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Locating Internets: Histories of the Internet(s) in India — Research Training and Curriculum Workshop: Call for Participation
by Prasad Krishna published Jun 11, 2011 last modified Jul 21, 2011 06:00 AM — filed under: , , , , , , , , , , ,
Deadline for submission: 26th July 2011-06-08; When: 19th - 22nd August, 2011; Where: Centre for Environmental Planning and Technology (CEPT) University, Ahmedabad; Organised by: Centre for Internet and Society, Bangalore and CEPT University, Ahmedabad. Please Note: Travel support is only available for domestic travel within India.
Located in Research / Conferences & Workshops / Conference Blogs
Blog Entry Between the Stirrup and the Ground: Relocating Digital Activism
by Nishant Shah published Aug 23, 2011 last modified Oct 25, 2015 05:58 AM — filed under: , , , , ,
In this peer reviewed research paper, Nishant Shah and Fieke Jansen draws on a research project that focuses on understanding new technology, mediated identities, and their relationship with processes of change in their immediate and extended environments in emerging information societies in the global south. It suggests that endemic to understanding digital activism is the need to look at the recalibrated relationships between the state and the citizens through the prism of technology and agency. The paper was published in Democracy & Society, a publication of the Center for Democracy and Civil Society, Volume 8, Issue 2, Summer 2011.
Located in RAW
Blog Entry Material Cyborgs; Asserted Boundaries: Formulating the Cyborg as a Translator
by Nishant Shah published Nov 07, 2011 last modified Oct 25, 2015 05:57 AM — filed under: , , , , ,
In this peer reviewed article, Nishant Shah explores the possibility of formulating the cyborg as an author or translator who is able to navigate between the different binaries of ‘meat–machine’, ‘digital–physical’, and ‘body–self’, using the abilities and the capabilities learnt in one system in an efficient and effective understanding of the other. The article was published in the European Journal of English Studies, Volume 12, Issue 2, 2008. [1]
Located in RAW
Blog Entry Evaluating Safety Buttons on Mobile Devices: Preview
by Rohini Lakshané and Chinmayi S.K. published Mar 27, 2017 last modified Sep 10, 2017 06:45 PM — filed under: , , , , ,
Much technological innovation for women is aimed at addressing violence against women. One such ubiquitous intervention is mobile device-based safety applications, also known as emergency applications. Several police departments in India, public transport services, and commercial services such as taxi-hailing apps deploy a mobile device-based “panic button” for the safety of citizens or customers, especially women. However, the proliferation of safety apps through both public and private players raises several concerns, which will be studied through this study by Rohini Lakshané of the CIS and Chinmayi S.K. of The Bachchao Project. Research assistance for this report was provided by CIS intern Harish R.S.K. Visualisations by Saumyaa Naidu.
Located in RAW
Blog Entry Storytelling as Performance: The Ugly Indian and Blank Noise 1
by Denisse Albornoz published Feb 24, 2014 last modified Oct 24, 2015 02:31 PM — filed under: , , , , ,
This post compares the production behind a performance with the process of storytelling. To illustrate this analogy, we explore the stories of the Blank Noise project and The Ugly Indian- two civic groups from Bangalore making interventions in the public space. This post looks at the stages of pre-production and the screenplay to explore methods and narratives in storytelling.
Located in Digital Natives / Making Change
Blog Entry Studying Digital Creative Industries in India: Initial Questions
by Puthiya Purayil Sneha published Mar 17, 2016 last modified Mar 18, 2016 01:55 PM — filed under: , , , ,
This brief overview of the discourse around creative industries is an attempt to explore some ways of identifying what could be digital creative industries in India, and the questions they raise and problematize for us in terms of cultural expression, knowledge production, creativity and labour. The term ‘creative industries’ has been around for a while now, but with the advent of the digital, and with interest from different sectors, especially with a focus on policy and economic development, it would be essential to critically examine the discourse around the term, and see where it may be changing to open up new possibilities, particularly for the arts, humanities and design.
Located in RAW
Blog Entry New Contexts and Sites of Humanities Practice in the Digital (Paper)
by Puthiya Purayil Sneha published Jun 25, 2018 last modified Jun 26, 2018 09:40 AM — filed under: , , , ,
The ubiquitous presence of the ‘digital’ over the couple of decades has brought with it several important changes in interdisciplinary forms of research and knowledge production. Particularly in the arts and humanities, the role of digital technologies and internet has always been a rather contentious one, with more debate spurred now due to the growth of fields like humanities computing, digital humanities (henceforth DH) and cultural analytics. Even as these fields signal several shifts in scholarship, pedagogy and practice, portending a futuristic imagination of the role of technology in academia and practice on the one hand, they also reflect continuing challenges related to the digital divide, and more specifically politics around the growth and sustenance of the humanities disciplines. A specific criticism within more recent debates around the origin story of DH in fact, has been its Anglo-American framing, drawing upon a history in humanities computing and textual studies, and located within a larger neoliberal imagination of the university and academia. While this has been met with resistance from across different spaces, thus calling for more diversity and representation in the discourse, it is also reflective of the need to trace and contextualize more local forms of practice and pedagogy in the digital as efforts to address these global concerns. This essay by Puthiya Purayil Sneha draws upon excerpts from a study on the field of DH and related practices in India, to outline the diverse contexts of humanities practice with the advent of the digital and explore the developing discourse around DH in the Indian context.
Located in RAW
Blog Entry Data bleeding everywhere: a story of period trackers
by Sumandro Chattapadhyay published Jun 11, 2019 last modified Jun 11, 2019 01:25 PM — filed under: , , , , ,
This is an excerpt from an essay by Sadaf Khan, written for and published as part of the Bodies of Evidence collection of Deep Dives. The Bodies of Evidence collection, edited by Bishakha Datta and Richa Kaul Padte, is a collaboration between Point of View and the Centre for Internet and Society, undertaken as part of the Big Data for Development Network supported by International Development Research Centre, Canada.
Located in RAW
Blog Entry Unpacking video-based surveillance in New Delhi
by Aayush Rathi and Ambika Tandon published Jun 20, 2019 last modified Jun 20, 2019 05:13 AM — filed under: , , , , , ,
Aayush Rathi and Ambika Tandon presented at an international workshop on 'Urban Data, Inequality and Justice in the Global South', on 14 June 2019, at the University of Manchester. The agenda for the workshop and the slides from the presentation by Aayush and Ambika are available below.
Located in RAW
Blog Entry Making Humanities in the Digital: Embodiment and Framing in Bichitra and Indiancine.ma
by Puthiya Purayil Sneha published Mar 31, 2018 last modified Jun 25, 2018 12:50 PM — filed under: , , , ,
The growth of the internet and digital technologies in the last couple of decades, and the emergence of new ‘digital objects’ of enquiry has led to a rethinking of research methods across disciplines as well as innovative modes of creative practice. This chapter authored by Puthiya Purayil Sneha (published in 'Making Things and Drawing Boundaries: Experiments in the Digital Humanities' edited by Jentery Sayers) discusses some of the questions that arise around the processes by which digital objects are ‘made’ and made available for arts and humanities research and practice, by drawing on recent work in text and film archival initiatives in India.
Located in RAW