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Presentation at Global Digital Humanities Symposium
by Puthiya Purayil Sneha — published Mar 22, 2019 — last modified May 03, 2019 09:41 AM — filed under:
P.P. Sneha gave a virtual presentation of her work on digital cultural archives at the Global Digital Humanities Symposium organised by Michigan State University on March 21-22, 2019.
Located in RAW
Blog Entry Call for Essays — #List
by Puthiya Purayil Sneha — published Jul 12, 2019 — last modified Oct 11, 2019 05:07 PM — filed under: , , , , , ,
The researchers@work programme at CIS invites abstracts for essays that explore social, economic, cultural, political, infrastructural, or aesthetic dimensions of the ‘list’. We have selected 4 abstracts among those received before August 31, 2019, and are now accepting and evaluating further submissions on a rolling basis.
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Blog Entry Making in the Humanities – Some Questions and Conflicts
by Puthiya Purayil Sneha — published May 22, 2015 — last modified Nov 13, 2015 05:46 AM — filed under: , , , , ,
The following is an abstract for a proposed chapter on 'making' in the humanities, which has been accepted for publication in a volume titled 'Making Humanities Matter'. This is part of a new book series titled 'Debates in the Digital Humanities 2015' to be published by University of Minnesota Press (http://dhdebates.gc.cuny.edu/cfps/cfp_2015_mhm). The first draft of the chapter will be shared by mid-August 2015.
Located in RAW
Blog Entry New Modes and Sites of Humanities Practice
by Puthiya Purayil Sneha — published May 19, 2016 — last modified Jun 30, 2016 04:45 AM — filed under: , , , ,
An extended survey of digital initiatives in arts and humanities practices in India was undertaken during the last year. Provocatively called 'mapping digital humanities in India', this enquiry began with the term 'digital humanities' itself, as a 'found' name for which one needs to excavate some meaning, context, and location in India at the present moment. Instead of importing this term to describe practices taking place in this country - especially when the term itself is relatively unstable and undefined even in the Anglo-American context - what I chose to do was to take a few steps back, and outline a few questions/conflicts that the digital practitioners in arts and humanities disciplines are grappling with. The final report of this study will be published serially. This is the sixth among seven sections.
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Blog Entry Creativity, Politics, and Internet Censorship
by Puthiya Purayil Sneha — published Jun 16, 2016 — last modified Jun 17, 2016 07:07 AM — filed under: , , ,
In collaboration with Karnataka for Kashmir, we organised a discussion on 'Creativity, Politics and Internet Censorship' on May 25, 2016. Mahum Shabir, a legal activist and artist, Mir Suhail, political cartoonist with Kashmir Reader and Rising Kashmir, and Habeel Iqbal, a lawyer who has worked with several justice groups in Kashmir, shared some of their work and experiences. This discussion was organised as part of Port of Kashmir 2016, a series of events bringing together a small collective of people using different modes of art and activism to address crucial challenges to free speech and democracy in the state.
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Blog Entry Digital Humanities in India – Concluding Thoughts
by Puthiya Purayil Sneha — published Jun 30, 2016 — last modified Jun 30, 2016 04:48 AM — filed under: , , , , ,
An extended survey of digital initiatives in arts and humanities practices in India was undertaken during the last year. Provocatively called 'mapping digital humanities in India', this enquiry began with the term 'digital humanities' itself, as a 'found' name for which one needs to excavate some meaning, context, and location in India at the present moment. Instead of importing this term to describe practices taking place in this country - especially when the term itself is relatively unstable and undefined even in the Anglo-American context - what I chose to do was to take a few steps back, and outline a few questions/conflicts that the digital practitioners in arts and humanities disciplines are grappling with. The final report of this study will be published serially. This is the final section.
Located in RAW
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