fuster Morell (IT), Mathieu O’Neil (AU), Felipe Ortega (ES),
Dan O’Sullivan (UK), Joseph Reagle (USA), Ramón Reichert (AU), Richard
Rogers (USA/NL), Alan Shapiro (USA/DE), Maja van der Velden (NL/NO),
Gérard Wormser (FR).</p>
<p>Editorial team: Sabine Niederer and Geert Lovink (Amsterdam), Nishant
Shah and Sunil Abraham (Bangalore), Johanna Niesyto (Siegen), Nathaniel
Tkacz (Melbourne). Project manager CPOV Amsterdam: Margreet Riphagen.
Research intern: Juliana Brunello. Production intern: Serena Westra.</p>
<p>The CPOV conference in Amsterdam will be the second conference of the
CPOV Wikipedia Research Initiative. The launch of the initiative took
place in Bangalore India, with the conference WikiWars in January 2010.
After the first two events, the CPOV organization will work on
producing a reader, to be launched early 2011. For more information or
submitting a <a href="http://networkcultures.org/wpmu/cpov/reader">reader</a>
contribution.</p>
<p>Buy your ticket <a href="http://networkcultures.org/wpmu/cpov/practical-info/tickets/">online</a>
(with iDeal), or register by sending an email to: info (at)
networkcultures.org. One day ticket: €25, students and OBA members:
€12,50. Full conference pass (2 days): €40, students and OBA members:
25.</p>
<p>Organized by the Institute of Network Cultures Amsterdam, in
cooperation with the Centre for Internet and Society in Bangalore,
India.</p>
<p>
For more details visit <a href='http://editors.cis-india.org/research/conferences/conference-blogs/cpov'>http://editors.cis-india.org/research/conferences/conference-blogs/cpov</a>
</p>
No publishernishantConferenceOpen StandardsDigital ActivismDigital GovernanceDigital AccessPublic AccountabilityResearchFeatured2011-08-23T02:52:25ZBlog EntryOpenness, Videos, Impressions
http://editors.cis-india.org/openness/blog-old/OVSreport
<b>The one day Open Video Summit organised by the Centre for Internet & Society, iCommons, Open Video Alliance, and Magic Lantern, to bring together a range of stakeholders to discuss the possibilities, potentials, mechanics and politics of Open Video. Nishant Shah, who participated in the conversations, was invited to summarise the impressions and ideas that ensued in the day.</b>
<p></p>
<p>The notion of free and open is under great debate even under
that, and I think even when you side with a camp, there are going to be further
splinters. There are many ways of defining the free and open, and I think that the
tension, rather than being resolved, needs to be sustained and creatively
perpetrated to keep an internal checks and balances on not getting carried away
with it. All the groups did indeed circle around this in different,
often tangential ways – that there is need to define, variously and almost
endlessly, in defining the context of the free that we are dealing with.</p>
<p>Open video, in that matter, has gone through different
iterations, and I think it is nice that different stakeholders have defined it
variously, and also looked at the problems that it might lead to. However, for
the sake of synthesis, I am going to let you have your own idea of free and
open but instead look at five key words which have emerged, in my selective
hearing, through the day: <strong>Access, Archive,
Share, Remix, Repurpose</strong>. And it is these five that we need to now
imbricate these concepts across different thematic that emerged in the groups
today.</p>
<p><strong>Access</strong> has been one primary question that almost everybody
dealt with; Access has its legacies in the Open and Free culture movements,
where technological access, dealing with questions of open standards and
content, of bandwidth and infrastructure. More interestingly, in an emerging
information society like India, there are other concerns of language, access,
privilege, bandwidth, education etc. To
contextualise access and to put it into different perspectives is something
that different participants have voiced the need for.</p>
<p><strong>Archive</strong> is a preoccupation with most people because
archiving has close relationships with knowledge and subsequently retrieval and
usage. If knowledge is being digitised so that it is made accessible to
different people, there are older questions of representation, voice,
empowerment, participation, ethics, privacy, ownership etc. Crop up. In
education archiving has to do with the curricula building and knowledge
production. In networking, collaboration and film making, it is the kind of
issues that pad.ma is trying to tackle with. It also leads to notions of
access, distribution etc.</p>
<p><strong>Sharing </strong>is what is almost defining the spirit of the Open
and Free culture movements. There is a need to understand and explore what
sharing means. When does it infringe laws and what kind of regulation needs to
be advocated so that sharing becomes possible. How does one overcome questions
of piracy, stealing, IPR etc? More interestingly, what do we share and who do
we share it with? Tools by which sharing
leads to innovation? How does it lead to new participation and learning
practices and pedagogies? What kind of open distribution models and networks
can be built up?</p>
<p><strong>Remix</strong> has been of great value because it means that you are
being converted into some sort of a stakeholder or a contributor to the
process. Networking and nodes, network-actor, collaborator , peer 2 peer – the
possibility of looking at questions of internet and digital traces is
interesting. Or imagine that the act of sharing is also a remix. Sometimes just
putting it into new contexts, making it available to newer constituencies, etc.
