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The 'Dark Fibre' Files: The Grey Market Deficit: by Sanchia de Souza — published Apr 29, 2009 — last modified Aug 04, 2011 04:41 AM — filed under: Piracy, Intellectual Property Rights, Cable TV
In this, the third entry in his series discussing the making of 'Dark Fibre' by Jamie King and Peter Mann, Siddharth Chadha gives an overview of piracy in the pay TV industry.
Located in Access to Knowledge / Blogs
The 'Dark Fibre' Files: Cable TV Technology for Dummies: by Sanchia de Souza — published May 11, 2009 — last modified Aug 04, 2011 04:41 AM — filed under: Piracy, Intellectual Property Rights, Cable TV
In the fourth entry documenting the making of 'Dark Fibre', a film by Jamie King and Peter Mann, Siddharth Chadha simplifies cable TV technology for the uninitiated.
Located in Access to Knowledge / Blogs
The Dark Fibre Files: 'Steal This Film' and the Pirate Bay Trial: by Sanchia de Souza — published May 21, 2009 — last modified Aug 04, 2011 04:41 AM — filed under: Piracy, Intellectual Property Rights, Cable TV
In this posting, the fifth blog entry on the making of the film 'Dark Fibre' by Jamie King and Peter Mann, Siddharth Chadha discusses the Swedish trial of the Pirate Bay, which brought up some of the debates on intellectual property rights and piracy that were highlighted in 'Steal This Film'.
Located in Access to Knowledge / Blogs

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The Centre for Internet and Society (CIS) is a non-profit organisation that undertakes interdisciplinary research on internet and digital technologies from policy and academic perspectives. The areas of focus include digital accessibility for persons with disabilities, access to knowledge, intellectual property rights, openness (including open data, free and open source software, open standards, open access, open educational resources, and open video), internet governance, telecommunication reform, digital privacy, and cyber-security. The research at CIS seeks to understand the reconfiguration of social processes and structures through the internet and digital media technologies, and vice versa.

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