Research

by Sumandro Chattapadhyay last modified Apr 03, 2018 08:06 AM

Studying Digital Creative Industries in India: Initial Questions

by Puthiya Purayil Sneha — last modified Mar 18, 2016 01:55 PM

This brief overview of the discourse around creative industries is an attempt to explore some ways of identifying what could be digital creative industries in India, and the questions they raise and problematize for us in terms of cultural expression, knowledge production, creativity and labour. The term ‘creative industries’ has been around for a while now, but with the advent of the digital, and with interest from different sectors, especially with a focus on policy and economic development, it would be essential to critically examine the discourse around the term, and see where it may be changing to open up new possibilities, particularly for the arts, humanities and design.

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The Aakash Tablet and Technological Imaginaries of Mass Education in Contemporary India (Excerpt)

by Sumandro Chattapadhyay — last modified Feb 14, 2016 10:11 AM

In a recently published paper, Jahnavi Phalkey and Sumandro Chattapadhyay explore public initiatives in technological solutions for educating the poor and the disadvantaged in independent India. Here is an edited excerpt from the paper that traces the recent history of technological solutions for mass education and unpacking the narrative of ‘failure’ that is associated with the Aakash experiment.

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Living in the Archival Moment

by Puthiya Purayil Sneha — last modified Jun 30, 2016 05:08 AM

An extended survey of digital initiatives in arts and humanities practices in India was undertaken during the last year. Provocatively called 'mapping digital humanities in India', this enquiry began with the term 'digital humanities' itself, as a 'found' name for which one needs to excavate some meaning, context, and location in India at the present moment. Instead of importing this term to describe practices taking place in this country - especially when the term itself is relatively unstable and undefined even in the Anglo-American context - what I chose to do was to take a few steps back, and outline a few questions/conflicts that the digital practitioners in arts and humanities disciplines are grappling with. The final report of this study will be published serially. This is the fifth among seven sections.

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The Infrastructure Turn in the Humanities

by Puthiya Purayil Sneha — last modified Jun 30, 2016 05:07 AM

An extended survey of digital initiatives in arts and humanities practices in India was undertaken during the last year. Provocatively called 'mapping digital humanities in India', this enquiry began with the term 'digital humanities' itself, as a 'found' name for which one needs to excavate some meaning, context, and location in India at the present moment. Instead of importing this term to describe practices taking place in this country - especially when the term itself is relatively unstable and undefined even in the Anglo-American context - what I chose to do was to take a few steps back, and outline a few questions/conflicts that the digital practitioners in arts and humanities disciplines are grappling with. The final report of this study will be published serially. This is the fourth among seven sections.

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Reading from a Distance – Data as Text

by Puthiya Purayil Sneha — last modified Jun 30, 2016 05:06 AM

An extended survey of digital initiatives in arts and humanities practices in India was undertaken during the last year. Provocatively called 'mapping digital humanities in India', this enquiry began with the term 'digital humanities' itself, as a 'found' name for which one needs to excavate some meaning, context, and location in India at the present moment. Instead of importing this term to describe practices taking place in this country - especially when the term itself is relatively unstable and undefined even in the Anglo-American context - what I chose to do was to take a few steps back, and outline a few questions/conflicts that the digital practitioners in arts and humanities disciplines are grappling with. The final report of this study will be published serially. This is the third among seven sections.

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Silicon Plateau Vol-1

by Sumandro Chattapadhyay — last modified Mar 13, 2019 12:56 AM

This book marks the beginning of an interdisciplinary artistic project, Silicon Plateau, the scope of which is to observe how the arts, technology and society intersect in the city of Bangalore. Silicon Plateau is a collaboration between T.A.J. Residency & SKE Projects and the Researchers at Work (RAW) programme of the Centre for Internet and Society in Bangalore, India. Volume 1 has been developed in collaboration with or-bits.com.

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A Question of Digital Humanities

by Puthiya Purayil Sneha — last modified Jun 30, 2016 05:06 AM

An extended survey of digital initiatives in arts and humanities practices in India was undertaken during the last year. Provocatively called 'mapping digital humanities in India', this enquiry began with the term 'digital humanities' itself, as a 'found' name for which one needs to excavate some meaning, context, and location in India at the present moment. Instead of importing this term to describe practices taking place in this country - especially when the term itself is relatively unstable and undefined even in the Anglo-American context - what I chose to do was to take a few steps back, and outline a few questions/conflicts that the digital practitioners in arts and humanities disciplines are grappling with. The final report of this study will be published serially. This is the second among seven sections.

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Digital Humanities in India?

by Puthiya Purayil Sneha — last modified Jun 30, 2016 05:05 AM

An extended survey of digital initiatives in arts and humanities practices in India was undertaken during the last year. Provocatively called 'mapping digital humanities in India', this enquiry began with the term 'digital humanities' itself, as a 'found' name for which one needs to excavate some meaning, context, and location in India at the present moment. Instead of importing this term to describe practices taking place in this country - especially when the term itself is relatively unstable and undefined even in the Anglo-American context - what I chose to do was to take a few steps back, and outline a few questions/conflicts that the digital practitioners in arts and humanities disciplines are grappling with. The final report of this study will be published serially. This is the first among seven sections.

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Civil Society Organisations and Internet Governance in India - Open Review

by Sumandro Chattapadhyay — last modified Nov 13, 2015 05:51 AM

This is a book section written for the third volume (2000-2010) of the Asia Internet History series edited by Prof. Kilnam Chon. The pre-publication text of the section is being shared here to invite suggestions for addition and modification. Please share your comments via email sent to raw[at]cis-india[dot]org with 'Civil Society Organisations and Internet Governance in India - Comments' as the subject line. This text is published under Creative Commons Attribution-NoDerivatives 4.0 International license.

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Civil Society Organisations and Internet Governance in Asia - Open Review

by Sumandro Chattapadhyay — last modified Nov 13, 2015 05:54 AM

This is a book section written for the third volume (2000-2010) of the Asia Internet History series edited by Prof. Kilnam Chon. The pre-publication text of the section is being shared here to invite suggestions for addition and modification. Please share your comments via email sent to raw[at]cis-india[dot]org with 'Civil Society Organisations and Internet Governance in Asia - Comments' as the subject line. This text is published under Creative Commons Attribution-NoDerivatives 4.0 International license.

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