can also be looked upon as remixing. Remix as a knowledge production aesthetic
and mechanics seems to have emerged.</p>
<p><strong>Repurpose </strong>is my additional reading of something that perhaps
needs no mention to this group, but nonetheless needs flagging. The fact
remains, that the technology is not a solution in itself. It is a tool that
enables the solutions which one is seeking for. The processes, paradigms,
protocols and practices are indeed shaped and mediated by technologies and
there are new solution possibilities which are produced. However, there still
seem to be anxieties, concerns, questions and problems which are cropping up
and need to be addressed outside of technology but within technology ecologies.</p>
<p>
For more details visit <a href='http://editors.cis-india.org/openness/blog-old/OVSreport'>http://editors.cis-india.org/openness/blog-old/OVSreport</a>
</p>
No publishernishantConferenceOpen StandardsArtWorkshopDigital AccessFLOSSOpen ContentArchivesOpennessOpen InnovationMeetingOpen Access2011-09-22T12:23:13ZBlog EntryArchive and Access: Digitisation and Private Records--The Case of the Regional Archive
http://editors.cis-india.org/raw/histories-of-the-internet/blogs/the-cyborgs/tamil-nadu-archives
<b>This is the first in a series of posts by CIS-RAW researcher Aparna Balachandran on the Tamil Nadu Archives (TNA), looking at different aspects of their functioning in order to think about the issue of access in relation to regional archives in the country. More specifically, these posts will engage with the relationship of the TNA with the ways in which history is thought and written about in the Tamil region, both within the academy and outside. These posts are part of the CIS-RAW project 'Archive and Access'.</b>
<p></p>
<p>One of the less known functions of state archives in India is the periodic acquisition of records from the general public at regular intervals. These are in the form of voluntary contributions that are solicited through advertisements for particular kinds of private collections, depending on the nature of the archive and what its administrators think is a useful and appropriate addition to it. On our visit to the Delhi Archives we were explicitly informed that this was a place for collections or documents pertinent to the interests of the Delhi Archives, but the Delhi Archives were emphatically not interested in what was of 'national significance'. Materials of the latter kind, we were told, were to be given to the National Archives of India. Unfortunately since the person in charge of the acquisition of manuscripts was away, we were not be able to obtain more information about how contributions are determined to be of importance to the Delhi archive or not and the process by which they are obtained, or see a list of what in fact had been obtained in this way over the years.</p>
<p>The Delhi Archives appear to function quite autonomously as far as the acquisition of records of this kind is concerned; the TNA on the other hand works through one of the Regional Committees for the Survey of Historical Records. These Committees, whose members include the Assistant Commissioners and Collectors of District Record Offices in different parts of the country, are the decision makers as far as private records are concerned; a registry of these records is maintained at the National Archives. According to the Citizen’s Charter of the TNA, the Committee’s aim is to 'to survey and collect the rare records of historical administrative, legal and fiscal value in the hands of private persons to strengthen the history of India and to bring to light such records… to preserve them for posterity'. These records have to specifically pertain to the period before 1947; examples of contributions that would be welcome include 'palm leaves, copper plates, letters of high dignitaries, deeds, correspondence volumes, books, journals, etc., relating to the freedom movement, photos, any assignment of lands to the East India Company, or the British, religious customs, endowment of property to any charitable purpose, deed of Zamins, Polygars, Newabs, Samasthanams, Rajas, any notable events in the British Rule, etc'.</p>
<p>The acquisition of materials of this kind at the TNA ceased at least twenty years ago. The TNA does keep a list of these materials, and after some pleading, I was able to take a look at it (although the names of many of the contributors are now missing). They include for instance, the Pudukottai Residency records; various zamindari records including for instance, Sengampatti and Ramnad; Portuguese documents (Regimento Auditorio; Ecclesiastico de Archbispado Primacial de Goa Eda Sua Relocao Anno 1810); a collection of papers relating to the late Chief Minister and film actor MG Ramachandran (MGR); autographs and photos of nationalist leaders as well as sundry Hindi and Persian documents. The person in charge of these records explained that the criterion for accepting contributions was above all, their age. He mentioned the fact that many a contributor was turned away when they had collections pertaining to the post Independence period (the MGR papers being, of course, an exception to this rule). The issue of regional relevance that was emphasised in the Delhi Archives was not brought up here at all. It is interesting that after the linguistic re-organisation of South India, there was an attempt, following an assumed political and linguistic logic, to separate and distribute the holdings of the TNA to Kerala, Karnataka, Andhra Pradesh and Orissa. This logic does not extend to the private holdings which are required to be of national rather than regional significance.</p>
<p>
One problem that clearly surfaced in the course of my looking at the acquisition of private records by the TNA is the lack of any sort of formal legal arrangement between the families that possess collections and the institutions who wish to acquire them. This is particularly important because these collections often possess sentimental or other kinds of value for the families, which have to be acknowledged and respected even as they become part of public repository. The issue of digitisation also throws up various points. At a very basic level is the issue of conservation. While the TNA is digitising its holdings, private records are left untouched. It is unclear why this is the case; in all likelihood, it is because they are not considered a part of the TNA’s holdings. The archive is merely their guardian (this for instance is also true of land records which do not fall under the digitisation scheme because the TNA is merely “housing” these documents for the government). Given the eclectic nature and often geographically and linguistically diverse range of the private records at the TNA (and other regional archives), there is no doubt that users of archives would benefit greatly from online catalogues of these collections. And finally, while the official British themselves occupy little space in the public imagination of Madras, the range of private records the TNA possesses might well attract new users, both scholarly and lay, to the colonial archive.</p>
<p> </p>
<p>
For more details visit <a href='http://editors.cis-india.org/raw/histories-of-the-internet/blogs/the-cyborgs/tamil-nadu-archives'>http://editors.cis-india.org/raw/histories-of-the-internet/blogs/the-cyborgs/tamil-nadu-archives</a>
</p>
No publishersachiaDigital AccessArchives2011-08-23T04:32:07ZBlog EntryRound Table on Assessing the Efficacy of Information and Communication Technologies (ICTs) for Public Initiatives: A Report
http://editors.cis-india.org/events/event-blogs/round-table-assessing-efficacy
<b>Zainab Bawa reports on the Round Table on Assessing the Efficacy of Information and Communication Technologies for Public Initiatives, hosted by the Centre for Internet and Society, Bangalore, on 17 June 2009, in collaboration with the Liberty Institute, New Delhi. </b>
<p></p>
<p>
In
recent times, there has been an upsurge in the use of ICTs to provide
information to people and to elicit participation. Individuals, corporate
organisations, NGOs, civil society organisations, collectives, municipalities,
political parties and politicians have been using the internet and other
mediums to communicate with people. The round table was organised primarily to
discuss two issues:</p>
<ol><li>What is the
effectiveness of the initiatives introduced in recent times?</li><li>How do we
move forward in terms of partnerships/collaborations in the areas of data
gathering, sharing, dissemination and architecture of information? </li></ol>
<p>Given
the constraints of time, however, we were only able to discuss a few issues with
respect to efficacy of initiatives, rather than come up with a concrete action
plan on how to measure effectiveness of many of the existing initiatives. This
remains an agenda for subsequent meetings.</p>
<p>This round table was the first meeting of its kind. It
brought together participants from diverse backgrounds to discuss key issues
involved in leveraging ICTs towards various ends, and to collaborate with each
other on ongoing initiatives. Participants included researchers,
persons who have developed information platforms and databases, individuals
working in the area of leveraging technology for streamlining processes in
society and people who have been studying usage patterns of social media tools.
