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Art and Science from the Tiniverse--An Artist's Perspective on Nanotechnology

by Sanchia de Souza last modified Apr 05, 2011 04:39 AM
Talk by Julie Freeman

Event details

When

Mar 09, 2009
from 10:30 AM to 12:00 PM

Where

Centre for Internet and Society, Bangalore

Contact Name

Contact Phone

+91 80 4092 6283

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The Centre for Internet and Society invites you to a talk by Julie Freeman, Wellcome Trust Artist in Residence at the Microsystems and Nanotechnology Centre, Cranfield University.

Abstract

How many people know that, on a fairly prosaic level, nanoparticles are already in everyday use, enhancing the functionality of (for example) sun creams and sticking plasters? In tandem, rumours abound in the media of much more revolutionary advances, such as tiny machines that can zip around our bloodstream killing viruses, but these are still far from being realised. So what is nanotechnology about, and why do we need to know about it?
 
Sharing a desire to convey scientific information in a non-traditional and non-scientific way, Julie Freeman, artist, has collaborated with Jeremy Ramsden, Professor of Nanotechnology, to develop creative works to advance the understanding of fundamental processes, issues and techniques within and surrounding nanotechnology. The artist’s fascination with biology and technology has steered her toward his subject, where these worlds seem to collide. 
 
In this talk Freeman will discuss her experiences of working with scientists in the nanotechnology world, how science and it's methodologies impact her artwork and will display the Nano Novels – sets of stereo literature and imagery – which help to contextualise nanotechnology. 

 

Speaker

 

Julie Freeman's work spans visual, audio and digital art forms and explores the relationship between science, nature and how humans interact with it. For the past 12 years her work has focused on using electronic technologies to ‘translate nature’ – whether it is through the sound of torrential rain dripping on a giant rhubarb leaf; a pair of mobile concrete speakers who lurk in galleries haranguing passersby with fractured sonic samples or by providing an interactive platform from which to view the flap, twitch and prick of dogs’ ears.

In 2005 she launched her most known digital artwork The Lake, which used hydrophones, custom software and advanced technology to track electronically tagged fish and translate their movement into an audio-visual experience. The work was developed over three years and supported by Tingrith Coarse Fishery and a two year fellowship from NESTA (The National Endowment for Science, Technology and the Arts).

She is currently artist-in-residence at the Microsystems and Nanotechnology Centre at Cranfield University where she is creating works that aim to increase public understanding of self-assembly and organising processes at the nanoscale and their potential social impacts and consequences.

Julie is a graduate of the MA in Digital Arts at the Centre for Electronic Arts, Middlesex University, London, and Steering Group Chair of FreqOUT! an innovative London based community arts programme, enabling young people to work with wireless technologies.

Time and Date

Monday, 9 March, 2009; 4.00-5.30 pm

Venue

Centre for Internet and Society, No. D2, 3rd Floor, Sheriff Chambers, 14, Cunningham Road, Bangalore - 560052

Map

For a map, please click here.

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