Code As Communication

With the emergence of free "creative coding" and "live coding" platforms like Processing, OpenFrameworks, PureData, vvvv, and SuperCollider, the boundaries between code and creative expression have further eroded, initiating inquiry as to its overlap with "traditional" creative writing. We are confronted with old questions within new contexts. As existing institutions incorporate emerging technologies into their creative programs and new ones take root and solidify, how do we make an infrastructure which most effectively and transparently fosters the development of creative technology? How do we ensure that this process is fair and democratic, and at greatest benefit and lowest cost to the public? What rights should users and developers receive? As the distinction between art and technology becomes blurry, what relevance does the FOSS movement have in cultivating cultural production?

Gene Kogan

Gene Kogan is a programmer and artist who writes free software for new and emerging technologies. He creates tools for live music, dance, theatre, and performance art. He contributes to numerous open-source software projects, and frequently gives workshops and demonstrations on topics related to code and art.

Follow Gene Kogan elsewhere:

• Website: http://www.genekogan.com

• Vimeo: http://www.vimeo.com/genekogan

• Soundcloud: http://www.soundcloud.com/genekogan

• Flickr: http://www.flickr.com/genekogan

• Github: http://www.github.com/genekogan

• Twitter: http://www.twitter.com/genekogan