Most of the participants were using ICTs to improve information access
related to health issues, education, budgets, development of rural areas and
recently, elections and governance. In the subsequent sections, I will briefly
elaborate on some of the key themes around which discussions took place
during the round table.</p>
<p><strong>Building on Ideas:</strong> In the morning
and pre-lunch sessions, one issue that featured prominently was the importance of developing ideas rather than trying to work out a perfect model that
we believe will solve what we perceive to be people’s problems. Two of the
participants explained that they started implementing ideas as they came to
them, rather than trying to come up with a framework that they thought would
work for the masses. They worked towards evolving their ideas, exploring what
works and what does not. One of them further pointed out that such evolution
cannot be observed as it happens; it only becomes apparent in hindsight. Hence,
discussions such as the current round table are useful.</p>
<p>It is
also important to note that we are still in a nascent stage of understanding
how ICTs can impact people’s lives and deploying them accordingly. As a result, many efforts are likely to be in the stage of trial and error.</p>
<p><strong>Key areas of interest and concern:</strong> Based
on the input from participants in the morning session, we
arrived at a list of areas that require more understanding and discussion.</p>
<ol><li><u>Information gathering, dissemination, access –
including information architecture, technology design</u>:
Here, three issues were discussed:</li>
<ul><li>Who are we talking about when we refer to information
access? It was pointed out that information is crucial particularly for people
who do not have computers and for whom internet is not a priority. The intensity
with which they seek information is remarkable. One of the participants argued
that we undervalue the potential of information to make a difference to
people’s lives.</li><li>How do we deliver information? Providing information
is not enough.</li><li>Representativeness of the information for those who it
is provided for.
</li></ul>
</ol>
<p>Another issue that was referred to
was whether language is a problem, i.e., most information is available only in
English. One of the participants suggested that this is not the case because Google has found that a very small percentage of the population actually refers
to material on the web in languages other than English.</p>
<ol type="1" start="2"><li><u>Community mobilization</u>:
During the deliberations, we referred to the problem of replication of initiatives. Two observers of social media pointed
out that replication happens because people are trying to create their own
unique communities around their initiatives. This is an important insight
for future efforts and also indicates the need to share databases and
information that individuals and organisations have compiled. They also
suggested that it is important to discover existing communities and spaces
where conversations around issues of governance, education, health and
development are taking place. This helps to plug into existing resource
pools and to extend outreach. <br /></li></ol>
<ol type="1" start="3"><li><u>Citizens’ participation</u>:
Initiatives that work and why they
succeed - We briefly discussed the Jaagore campaign and India Vote Report,
which were launched before the 2009 national elections in India to enable
people to register on the electoral rolls and to report irregularities during
elections respectively. Some people found it difficult to register
themselves on the Jaagore website and some had difficulties in finding the
local offices where they needed to follow-up with the process. It was also
pointed out that Vote Report did not connect with the end user because it
would have been easier to report irregularities and anomalies via SMS
rather than trying to report them by logging on to the site. If one looks
at the case of the Online Complaint Management System (OCMS) developed by
Praja, the availability of the telephone hotline service through which
citizens could register their complaints helped in widening usage. Thus,
it appears that two issues are pertinent:</li>
<ul><li>Whether the initiative connects with the people who
are likely to use it;</li><li>Simplicity of design/system that enables more users. <br />
</li></ul>
</ol>
<p><strong>Target
Audience:</strong> One of
the participants pointed out that some initiatives do not work because they are
targeted towards the wrong audiences. For example, when it comes to voting and
elections, poor groups are the ones who go out and vote in large numbers.
Hence, information systems need to be tailored to provide them with the data
that they need most. Access also has to be configured accordingly. In some
instances, the target is too broad to reach out effectively.</p>
<p>It appears that there is a need to
develop strategies on how platforms and databases that have been created to
enhance access to information can be made known among the masses and how people
can be made aware to use them. It is equally important to understand what
constitutes ‘information’ and for whom. Here,
the other issue to explore is how information links back to the people for who
it is provided.</p>
<ol type="1" start="4"><li><u>Technology</u>: In this
area, a key concern was the high costs involved in developing technologies
and whether we could learn from each other’s experience of developing
technologies instead of reinventing the wheel. We also discussed whether
open source software helps to reduce costs of development. The other issue
with respect to open source is whether there is enough assistance and
support available to resolve problems that may crop up during use of
technology from time to time. </li></ol>
<p><strong>Sharing
of Data:</strong> Discussions also veered around the issue of whether
appropriate technology and applications could be created to help with sharing
existing databases and information pools. We did not discuss this issue
in depth, but it remains relevant for subsequent meetings.</p>
<ol type="1" start="5"><li><u>Back end integration</u>: According
to some of the participants, one of major problems is the interface
between government and citizens, which remains weak. Technology
can be used to enhance the interactions. Participants also pointed out
the difficulty in obtaining data from government bodies that is important
to create the interface between government and citizens. A participant
involved with the Jaagore campaign referred to the problem of back-end
integration during their efforts to help citizens register themselves with
the election commission (EC) offices. A participant from Google similarly
reported that they faced problems in obtaining election results from the EC’s
offices as a result of which, they had to rely on their partners for this
information. Here too, we could not deliberate on how to resolve this
problem, but this could be a major theme for a subsequent meeting. <br /></li></ol>
<ol type="1" start="6"><li><u>Performance (monitoring, evaluation)</u>:
One of the themes that participants zeroed in on was the evaluation of
the performance of elected representatives and making this evaluation available for
people to see. Here, the debate was around the problem of evaluation being carried out according to the criteria we set which may not seem relevant
to other sections of society. One of the suggestions that came up was to
develop a matrix for evaluation and put out information accordingly.
People can then use it to make their own judgments. <img src="http://editors.cis-india.org/events/event-blogs/uploads/00016.jpg/image_preview" alt="rt2" class="image-right" title="rt2" /><br /></li></ol>
<p>In
the post-lunch session, some of the participants shared their experiences with
implementation and also the work they and their organisations are currently
engaged with. Towards the end of the round table, each one of the participants
explained their respective projects and how they may wish to collaborate with
other participants (who were present) in their initiatives. An e-group called “CIS-Info-Access” has
been created to take these conversations and collaborations further. </p>
<h3><strong>Evaluation of the Round Table and Way Forward:</strong> <br /></h3>
<p>When
invitations were sent out to people to participate in the round table, many of
the invitees expressed a genuine and enthusiastic interest in being part of
this effort. As mentioned above, one of the reasons for this enthusiasm was
because this was the first meeting of its kind, bringing together
individuals from the fields of technology, research and implementation. We
invited a total of 35 people out of which 27 finally attended the meeting.
The diversity of the participants was an asset in that a variety of issues were
brought to the table. The drawback was that there was not enough time to
discuss some of the pertinent issues in depth. Future meetings can be tailored
to discuss one or two specific themes such as back-end integration and sharing
of information, technology issues, ideas for mobilising citizens and
communities, etc.</p>
<p>The
possibilities of collaboration between participants in this meeting are immense
and we hope that some of the synergies will materialise into concrete outcomes.
Further, a few participants have expressed an interest in organising similar
meetings in their cities/towns, perhaps focusing on a few issues instead of
bringing people together under a broad theme. Of some of the issues discussed,
participants have indicated that back-end integration with government and
ideating on different ways of disseminating data can be further deliberated on
in future. One of the participants also suggested that there is a need to make
‘data’ more relevant to people’s lives.</p>
<p>While
the meeting was fruitful in many respects, one issue needs to be underlined.
This concerns the imagination of internet and ICTs as mediums that can resolve all existing problems with respect to citizen-government
interface, streamlining of processes and provision of information. Such an
overarching imagination of technology overlooks the cultural, economic, social and
political specificities of communities and contexts. Technology
can also have negative implications in some circumstances. It also needs to be
reinforced that technology is embedded in society and culture. Therefore we
need to view technology as one of the avenues among others available which will
facilitate interactions between people and their governments and the state.
Democratisation is more likely to be realised through such a perspective.</p>
<p></p>
<p>
For more details visit <a href='http://editors.cis-india.org/events/event-blogs/round-table-assessing-efficacy'>http://editors.cis-india.org/events/event-blogs/round-table-assessing-efficacy</a>
</p>
No publishersachiaSocial mediaDigital ActivismDigital AccessPublic AccountabilityDiscussionFeaturedTransparency, Politics2011-08-20T22:28:55ZBlog EntryArchive and Access: Documents in the Time of Democracy
http://editors.cis-india.org/raw/histories-of-the-internet/blogs/the-cyborgs/documents-in-the-time-of-democracy
<b>This is the seventh in a series of blog posts documenting Aparna Balachandran, Rochelle Pinto, and Abhijeet Bhattacharya's CIS-RAW project, Archive and Access. In this entry, Rochelle Pinto introduces a sub-set of posts that will look at the political significance of public access to official documents on the internet. </b>
<p></p>
<p>Contemporary conflict over land brings
together issues of land ownership, legal documents and technology in ways that
make us examine the circulation and political significance of documents and
information. If we assess the relevance of documents as evidence or as
verifiers of truth in the midst of political battles over land, we are led to
doubt the apparently inherent democratic promise of digital technology. Even
where internet technology is accessible, for instance in the modernised
villages of Goa, our belief that public access to official documents through
the internet is a democratic gesture can be questioned. It would appear that
this form of circulation or display need not have great political significance
for contemporary movements, let alone the question of whether it has the potential to function as a politically liberating force. This implies that while there is a fulfilment of
democracy in a technical sense, the political significance of a particular
document and of the public domain in which it circulates can only be gauged
from the way in which a dispute over land or over ownership of property, or
about membership within a village, foregrounds one kind of document over
another and constructs different kinds of public. In the case of current
disputes in Goa around land that is, or was held by village level communidades
or gaunkarias, there is not even a stable or singular legal meaning attached to
the range of documents that circulate among the competing authorities and
parties to these disputes. In fact, tracing the life and path of the different
legal documents that are necessary to argue a case involving communidade land
involves a tangle of authorities, repositories and disputing groups. The sense
of publicness that is raised by internet technology requires us to question the
kind of politics that endows the document and its publicness with political
meaning.</p>
<p> In a national and possibly international
situation where anti-state claims on land are often non-legal (whether in the
form of ethical arguments or armed rebellion) the current conflicts over land in Goa are
local in the sense of having specific attributes. Special Economic Zones (as
also other prior forms of transnational economic flows) propagate a delinking of life, labour, and capital from
any fixed political entity, in as far as they claim immunity from national
laws. Against this, the diverse claims on land in Goa (whether as familial disputes,
environmental conflicts, livelihood arguments, belongingness and historical
claims of being indigenous), raise overlapping claims and arguments
about the relation between legality and politics, the use of internet
technology within resistance movements and rights over land that are outside the
domain of private property. All of these resonate with similar conflicts
ongoing in other parts of the country, with some differences in the kinds of
opposition generated. </p>
<p style="text-align: left;">The overall thrust of the argument made here is that
movements that are pitted against the state or the multinational entities it
supports straddle various forms of state power. Currently, we tend to see these
divided into the formal exercise of power through law, regulation, and systematization,
and the exercise of power through non-legal and non-state entities and means.
The widely perceived illegitimacy of the state requires it to engage in two
forms of political representation – the one consolidating its use of
governmentality through law, the other effecting its sovereignty through a
substantive exercise and demonstration of power. The appearance of legality and
the lacing through of all political processes with due procedure and due
documents is important to sustain some measure of governmentality, while the
domain of substantive politics requires that rule be maintained through overt
coercion and expropriation. The two domains are not disconnected. The ability
to amend laws by an act of government, without due discussion or consensus
gives the state infinite licence to bolster its acts of violence with legality.
The gap between these two domains provides an element of unpredictability and
turbulence that generates the frisson of excitement for viewers (as against the
sufferers) of Indian state politics. For, the sheer existence of forms of
governmentality implies that those equipped to do so will demand the fulfillment of the liberal project
that the state claims to be bound by. The Right to Information movement and the
innumerable human rights reports and people’s courts are instances of the state
being called to order within its own terms. If these calls threaten to
jeopardise interests beyond a certain threshold, then substantive violence is
enacted, more often than not exceeding the bounds of legality. Those who oppose
the state but whose opposition is articulated within the terms of
governmentality find themselves condemned to demanding justice or the restitution of truth
over decades. The success of the state
however lies in its ability to negotiate both these forms of power, allowing it
to insert itself into dominant global currents in politics and economy, while
keeping its house in order at home. This gap and its bridging is made visible
through a range of events, patterns and pronouncements. The unstable status of the
document as the locus of truth and evidence, in the context of legal and political conflicts
reveals this gap. Differing forms of punishment and justice are not the only markers of ill-fitting forms of power. Ethically admissible claims that are not based on rights, made by non-state entities that have no legal recognition are also caught on the side of all that lies outside the domain of modern statecraft. Internet technologies that work to make what was hitherto hidden or inaccessible more 'public' are necessarily inscribed within this network of quasi-legal, legitimate, illegal and illegitimate entities and practices.The working of technology then has
to be understood through the idea of governmentality as a language of control and
subversion. This is further qualified by the fact that the discourse around
writing and regulation has always been viewed with suspicion by those who stand
outside its circle of power.</p>
<p>
For more details visit <a href='http://editors.cis-india.org/raw/histories-of-the-internet/blogs/the-cyborgs/documents-in-the-time-of-democracy'>http://editors.cis-india.org/raw/histories-of-the-internet/blogs/the-cyborgs/documents-in-the-time-of-democracy</a>
</p>
No publisherrochelleDigital AccessArchives2011-08-02T05:45:44ZBlog EntryArchive and Access: The Delhi State Archives
http://editors.cis-india.org/raw/histories-of-the-internet/blogs/the-cyborgs/the-delhi-state-archives
<b>In this, the fifth entry in a series on the CIS-RAW Archive and Access project, Aparna Balachandran reports on two state archives located in Delhi, the National Archives of India, and the Delhi Archives. </b>
<p>Less visible than the National Archives of India is Delhi’s other state archive, the Delhi Archives. Unlike the NAI, which is located in Janpath at the heart of Lutyen’s Delhi, the Delhi Archives share a dilapidated building with the Delhi Institute of Heritage Research and Management, in a corner of the Qutub Institutional Area. The Delhi Archives were set up in 1972 to house documents and other material pertaining to the city of Delhi from as early as 1785, consisting mainly of the records of the Delhi Resident, and post 1857, the Commissioners’ Office. The collection is certainly not vast, but includes gems like the Mutiny Papers, the 600 page document on the trial of Bahadur Shah Zafar, papers on the post-rebellion demolition of Chandi Chowk and records on the setting up of Imperial Delhi.</p>
<p>Like the NAI, the Delhi archives are presently suffering from a lack of both funds and staff; the library, for instance, is in a state of complete disrepair. But we were assured by Sanjay Garg, who is in charge of the research room, that the archive itself is in good functioning order. The process of cataloguing its scattered Persian and Urdu records is underway, as are efforts to digitise the entire collection, about which I shall presently say more. From the very beginning, one of the important mandates for the setting up of the Delhi Archives was the acquisition of material “of interest” to Delhi (although the grounds for adjudgement seem fairly unclear) from other archival collections. We were told that records are regularly acquired from the Haryana and Punjab State Archives, and from the NAI; in addition, when funds allow, a historian is dispatched to the British Library to decide on what should be acquired from there. The Acquisitions Department also sends out a call in the papers at intervals for information about personal and family collections; sadly, we could not glean more information about this process because the person in charge was away on vacation.</p>
<p>In 2006, the Delhi archives launched an ambitious and much heralded project to digitise its entire collection; the process was still underway in early 2009. Documents, maps and photographs are being scanned and the visitor can access these on the two or three computers that are available for the purpose. Unfortunately, the computers are equipped with a search engine that is both difficult and cumbersome to use as well as being excruciatingly slow. This technology was developed by and borrowed from the NAI, where the online index is so ridden with misleading spellings as to make it practically unusable. Our brief use of the search engine at the Delhi Archives did not seem to throw up any glaring mistakes here at least – or perhaps we were dazzled by the visual materials now available online. Maps, the earliest going back to 1803; photographs including those of nationalist leaders; landscapes, cityscapes and monuments shot by colonial photographers; and hilariously, photos of the archive staff posing in the library stacks and offices are now all there to view with a mere click of the mouse. For a hundred rupees apiece moreover, the user can go home with the images of her choice on a pen-drive or a CD. </p>
<p>It is notable that the users that the Delhi State Archives and the NAI get are extremely different, a fact that impacts the way the two places function, particularly in terms of access. We were told at the research room at the NAI that the variety of users it gets has increased both in numbers and in diversity, so much so that a few years ago, archive officials decided that the category of “bonafide” user had to be expanded to include the non-academic user. Previously, access to the NAI was largely restricted to scholars armed with documentation proving their credentials; now, any citizen with some form of state identification is allowed access. While the bulk of users are still most certainly academics, the archive, or the idea of the archive, looms large in the public imagination. There are for instance, many novelists and film-makers who use the NAI. Not all are happy with their experience; some leave disappointed because the dry colonial records do not reveal, or immediately reveal the stories and detail they seek. The launching of state schemes - like the extension of martyrs pensions - that require written evidence from the archive also triggers off an increase in users. As more people and events are defined as part of, and co-opted into the National Movement, claimants to familial connections soar. We were told for example, that there was an influx of enquirers from certain villages in Haryana after a few families were able to substantiate their claims of being descendents of INA soldiers. Last year, the government agreed to grant the status of freedom fighters to the victims of the Jalliawala Bagh massacre in 1919 resulting in the arrival of those claiming to be descendents seeking evidence for the same (a complicated situation because of the vast discrepancies between the reported numbers of those killed in the British and Indian lists).</p>
<p>Interestingly, one case had a direct impact on the archival policy on access to documents. In the 1990s, with the increase in the number of heritage hotels in areas that included the former Princely States, claimants to land soared, with the NAI and the Home Ministry being dragged to court in several cases. As a result, the Accession Papers of the Princely States were made unviewable (a mystery was thereby solved when I repeated this information to a historian friend, frustrated that she was not allowed access to Dewas records from the '50s for some unknown reason). Interestingly, the largest category of new users consist of descendents of indentured labourers who left India in the eighteenth and early nineteenth centuries to places like Mauritius, Jamaica, British Guiana, Trinidad and Fiji who want to trace their family histories. This is no easy task – these migrants appear in the lists that the colonial state kept of passages, medical examinations, births, deaths and marriages but were referred to by their first names only. </p>
<p> </p>
<p><img src="http://editors.cis-india.org/raw/histories-of-the-internet/blogs/the-cyborgs/uploads/BOOKPARTII14.jpg/image_preview" alt="border map delhi archives" class="image-inline image-inline" title="border map delhi archives" /><br /><br />The profile of users at the Delhi Archives is quite different; most are non-academic and the number of scholars there could be as small as one or two a month. The non-academic user is also of a particular kind. Employees from various Delhi government departments are occasionally dispatched to the archive to refer to old files. But more importantly, the Delhi Archives are home to Delhi’s muncipal land records. A fifty to a hundred people a day arrive to look at, and make photo-copies of land records in order to settle disputes, make claims etc. The process is simple and routine and perhaps it is the fact of its being an everyday legal office that makes the Delhi Archives far simpler to access than a scholarly archive like the NAI. Entry to the NAI for instance, involves an arduous process of registration and verification; there is no such scrutiny at the Delhi Archives. Materials like border maps that are deemed as posing a threat to national security cannot be accessed at the NAI. Browsing through the maps at the Delhi Archives, we came across several border maps, a few of which we bought copies of that we can now presumably reproduce, disseminate or enlarge to hang on a wall.</p>
<p> <img src="http://editors.cis-india.org/raw/histories-of-the-internet/blogs/the-cyborgs/uploads/MEMORANDA_2.jpg/image_preview" alt="border map two delhi archives" class="image-inline image-inline" title="border map two delhi archives" /></p>
<p>We asked Sanjay Garg whether there was a policy at the Delhi to disallow the viewing of any of its records. Yes, he said, if the material was a threat to the nation’s safety. Had such a restriction ever been imposed? No, he answered.<br /><br /><br /></p>
<p>
For more details visit <a href='http://editors.cis-india.org/raw/histories-of-the-internet/blogs/the-cyborgs/the-delhi-state-archives'>http://editors.cis-india.org/raw/histories-of-the-internet/blogs/the-cyborgs/the-delhi-state-archives</a>
</p>
No publisheraparnaDigital AccessArchives2011-08-23T04:43:39ZBlog EntryThe 'Dark Fibre' Files: Interview with Jamie King and Peter Mann
http://editors.cis-india.org/a2k/blogs/dark-fibre-files
<b>Film-makers Jamie King (producer/director of the 'Steal This Film' series) and Peter Mann, in conversation with Siddharth Chadha, on 'Dark Fibre', their latest production, being filmed in Bangalore</b>
<p>'Dark Fibre' is a documentary/fiction hybrid by J. J. King, producer/director of the 'Steal This Film' series, which has already reached over six million people online and is working towards achieving international television distribution, and Peter Mann, a British film-maker whose most recent work is titled 'Sargy Mann'.</p>
<p>'Dark Fibre' is set amongst the cablewallahs of Bangalore, and uses the device of cabling to traverse different aspects of informational life in the city. It follows the lives of real cablewallahs and examines the political status of their activities.The fictional elements arrive in the form of a young apprentice cablewallah who attempts to unite the disparate home-brew networks in the city into a grassroots, horizontal 'people's network'. Some support the activity and some vehemently oppose it -- but what no one expects is the emergence of a seditious, unlicensed and anonymous new channel which begins to transform people's imaginations in the city. Our young cable apprentice is tasked with tracking down the channel, as powerful political forces array themselves against it. Not only the 'security' of the city, but his own wellbeing depend on whether he finds it, and whether it proves possible to stop its distribution. Meanwhile, mysterious elements from outside India -- possibly emissaries of a still-greater power -- are appearing on the scene. This quest for the unknown channel is reminiscent of a modern-day 'Moby Dick', with the city of Bangalore as the high seas and our cable apprentice a reluctant Ahab. The action is a combination of verite, improvisation and scripted action.</p>
<h3>In conversation with Jamie and Peter in Bangalore</h3>
<p><strong>Q: How did you get the idea to make Dark Fibre, a fiction film?</strong></p>
<strong></strong>
<p><strong>Peter: </strong></p>
<strong></strong>
<p>We first met through BritDoc--British Documentary--and they run Channel 4 which is a Film Foundation. They have been good to us. They funded both Steal This Film and 'Sargy Mann'--a film on my father who is a blind man. They organised a meeting of all the directors they had funded and we met there. We were both thinking about what to do next and felt frustrated because we were making documentaries but really wanted to make fiction. We both shared the same ideas, with regard to shooting something completely as it is but presenting it in a fictional context.</p>
<p><strong>Jamie:</strong></p>
<strong></strong>
<p>And furthermore, we agreed that documentaries are not really real life. Because at the end of the day, I will keep only what I like, make you look at the way I want you to, I would cut you out of the picture if I don't agree with you. This happens even with the most worthy of the films. And you can be more truthful in fiction because its always a subjective truth. Fiction allows things to remain more real. I don't need an argument in the film. If I can just say, here is one guy's story and this is his story, then you can see the city with no bullshit. The story would allow you to look at things as they are; it's partly that idea behind Dark Fibre.</p>
<strong>Peter:<br /><br /></strong>
<p>This is in some way related to the concept of the artistic truth. You use all the tools at your disposal to tell a story, not just literal facts. This is about presenting things within an atmosphere, presenting things in a context. This then adds up to someone understanding something about the world, and I think fiction serves that better than documentary.</p>
<p><strong>Q: What brings you to India to make Dark Fibre?</strong> </p>
<strong>Jamie:<br /><br /></strong>
<p>I think the cablewallah networks are unique. I have never seen anything like this anywhere else myself. India is also in a very, very interesting time and place. The idea of information as a commodity is alive here as it isn't in many other places. The value of information is very high here. There is a western imaginary of Bangalore which is immediately fascinating. It's the place where our information is processed. This is where our credit card and our phone data goes. And it enters a weird black market that we don't understand. This is the cliché. We already have cliché films about Bombay and call centers. We do not want to put a call center into the film because that is already the imagined cliché vision of Bangalore. It is obviously far more sophisticated than that. And in some ways it is far patchier than that. Who are these information workers? What are they doing and at which level are they doing it? Are they the street workers putting cables into walls or is it the guy at Infosys who is hiring people and teaching them to fake English accents? Which is the real information worker? That variegation of information life in Bangalore is interesting, not just to us, but, I think, to everybody. Information dexterity is perceived as the signature of Northern dominance. The ability to manipulate information, to move intellectual property, to transform an idea into a product, to transform someone else's idea into your property. That kind of dexterity is seen as the keynote of western dominance. And watching a developing country transform into an information dextrous economy, seeing information dextrous people is amazing. And then there is the patchiness of it--who gets left behind? Who gets included? Whats missed out and what is added in that vision? How is it manipulated in favor of big businesses? And all of this is fascinating not only from an orientalist's point of view but from a general economic-socio-political point of view.</p>
<p><strong>Q: What is the underlying concept that brought about Dark Fibre?</strong><br /><strong><br />Jamie:</strong><br /> <br />While making 'Steal This Film' we spent a year on a 36 minute film trying to make an argument that would be staunch, impactful, and radical. What we learned is that it's very difficult to set out to argue your way to the truth. It's relatively easier to let the world itself speak and in the meanwhile observe it in detail. The kind of issues we are engaging with in Dark Fibre are around people's relationships with information and their relationship with freedom. These are very, very hard to nail down and speak about in a radical way. These are things left to the Intellectual Property lawyers, it's already happening, it's already cliché. All the arguments are already written. And even after a year of Steal This Film, it's shown in liberal universities – Wait! Liberal universities? I was supposed to be an anarchist! We want to go further. We want to tell people things through an image.</p>
<strong></strong>
<p><strong>Peter:</strong></p>
<p>Our idea of relationships is exploring the parallel physical communications networks and the virtual networks. In a city like Bangalore you see it. The traffic here is chaotic but it works. How? There is no answer to that. But it provokes questions. Through Dark Fibre, we are trying to say that there is a potential network in the city (cablewallahs) which is currently being unused and asking what it would take to unlock that potential and where would it take us if that really happens.</p>
<p><strong>Q: Why the cablewallahs? What is so fascinating about them?</strong><br /> <br /><strong>Jamie: </strong><br /> <br />Yes, we are interested in the cablewallah network and I think it's quite perverse that it makes people from around here laugh. You see cablewallahs as a fact of life, probably a mundane fact of life. Westerners, Europeans, who are used to orderly deployments of information technology are completely blown away when you tell them that this is how it works in India. Ad hoc, grassroots, messy, out of control.</p>
<strong><br />Peter:<br /><br /></strong>
<p>To the West, it is just unthinkable that the government would allow something like these networks, which supply 24 hours television. To not have these under government control is unthinkable.</p>
<strong>Jamie:<br /><br /></strong>
<p>So, obviously, we are at a point of transition where it's unthinkable to the Global North and it would become unthinkable here too. We are in the middle of that shift and thats one of the things we are trying to document; the network form, which is horizontal, ad hoc and on the street, becomes not only regulated but seditious.</p>
<strong>Q: Why would you call it seditious?</strong><strong><br /><br />Jamie: <br /><br /></strong>
<p>Because it begins to be seen as almost dangerous. As the regulators move in, they take Direct to Home control of all the deployments of their intellectual properties. The older networks start to look not only like intellectual property right infringements, but their disorder is also seen to be terrorist.</p>
<strong>Q: What is the film trying to propose through linking these cablewallah networks?</strong>
<p> </p>
<strong>Jamie:<br /><br /></strong>
<p>Our proposal in this film is - "What if instead of just dying peacefully, someone had the idea of transforming these networks that used to deliver international and local content, by connecting them together, and turning them in to massive local media networks which are used for media sharing, file sharing, your own local channel?" There is a potential because the network is already there.</p>
<strong>Peter:<br /><br /></strong>
<p>In a way, if you think about the microcosm idea of the Internet as a whole, that essentially is what our plot is. On a certain level you would say that it's just a network but then the internet is the most important driving force of the world today.</p>
<p><strong>Jamie:</strong></p>
<strong></strong>
<p>The point is that once this idea is out, we can create the infrastructure to connect the entire city, infrastructure we can all use. Everyone starts to have a stake in it, be it the newspapers, TV channels, pirate markets (they will say, "No one is buying our shit anymore because they can share it over the network"), the computer manufacturers, the importer of Chinese routers, a gangster who thinks he can advertise on the network, the intellectual property lawyer... different people start getting the idea that they might have something to do with this network. Basically this is a chaos scenario, from which arises the plot. It is a fictional scenario but is set in the reality of information sharing here today.</p>
<p><strong>Q: What is the technique you use to make the plot hybrid fictional?</strong><br /> <br /><strong>Jamie:</strong><br /><br />The main character is played by an actor and he will be an embedded actor, working with the real cablewallah. Parts of it will be documentary, seeing how the cablewallah works and the viewer, through watching this actor, will understand how the network works. We have already spoken to some cablewallahs. And they have been very happy about all this. We see this as sort of embedded journalism, where the embedded actor takes the place of an interviewer. The film is not going to be historical. The characters will have a background and the film is going to have a background, but what we are trying to do is show the 'now'. We want to make it speak about the past and speak about the future. About our future.</p>
<p><strong>Q: 'Steal This Film' was a critique of the international intellectual property regimes. Would this film also be similarly advocative?</strong><br /> <br /><strong>Jamie:</strong><br /><br />We are going to the next level from 'Steal This Film', and this is more of my argument than Peter's -- that the conversation about Intellectual Propery is over or the film is the last word at all. But I personally need to go somewhere else to say more. I am interested in information in general. And how information affects what we can think, what we can dream, what we can be, how it forms all of us -- that is what we are working on in 'Dark Fibre' and the question of intellectual property is a subset of that question. We spend a lot of time talking about ideas and that's one of the things that connects us. We want to articulate a lot of the philosophical, abstract ideas in this film. And we will see if we can manage to do it in a new context. 'Steal This Film' interested a few people and this will be the next point of departure for discussion.</p>
<p><strong>Q: Peter, do you share Jamie's passion for Intellectual Property?</strong><br /> <br /><strong>Peter:</strong><br /><br />Not in the same way. I am very interested in the subject. Anybody who creates work is interested in it. In my last film, there is a constant commentary of a test match going on and as a result of it, it is almost impossible to sell it to television; people who own the rights to the cricket say that we have to pay them thousands of pounds! I am interested in documenting the world as it is and not what is cleaned up for TV. I am interested in the specifics. If you get on a bus in London, the ringtone everyone has on a mobile phone is not a ringtone but a particular song. But you can't put that on film because Mick Jagger, or whoever the artiste is, will want ten thousand pounds for it. The frustration that I face is that it is impossible to put the world that I see in front of me on film. I used to work with TV commercials and you would never see anything in commercials that is not the product being sold. I was once working on a Coca Cola commercial in New York and there was a person who was appointed by Coca Cola to go around the whole set to ensure that no one is drinking anything that is not made by Coca Cola, whether that is water or juice. Anything. And I think all that is about creating a creased world that we don't live in. I am interested in the world, through documentaries or fiction, that we live in. And it is bits of music, it is referenced films, we reference music, we reference sport. Just because people have rights over these, you never see them on film. That is my main area of interest, more than what is happening on the legal front.</p>
<p><img class="image-inline image-inline" src="uploads/stf.jpg/image_preview" alt="stf" height="400" width="284" /> <img class="image-inline image-inline" src="uploads/copy_of_steal_this_film_2.jpg/image_preview" alt="steal this film" height="400" width="280" /></p>
<p> </p>
<p>
For more details visit <a href='http://editors.cis-india.org/a2k/blogs/dark-fibre-files'>http://editors.cis-india.org/a2k/blogs/dark-fibre-files</a>
</p>
No publishersiddharthhistories of internet in Indiainternet and societyDigital AccessIntellectual Property RightsYouTubeart and interventionPiracyOpen Accessinnovationdigital artists2011-08-04T04:41:31ZBlog Entry